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Rupert Pupkin is obsessed with becoming a comedy great. However, when he confronts his idol, talk show host Jerry Langford, with a plea to perform on the Jerry's show, he is only given the run-around. He does not give up, however, but persists in stalking Jerry until he gets what he wants. Eventually he must team up with his psychotic Langford-obsessed friend Masha to kidnap the talk show host in hopes of finally getting to perform his stand-up routine. Written by
Andrew Hyatt <firstname.lastname@example.org>
Robert De Niro used anti-Semitic remarks to anger Jerry Lewis while filming the scene where Rupert Pupkin crashes Jerry Langford's country home. Lewis, who had never worked with method actors, was shocked and appalled, but delivered an extremely credible performance. See more »
The TV sets in the store display window near the end, where Jerry Langford angrily watches the end of Rupert Pupkin's TV appearance, are all tuned to channel 3. There is no TV station in New York City on channel 3 (two major stations, WCBS and WNBC, are on channels 2 and 4 respectively). However, channel 3 was (and is) commonly used for connecting video devices such as home computers and videotape recorders to TV sets. The film crew most likely rigged a videotape player to the TVs to mimic a network broadcast, thus requiring them to be tuned to channel 3--a small detail that most audience members wouldn't have noticed. See more »
And now, from New York, The Jerry Langford Show! With Jerry's guests Tony Randall, Richard Dreyfuss, Rodney Dangerfield, Dr. Joyce Brothers, Lou Brown and the orchestra, and little old me Ed Herlihy. And now say hello to Jerry!
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Saw it first time late at night and never thought about sleeping again for a couple of days.
DeNiro nails perfectly the unflappable and determined comic wannabe. We watch him throughout the whole film, wondering, Is he really just that sure of himself, or is he dangerously deranged? That question will take you through right to the end. Between Rupert, whose basement (in his mother's house) is decorated like a comedy club, and his oddball chum (S.Bernhard), there's considerable pathos. Jerry Lewis gives a lot of insight into the real person behind his easygoing public persona.
Part of what makes this movie so compelling is Scorsese's decision to keep the musical score to a minimum. Music could force the viewer to a conclusion that isn't entirely accurate. Listening to Rupert's endless exchanges Jerry, and everyone who stands in his way -- as is, without musical coloring -- enhances the "squirm factor."
Anyone who has been in the uncomfortable position of coming to regret being nice to someone will relate to this movie. It's a must-see, and despite being more than 20 years old now, it is not a bit dated.
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