| Photos (See all 22 | slideshow) | Videos (see all 3) |
| Ken Marshall | ... | Colwyn | |
| Lysette Anthony | ... | Lyssa | |
| Freddie Jones | ... | Ynyr | |
| Francesca Annis | ... | Widow of the Web | |
| Alun Armstrong | ... | Torquil | |
| David Battley | ... | Ergo | |
| Bernard Bresslaw | ... | Cyclops | |
| Liam Neeson | ... | Kegan | |
| John Welsh | ... | Seer | |
| Graham McGrath | ... | Titch | |
| Tony Church | ... | Turold | |
| Bernard Archard | ... | Eirig | |
| Belinda Mayne | ... | Vella | |
| Dicken Ashworth | ... | Bardolph | |
| Todd Carty | ... | Oswyn | |
| Robbie Coltrane | ... | Rhun | |
| Clare McIntyre | ... | Merith | |
| Bronco McLoughlin | ... | Nennog | |
| Andy Bradford | ... | Darro | |
| Gerard Naprous | ... | Quain | |
| Bill Weston | ... | Menno | |
| rest of cast listed alphabetically: | |||
| Lindsay Crouse | ... | Princess Lyssa (voice) (uncredited) | |
| Michael Elphick | ... | Rhun (voice) (uncredited) | |
| Derek Lyons | ... | White Slayer with Tiger (uncredited) | |
| Trevor Martin | ... | The Beast (voice) (uncredited) | |
| Dinny Powell | ... | Slayer in the Swamp (uncredited) | |
| Nosher Powell | ... | Slayer in the Swamp (uncredited) | |
| Tom Rumpf | ... | Sword Fighter (uncredited) | |
Directed by | |||
| Peter Yates | |||
Writing credits | ||
| Stanford Sherman | (written by) | |
Produced by | |||
| Geoffrey Helman | .... | associate producer | |
| Ted Mann | .... | executive producer | |
| Ron Silverman | .... | producer | |
Original Music by | |||
| James Horner | |||
Cinematography by | |||
| Peter Suschitzky | (director of photography) | ||
Film Editing by | |||
| Ray Lovejoy | |||
Casting by | |||
| Patsy Pollock | |||
Production Design by | |||
| Stephen B. Grimes | (as Stephen Grimes) | ||
Art Direction by | |||
| Tony Curtis | |||
| Norman Dorme | |||
| Colin Grimes | |||
| Tony Reading | |||
Set Decoration by | |||
| Herbert Westbrook | |||
Costume Design by | |||
| Anthony Mendleson | |||
Makeup Department | |||
| Christine Allsopp | .... | special makeup unit | |
| Alan Boyle | .... | makeup artist | |
| Linda DeVetta | .... | makeup assistant (as Linda De Vetta) | |
| Nick Dudman | .... | special makeup unit | |
| Nick Forder | .... | special makeup unit | |
| Magdalen Gaffney | .... | special makeup unit | |
| Joyce James | .... | hairdresser | |
| Bob Keen | .... | special makeup unit | |
| Beryl Lerman | .... | special makeup unit | |
| Nick Maley | .... | special makeup designer | |
| Christine Overs | .... | special makeup unit | |
| Richard Padbury | .... | special makeup unit | |
| Barbara Ritchie | .... | hair stylist | |
| Stuart Robinson | .... | special makeup unit (as Stewart Robinson) | |
| Joan White | .... | hairdresser | |
| Gloria Maley | .... | special makeup unit (uncredited) | |
| Marian Nicholson | .... | special makeup unit (uncredited) | |
| Joseph Ross | .... | special makeup effects (uncredited) | |
| David White | .... | special makeup unit trainee (uncredited) | |
Production Management | |||
| Vicente Escrivá hijo | .... | location production manager: Lanzarote | |
| Mario Pisani | .... | production manager: Italy | |
| Nigel Wooll | .... | production manager | |
Art Department | |||
| Albert Blackshaw | .... | construction manager | |
| Francesco Chianese | .... | art director: Italy | |
| Bert Hearn | .... | property master | |
| Andrew Holder | .... | modeller | |
| Maurice Jones | .... | stand-by props | |
| Danny Skundric | .... | stand-by props | |
| Peter Voysey | .... | sculptor | |
| Mick Chubbock | .... | plasterer (uncredited) | |
| Paul Duff | .... | carpenter (uncredited) | |
| David Fyson | .... | production buyer (uncredited) | |
| Duncan Guest | .... | carpenter (uncredited) | |
| Robert Jackson | .... | carpenter (uncredited) | |
| Brian Muir | .... | sculptor (uncredited) | |
| Bill Stallion | .... | storyboard artist (uncredited) | |
| Mark White | .... | props (uncredited) | |
| Mark White | .... | props: re-shoot (uncredited) | |
Sound Department | |||
| Alan Corder | .... | assistant foley editor | |
| Richard Daniel | .... | sound technician | |
| Dino Di Campo | .... | dialogue editor | |
| Nicholas Hosker | .... | assistant sound effects editor | |
| Jack T. Knight | .... | foley editor (as Jack Knight) | |
| Ray Merrin | .... | assistant re-recording mixer | |
| William Parnell | .... | assistant dialogue editor | |
| Bill Rowe | .... | supervising sound re-recording mixer | |
| Winston Ryder | .... | supervising sound effects editor | |
| Ivan Sharrock | .... | sound mixer | |
| Ken Weston | .... | boom operator | |
| Scott Brose | .... | sound editor (uncredited) | |
| Philip Rogers | .... | sound recordist (uncredited) | |
| Lionel Strutt | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Alan Barnard | .... | special effects technician | |
| Peter Biggs | .... | special effects technician | |
| Chris Corbould | .... | special effects technician | |
| Michael Dunleavy | .... | special effects technician | |
| John Evans | .... | special effects | |
| Cyril Forster | .... | special effects technician | |
| Martin Gant | .... | special effects technician | |
| Robert Gavin | .... | assistant special effects editor | |
| Andrew Kelly | .... | special effects technician | |
