Aspiring comic Rupert Pupkin wants to achieve success in showbiz, by resorting to stalking his idol, a late night talk show host who craves his own privacy.
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In 1930s Chicago, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker.
During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.
A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.
Director:
Terry Zwigoff
Stars:
Billy Bob Thornton,
Lauren Graham,
Bernie Mac
A distant poor relative of the Duke of D'Ascoyne plots to inherit the title by murdering the eight other heirs who stand ahead of him in the line of succession.
Director:
Robert Hamer
Stars:
Dennis Price,
Valerie Hobson,
Joan Greenwood
Bi-polar mall security guard Ronnie Barnhardt is called into action to stop a flasher from turning shopper's paradise into his personal peep show. But when Barnhardt can't bring the culprit to justice, a surly police detective, is recruited to close the case.
Rupert Pupkin is obsessed with becoming a comedy great. However, when he confronts his idol, talk show host Jerry Langford, with a plea to perform on the Jerry's show, he is only given the run-around. He does not give up, however, but persists in stalking Jerry until he gets what he wants. Eventually he must team up with his psychotic Langford-obsessed friend Masha to kidnap the talk show host in hopes of finally getting to perform his stand-up routine. Written by
Andrew Hyatt <dres@uiuc.edu>
The first film released by Regency Enterprises. See more »
Goofs
When Rupert shows Jerry a picture of his pride and joy he holds it with his index finger over the top, but in the next shot it is his thumb over the top. This is repeated when Rupert then tells Jerry to take the card. See more »
Quotes
[first lines]
Ed Herlihy:
And now, from New York, The Jerry Langford Show! With Jerry's guests Tony Randall, Richard Dreyfuss, Rodney Dangerfield, Dr. Joyce Brothers, Lou Brown and the orchestra, and little old me Ed Herlihy. And now say hello to Jerry!
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Saw it first time late at night and never thought about sleeping again for a couple of days.
DeNiro nails perfectly the unflappable and determined comic wannabe. We watch him throughout the whole film, wondering, Is he really just that sure of himself, or is he dangerously deranged? That question will take you through right to the end. Between Rupert, whose basement (in his mother's house) is decorated like a comedy club, and his oddball chum (S.Bernhard), there's considerable pathos. Jerry Lewis gives a lot of insight into the real person behind his easygoing public persona.
Part of what makes this movie so compelling is Scorsese's decision to keep the musical score to a minimum. Music could force the viewer to a conclusion that isn't entirely accurate. Listening to Rupert's endless exchanges Jerry, and everyone who stands in his way -- as is, without musical coloring -- enhances the "squirm factor."
Anyone who has been in the uncomfortable position of coming to regret being nice to someone will relate to this movie. It's a must-see, and despite being more than 20 years old now, it is not a bit dated.
/r
41 of 46 people found this review helpful.
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Saw it first time late at night and never thought about sleeping again for a couple of days.
DeNiro nails perfectly the unflappable and determined comic wannabe. We watch him throughout the whole film, wondering, Is he really just that sure of himself, or is he dangerously deranged? That question will take you through right to the end. Between Rupert, whose basement (in his mother's house) is decorated like a comedy club, and his oddball chum (S.Bernhard), there's considerable pathos. Jerry Lewis gives a lot of insight into the real person behind his easygoing public persona.
Part of what makes this movie so compelling is Scorsese's decision to keep the musical score to a minimum. Music could force the viewer to a conclusion that isn't entirely accurate. Listening to Rupert's endless exchanges Jerry, and everyone who stands in his way -- as is, without musical coloring -- enhances the "squirm factor."
Anyone who has been in the uncomfortable position of coming to regret being nice to someone will relate to this movie. It's a must-see, and despite being more than 20 years old now, it is not a bit dated.
/r