Image and music are intertwined in this third collaboration between director Godfrey Reggio and composer Philip Glass. The film was produced to celebrate the World Wildlife Fund's ... See full summary »
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Balinese Tari Legong Dancers,
Ni Made Megahadi Pratiwi,
Puti Sri Candra Dewi
A unique look at total eclipses, capturing the experience within the scenery of a wide range of settings around the planet, from ancient ruins to city skylines. Totality is constantly ... See full summary »
"JOURNEY OF HANUMAN" Preserves moments still existing in India that have not been disturbed by globalization and are connected with the antique spiritual knowledge of India. I wanted to ... See full summary »
A spiritual love-story set in the majestic landscape of Ladakh, Himalayas. Samsara is a quest; one man's struggle to find spiritual Enlightenment by renouncing the world. And one woman's ... See full summary »
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
This documentary looks at the world and more specifically the effect man has had on the landscape and the environment. Without narration, the film shows the world in a pristine condition and untouched: blue skies, beautiful landscapes and endless vistas. The man-made world is much less appealing. Essentially a montage using a variety of film techniques to provide a visually stunning montage of images. Written by
October 4, 1982. More than 5,000 people filled the sold out Radio City Music Hall to experience a remarkable film event. That event was the world premiere of KOYAANISQATSI. Now everyone can share the power of that experience. See more »
The choral piece near the end of the film, "Prophecies", is sung in the Hopi dialect. The translation is: "If we dig precious things from the land, we will invite disaster. Near the Day of Purification, there will be cobwebs spun back and forth in the sky. A container of ashes might one day be thrown from the sky, which could burn the land and boil the oceans." See more »
About an hour into the movie, the camera operator is reflected in the elevator's glass window as the elevator passes "between" floors while shooting the escalators. See more »
Translation of the Hopi Prophecies sung in the film: "If we dig precious things from the land, we will invite disaster." - "Near the Day of Purification, there will be cobwebs spun back and forth in the sky." - "A container of ashes might one day be thrown from the sky, which could burn the land and boil the oceans."
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Kind of like 2001: A Space Odyssey, but without the constant barrage of dialogue...
Koyaanisqatis is an extremely unusual film, and by far one of the most unusual I have ever seen. It takes on the daunting task of portraying the history of the world until modern times (or the early 80s, at least) entirely without dialogue. It is a documentary of sorts, in that it is amazingly informative, but it is filmed like a Hollywood film. Expertly framed shots and flawlessly smooth camera movement and shot composition. There is an unbelievable amount of talent behind this film, both in the fascinating images that are presented and the mesmerizing score by Philip Glass.
It is a very slow moving film, but it manages to keep your attention because, in many cases, it is just so interesting to see the things that are portrayed and the way that they are shown. This is the only film, for example, where you can see a shot of a 737 approaches directly toward the camera over a hot runway in a shot that is possibly over a minute long with no movement other than the sluggish lumbering of the massive plain.
Godfrey Reggio takes Glass's score and places images over it that add to the sound and create an experience that is far greater than, as they say, the sum of its parts. The shots contain camera movement or lack movement, are sped up or slowed down, and have live sound or no live sound depending on the desired effect, and the end result is absolutely hypnotic.
This is a wonderful cinematic experience for people of all ages, and possibly my favorite thing about this film and it's successors is that, because they have no dialogue, they can be shown in any country in the world and not have to worry about subtitles or even altered meanings. This is a film for humanity.
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