The King of Comedy
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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007

14 items from 2017


Film Society of Lincoln Center to honor Robert De Niro by Anne-Katrin Titze - 2017-04-07 14:53:00

7 April 2017 6:53 AM, PDT | eyeforfilm.co.uk | See recent eyeforfilm.co.uk news »

Robert De Niro to receive double honor from the Film Society of Lincoln Center Photo: Anne-Katrin Titze

With the Tribeca Film Festival gearing up for the April 19 Opening Night Gala World Premiere screening of Chris Perkel’s Clive Davis: The Soundtrack Of Our Lives, produced by Ridley Scott, followed by a concert featuring Aretha Franklin, Jennifer Hudson, and Earth, Wind & Fire at Radio City Music Hall, the festival's co-founder Robert De Niro will receive a double honour from the Film Society of Lincoln Center in New York.

Martin Scorsese, Meryl Streep, Whoopi Goldberg, Barry Levinson, Michael Douglas, Ben Stiller, Harvey Keitel and Sean Penn will be presenters on May 8 of the 44th Chaplin Award to Robert De Niro. And there will be a retrospective of his work from Scorsese's Mean Streets, Taxi Driver, Casino, The King Of Comedy, and Raging Bull to Michael Cimino's The Deer Hunter.

No Bulls**T: Starring Robert De Niro, »

- Anne-Katrin Titze

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The best TV shows this week: at last, Dave Chappelle is back

31 March 2017 4:00 AM, PDT | The Guardian - TV News | See recent The Guardian - TV News news »

The king of comedy has two standup specials, plus Steve Coogan and Rob Brydon are taking another trip, this time en España

The last accusation you could level at Dave Chappelle’s two new standup specials for Netflix is that he has let the constraints of political correctness keep him from saying what’s on his mind. However, aside from the Bill Cosby and Caitlyn Jenner material, what really shines through is Chappelle’s effortless timing and technical excellence. Available now, Netflix

Continue reading »

- Guardian Staff

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The Ultimate Crossroad: The Trouble with "Silence"

28 March 2017 7:15 AM, PDT | MUBI | See recent MUBI news »

She could never be a saint, but she thought she could be a martyr if they killed her quick.—Flannery O’Connor The mist uncovers Japanese soldiers as well as the grim sight of severed heads by the side of the hot springs where Catholic priests are being tortured. A priest kneels down in horror, almost catatonic, unable to bring himself to believe in the evilness of these men, the men of the Inquisitor. Why are these priests, who came to this “swamp of Japan” to spread the Word of the Lord, suffering so immensely on the hands of these soldiers?To the modern, secular audience, the theme of Silence (2016) is of great irony: the all-powerful Catholic Church, the institution that spread terror across Europe for 700 years with her bonfires and witch hunts and enforcing an almost maddening outlook at faith and personal behavior, comes to an unconquerable land where »

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Netflix Buys Martin Scorsese’s ‘The Irishman’ Starring Robert De Niro

21 February 2017 7:10 PM, PST | Variety - Film News | See recent Variety - Film News news »

Netflix has acquired worldwide rights to Martin Scorsese’s gangster movie “The Irishman,” starring Robert De Niro.

Netflix would not comment on the deal but sources close to the project confirmed a report by IndieWire.

The Irishman” will be the ninth collaboration between Scorsese and De Niro. Steven Zaillian has written the script, based on the Charles Brandt’s 2004  book, “I Heard You Paint Houses,” which centered on the life of the mob hitman Frank “The Irishman” Sheeran.

Scorsese and De Niro first partnered on 1973’s “Mean Streets,” followed by “Taxi Driver,” “New York, New York,” “Raging Bull,” “The King of Comedy,” “Goodfellas,” “Cape Fear” and 1995’s “Casino.”

Production on “The Irishman” is expected to start later this year.

The project originated in 2008 at Paramount with De Niro’s Tribeca Productions and De Niro’s producing partner Jane Rosenthal along with Scorsese’s Sikelia Productions.

The book title “I Heard You Paint Houses »

- Dave McNary

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Kim Magnusson to produce Victor Borge TV series and film

8 February 2017 11:29 AM, PST | ScreenDaily | See recent ScreenDaily news »

Life of Danish-American comedian Borge set for the big screen treatment.