| Norman Kerss | .... | special effects technician | |
| John Markwell | .... | special effects technician | |
| Mark Meddings | .... | special effects | |
| John Pakenham | .... | special effects technician | |
| Mike Round | .... | special effects editor | |
| Phil Sanderson | .... | assistant special effects editor (as Philip Sanderson) | |
| Terry Schubert | .... | special effects technician | |
| Roy Spencer | .... | special effects technician | |
| Margaret Thompson | .... | assistant special effects editor | |
| Ron Vincent | .... | special effects projectionist | |
| Brian Warner | .... | special effects technician | |
Visual Effects by | |||
| Steven Archer | .... | animator | |
| Robin Browne | .... | optical effects | |
| Peter Chiang | .... | special effects graphic artist | |
| John Fletcher | .... | optical effects unit | |
| Jamie Harcourt | .... | optical effects unit | |
| David Litchfield | .... | optical effects unit | |
| Derek Meddings | .... | visual effects supervisor | |
| John Morgan | .... | camera operator: visual effects unit | |
| Terry Reed | .... | supervising modelmaker | |
| Jonathan Taylor | .... | camera focus: visual effects unit | |
| Keith Thomas | .... | optical effects unit | |
| Malcolm Vinson | .... | optical effects unit | |
| Peter Wilkinson | .... | construction manager: visual effects unit | |
| Paul Wilson | .... | visual effects photography | |
| Ken Worringham | .... | optical effects unit | |
| Craig Chandler | .... | optical effects (uncredited) | |
| Alan Church | .... | optical camera operator (uncredited) | |
| Martyn Hall | .... | visual effects (uncredited) | |
Camera and Electrical Department | |||
| Chic Anstiss | .... | camera operator: second unit | |
| Bob Bridges | .... | video operator | |
| Keith Hamshere | .... | still photographer | |
| Mike Harris | .... | video operator | |
| Paul Kenward | .... | clapper loader | |
| Billy Malone | .... | assistant camera | |
| John May | .... | gaffer | |
| Kelvin Pike | .... | camera operator | |
| Peter Robinson | .... | camera focus | |
| Mike Rutter | .... | camera focus: second unit | |
| John Sullivan | .... | best boy | |
| Jack Thetford | .... | gaffer | |
| Chris Warren | .... | video operator | |
| Maurice Gillett | .... | gaffer (uncredited) | |
| Vince Goddard | .... | electrician (uncredited) | |
| Douglas Webb | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Rosemary Burrows | .... | wardrobe supervisor | |
| Renee Heimer | .... | wardrobe | |
| Ken Lawton | .... | wardrobe | |
Editorial Department | |||
| Gill Smith | .... | assistant film editor | |
| Gordon Stainforth | .... | assistant film editor | |
Music Department | |||
| Bob Badami | .... | music editor | |
| James Horner | .... | conductor | |
| Greig McRitchie | .... | orchestrator | |
| John Richards | .... | music recording engineer | |
| Ian Underwood | .... | synthesizer effects | |
Transportation Department | |||
| Michael Marks | .... | transportation supervisor | |
Other crew | |||
| Verena Baldeo | .... | production assistant: Italy | |
| Sallie Beechinor | .... | production assistant | |
| Paolo Fabbri | .... | location manager: Italy | |
| Rafael García | .... | caterer: Italy | |
| Sara Keene | .... | unit publicist | |
| Jak King | .... | production accountant | |
| Michael John Knatchbull | .... | location manager | |
| Cheryl Leigh | .... | continuity | |
| Rachel Neale | .... | production assistant | |
| Melinda Rees | .... | continuity: second unit | |
| Lili Ungar | .... | promotion consultant | |
| Vic Armstrong | .... | head wrangler (uncredited) | |
| Nikolas Korda | .... | runner (uncredited) | |
| Craig Miller | .... | marketing consultant (uncredited) | |
| Tony Miller | .... | assistant accountant (uncredited) | |
| Enzo Sisti | .... | production accountant (uncredited) | |
|
|
|
|
|
| The Lord of the Rings: The Return of the King | DragonHeart | Masters of the Universe | Prince of Persia: The Sands of Time | Star Wars: Episode VI - Return of the Jedi |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Fantasy section | IMDb UK section |
I love these sorts of films; attempts at fantasy which diverge from the usual sort of run of the mill stuff. Krull remains original even now. Where computerised effects are mainstream today, in this film they are rarely used and the crew get round it with more hands on methods; making the entire piece look far more realistic.
Granted the plot could be a little cliched, but the way in which the story tackles it is good, and you won't be bored by the various chapters that are presented. You get whisked away and there is enough background and adventure to substantiate the film and you aren't left wondering if there could have been more to it, but rather, you are immersed *in* the film and finish watching it with a sentimental 'Aww.. that was brilliant, is that it? I want more..' The various characters that the protagonist meets throughout the story is cool, and really lends to the effectiveness of the developing background. It all becomes entwined, and makes for a fulfilling plot.
If you liked Legend (Tom Cruise, Mia Sara) for its different direction or Dragonslayer for its dynamic special effects, then you'll probably like this similarly-aged colleague of that era.