Koyaanisqatsi (1982) 8.1
A movie with no conventional plot: merely a collection of expertly photographed scenes. Subject matter has a highly environmental theme. Director:Godfrey Reggio |
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Koyaanisqatsi (1982) 8.1
A movie with no conventional plot: merely a collection of expertly photographed scenes. Subject matter has a highly environmental theme. Director:Godfrey Reggio |
|
| 0Share... |
| Uncredited cast: | |||
| Lou Dobbs | ... |
Himself
(uncredited)
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Ted Koppel | ... |
Himself
(archive footage) (uncredited)
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Koyaanisqatsi is a documentary (of sorts). It is also a visual concert of images set to the haunting music of 'Phillip Glass' . While there is no plot in the traditional sense, there is a definate scenario. The film opens on ancient native American cave drawings, while the soundtrack chants "Koyaanisqatsi" which is a Hopi indian term for "life out of balance". The film uses extensive time lapse photography (which speeds images up) and slow motion photography to make comparisons between different types of physical motion. In one of the first examples, we see cloud formations moving (sped up) intercut with a montage of ocean waves (slowed down) and in such a way we are able to see the similarities of movement between these natural forces. This technique of comparison exists throughout the film, and through it we learn more about the world around us. The film progresses from purely natural environments to nature as affected by man, and finally to man's own manmade environment, devoid of ... Written by Andrew M. Somers <film@myndex.com>
A welcome assault on the senses, 'Koyaanisqatsi' is not for the impatient or nervous. You have to give it time because it is slightly dull in the very beginning, as the music and landscapes are fairly ordinary. Once it gets going, its really fascinating. Some gorgeous images, none generated by a computer I might add, and a soundtrack to match the intensity makes this a unique movie experience. I saw it on the big screen when it was first released, and it was MUCH better than on my not-that-big television.
One of the things I also like about this movie is the fact that since there is no dialogue, it can be shown in any country in the world unchanged. We would all see it the exact same way. I like the idea of that very much.