Danish Producer Kim Magnusson (Men & Chicken) is working with writer-producer duo Mette Lisby and Jesper Baehrenz to produce a feature film and TV series about the life of comedian Victor Borge.

The Borge family have granted rights to his story.

“The vision for the movie and TV-series presented to us by these three filmmakers is compelling. It aligns perfectly with our father’s spirit, amazing life and remarkable career. We are thrilled to give our full support to this project,” said Frederikke, youngest daughter of Borge.

She and her four siblings will all open their private archives and share personal stories of their father.

Magnusson said: “When Mette and Jesper approached me with their creative idea for Borge I felt, here was a beautiful project that could finally tell us all the story of one of the most important Danes around the world. Now that we »

- wendy.mitchell@screendaily.com (Wendy Mitchell)

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NYC Weekend Watch: ‘Anatahan,’ ‘The King of Comedy,’ ‘Wavelength’ & More

3 February 2017 9:08 AM, PST | The Film Stage | See recent The Film Stage news »

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.

Metrograph

The restoration of Josef von Sternberg’s Anatahan, about which more here, is now playing. Fellini’s Roma also shows on Friday.

Hitchcock, Lucas, and more are highlighted in a ’70s Universal series.

The Land Before Time plays on Saturday.

Museum of the Moving Image

The Martin Scorsese retro continues with The King of Comedy and Taxi Driver. »

- Nick Newman

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The Comedian – Review

2 February 2017 11:42 PM, PST | WeAreMovieGeeks.com | See recent WeAreMovieGeeks.com news »

Nearly 35 years ago DeNiro truly stunned film fans (yes, he could do that back then) when they learned of his next big screen collaboration with Martin Scorsese. It was crazy enough that the duo would follow the brutal one-two punch of Mean Streets and Taxi Driver with a glossy homage to big splashy MGM-style movie musicals, New York, New York, but this? They seemed to be back in their comfort zone with the classic Raging Bull, when they made another big detour. A look at comedy, namely a portrait of a failed stand-up comic (he’d be dubbed a “hack” today) named Rupert Pupkin. 1982’s The King Of Comedy even co-starred the iconic Jerry Lewis, who often claimed that royal title. The film was then considered a box office flop, but the years have been most kind to it (in stand-up parlance, maybe it was “too hip for the room”). Now, »

- Jim Batts

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Movie Review: Robert De Niro is more of a dirty grandpa than a king of comedy in The Comedian

1 February 2017 10:00 PM, PST | avclub.com | See recent The AV Club news »

It’s been years, even decades, since watching Robert De Niro attempt comedy could be counted as any kind of novelty. But it’s still strange to consider the way De Niro has developed a parallel career as an awkward comedian, from his unhinged aspiring stand-up in The King Of Comedy to the self-parodying shtick of Analyze This to his unexpectedly recurring gig as a stiff but game Saturday Night Live host and drop-in.

De Niro’s role in The Comedian is more straightforward. The conception of Jackie Burke, a foulmouthed stand-up comic at a career dead end after a successful but pigeonholing sitcom gig, never winks at the legendary actor’s past, either in dramas or comedies. Even so, the uncomfortable yet not unwelcome spectacle of De Niro attempting zingers makes this movie an essential subject for future study of the actor’s comic side. Unfortunately, it is essential »

- Jesse Hassenger

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‘The Comedian’ Review: Robert De Niro Skims Surface as Washed-Up Stand-Up

31 January 2017 11:20 AM, PST | The Wrap | See recent The Wrap news »

In the parlance of the stand-up world, “The Comedian” takes the stage with a tight 15 minutes. Unfortunately, you have to endure the other 104 to enjoy them. This Robert De Niro passion project wants desperately to find some grace notes in the life of a has-been who’s not ready to give up the spotlight — think “The Wrestler,” only translated to the comedy-club circuit — but like a comic who’s lost his edge, the movie indulges in cheap jokes and even cheaper sentiment in its desperate quest for love. De Niro’s Rupert Pupkin in “The King of Comedy” was a. »

- Alonso Duralde

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‘The Comedian’ Review: Robert De Niro Is Good, But Who Wants To Spend Time With This Angry Comic?

