Koyaanisqatsi (1982) 8.1
A movie with no conventional plot: merely a collection of expertly photographed scenes. Subject matter has a highly environmental theme. Director:Godfrey Reggio |
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Koyaanisqatsi (1982) 8.1
A movie with no conventional plot: merely a collection of expertly photographed scenes. Subject matter has a highly environmental theme. Director:Godfrey Reggio |
|
| 0Share... |
| Uncredited cast: | |||
| Lou Dobbs | ... |
Himself
(uncredited)
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Ted Koppel | ... |
Himself
(archive footage) (uncredited)
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Koyaanisqatsi is a documentary (of sorts). It is also a visual concert of images set to the haunting music of 'Phillip Glass' . While there is no plot in the traditional sense, there is a definate scenario. The film opens on ancient native American cave drawings, while the soundtrack chants "Koyaanisqatsi" which is a Hopi indian term for "life out of balance". The film uses extensive time lapse photography (which speeds images up) and slow motion photography to make comparisons between different types of physical motion. In one of the first examples, we see cloud formations moving (sped up) intercut with a montage of ocean waves (slowed down) and in such a way we are able to see the similarities of movement between these natural forces. This technique of comparison exists throughout the film, and through it we learn more about the world around us. The film progresses from purely natural environments to nature as affected by man, and finally to man's own manmade environment, devoid of ... Written by Andrew M. Somers <film@myndex.com>
This is a stunningly beautiful movie. The music by Phillip Glass is just a work of pure genius. I can watch this movie again and again. The final sequence of the Hobi legend's judgment where the container falls from the sky is just unbelievable. How was it filmed? It's so amazing. If you have not seen this film watch it - again and again! This must be the only movie which in a powerful way, far better than, say, "Apocalypse Now", sums up why our current "civilization" might be heading for destruction. Moreover, "Koyaanisquatsi" "defamiliarizes" the world and humanity allowing the viewer to benefit from a "verfremdung" viewpoint. In other words, we learn so much about our own life and life in general by watching it from this entirely new viewpoint of "Koyannisqautsi", where fast motion is used extensively. What is mankind about? Why are we moving so fast? Towards what goal? What is nature? What is the driving force of nature? What is the pulse of the earth? What is our relation with ourselves, nature and other people and animals? Moreover, I think this movie is better than the sequel "Powaquatsi". Anyway, I cannot emphasize enough how brilliant "Koyaanisqatsi" is. Watch it! Watch it! Watch it!