30 January 2017 3:53 PM, PST | Deadline | See recent Deadline news »

It is almost impossible to watch The Comedian, in which Robert De Niro plays a washed-up TV sitcom star named Jackie Burke, and not think about The King Of Comedy. Although that savagely biting 1983 Martin Scorsese classic was wildly different, it also featured De Niro as a delusional wannabe stand-up comic who kidnaps talk show host Jerry Lewis. I will take Rupert Pupkin, warts and all, any day, compared to spending more time with the miserable and angry Burke, who winds… »

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‘Ingrid Goes West’ Review: Aubrey Plaza Is An Instagram Stalker In This Middle Social Media Satire — Sundance 2017

28 January 2017 11:50 AM, PST | Indiewire | See recent Indiewire news »

“No one is as happy as they seem on Instagram, as depressed as they seem on Twitter, or as insufferable as they seem on Facebook.”

If you’re reading this review, odds are you’ve probably stumbled across that cute axiom (or one of its interchangeable variations) at some point or another in the years since the world submitted itself to the emotional slaughterhouse that is social media. And if you’ve ever had an Instagram, Twitter, or Facebook account of your own, odds are you know just how true that truism tends to be. And yet, for some reason, it still needs to be said. Everybody curates their own image on the internet, but we’re all so good at it that nobody remembers.

As Vonnegut once wrote: “We are what we pretend to be, so we must be careful what we pretend to be.” That guy died three »

- David Ehrlich

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Sundance Review: ‘Ingrid Goes West’ Finds Aubrey Plaza Weaving a Web of Lies

22 January 2017 5:32 PM, PST | The Film Stage | See recent The Film Stage news »

With a generation now largely measuring their self-esteem by the amount of likes on their Instagram feed, the veneer of a perfect life is a sought-after badge of approval. Call it a cynical observation, but the rush of personal achievement via double taps is an addicting one, especially so for Ingrid (Aubrey Plaza), a mentally unstable woman filling the lonely void left by her recently deceased mother with social media stalking. Upon reading an article in Elle, she sets her sights on Taylor Sloane (Elizabeth Olsen), an Instagram influencer who gets paid by companies to hawk their latest fashionable products. Using the $60,000 left by her mom’s will, she sets off to Los Angeles to hopefully make a new friend and thus begins the escalating deception of Ingrid Goes West.

In his directorial debut, Matt Spicer gets right what so many other films commenting on today’s technology obsession fail »

- Jordan Raup

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Martin Scorsese’s Lost Masterpiece: Remembering The King of Comedy

11 January 2017 6:50 AM, PST | Flickeringmyth | See recent Flickeringmyth news »

With Silence getting the critics salivating, Sean Wilson examines what is possibly Martin Scorsese’s greatest – and almost certainly most underrated – film, The King of Comedy

Do portrayals of celebrity culture and fan worship get more lacerating and acute than 1983’s masterpiece The King of Comedy? Martin Scorsese’s follow-up to Raging Bull is quite brilliantly perceptive, taking the hatchet to narcissistic wannabes in the form of Robert De Niro’s seminal Rupert Pupkin whilst also taking us behind the curtain and depicting the loneliness that comes with those who’ve made a success of themselves. The latter is personified by Jerry Lewis’ alienated comic star Jerry Langford, one who can barely leave his New York apartment without vitriolic ‘fans’ wishing he gets cancer. In Scorsese’s utterly damning depiction of fame, there are no winners: neither aspiring stars nor established A-listers come out of this one clean.

On the »

- Sean Wilson

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Top 10 performances directed by Martin Scorsese

4 January 2017 8:30 AM, PST | Cineplex | See recent Cineplex news »

Top 10 performances directed by Martin ScorseseTop 10 performances directed by Martin ScorseseShane McNeil1/4/2017 11:30:00 Am

On January 6th 2017, Martin Scorsese's passion project Silence finally hits the big screen.

Based on the Japanese novel by Shûsaku Endô, Silence tells the story of two Jesuit priests who face torture and persecution after traveling to Japan to find their mentor and spread the word of Catholicism. It's bound to be a heavy handed film, and with Scorsese directing, we wouldn't be wrong to expect another masterpiece from the legendary filmmaker.

Here he directs stars Andrew Garfield, Adam Driver and Liam Neeson, the three of which look to be Oscar contenders for their performances. While none of them have been nominated by the Golden Globes or the Screen Actors Guild, there's a good chance the very late in the year release of Silence (it plays just in time in New York and Los »

- Shane McNeil

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2017 | 2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2007

14 items from 2017


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