Aspiring comic Rupert Pupkin wants to achieve success in showbiz, by resorting to stalking his idol, a late night talk show host who craves his own privacy.
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In 1930s Chicago, a young con man seeking revenge for his murdered partner teams up with a master of the big con to win a fortune from a criminal banker.
During the Great Depression, a con man finds himself saddled with a young girl who may or may not be his daughter, and the two forge an unlikely partnership.
A miserable conman and his partner pose as Santa and his Little Helper to rob department stores on Christmas Eve. But they run into problems when the conman befriends a troubled kid, and the security boss discovers the plot.
Director:
Terry Zwigoff
Stars:
Billy Bob Thornton,
Lauren Graham,
Bernie Mac
A distant poor relative of the Duke of D'Ascoyne plots to inherit the title by murdering the eight other heirs who stand ahead of him in the line of succession.
Director:
Robert Hamer
Stars:
Dennis Price,
Valerie Hobson,
Joan Greenwood
Bi-polar mall security guard Ronnie Barnhardt is called into action to stop a flasher from turning shopper's paradise into his personal peep show. But when Barnhardt can't bring the culprit to justice, a surly police detective, is recruited to close the case.
Rupert Pupkin is obsessed with becoming a comedy great. However, when he confronts his idol, talk show host Jerry Langford, with a plea to perform on the Jerry's show, he is only given the run-around. He does not give up, however, but persists in stalking Jerry until he gets what he wants. Eventually he must team up with his psychotic Langford-obsessed friend Masha to kidnap the talk show host in hopes of finally getting to perform his stand-up routine. Written by
Andrew Hyatt <dres@uiuc.edu>
Camera/cameraman reflected in the closing glass door when the security guard escorts Pupkin out of the office. See more »
Quotes
[first lines]
Ed Herlihy:
And now, from New York, The Jerry Langford Show! With Jerry's guests Tony Randall, Richard Dreyfuss, Rodney Dangerfield, Dr. Joyce Brothers, Lou Brown and the orchestra, and little old me Ed Herlihy. And now say hello to Jerry!
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I hate the celebrity culture. I hate the fact that people become famous, just for the sake of being famous. I hate the fact that just because a celebrity gets married or has a child, that's front page news. I hate reality TV. I hate shows like "Pop Idol" (or "American Idol"), where normal people seem to think they are destined for A-list status. The fact that this film (The King of Comedy) is as old as I am, is either an all too worrying statement on society, or proves that it was way ahead of its time. Maybe that's why I love it so much.
De Niro has always amazed me, but the fact that he seems to understand this character so well is a little overwhelming. Whether he is delivering cringeworthy gags to a cardboard audience, or embarrassing himself, obliviously, in front of Jerry Lewis, his consistency is amazing. His motives are understandable to anyone who's ever had a dream. Perhaps it's De Niro's early ambition as an actor, that fuelled this shamefully overlooked performance.
Jerry Lewis is perfect as the disgruntled TV host. A man who lives a double-life of hilarious TV personality, with a bitter persona off-screen. You can certainly relate to this man's motivations, his love for his work, but his resistance to allow it run his personal life.
The only character I can't totally emphasize with is Sandra Bernhard's Masha (her actions aren't justified as well as De Niro's Rupert). But maybe that just goes with my aforementioned hatred for celebrity culture. The scary thing is, I know that people like this exist, and I didn't for a second, question the feasibility of her performance.
As usual, Scorsese shows brilliant control, despite this being one of his most modest works.
"The King of Comedy" should be looked upon, now more than ever, as a very important film, that has a lot to say about the world we live in and the obsessions that we consume. 9/10
85 of 95 people found this review helpful.
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I hate the celebrity culture. I hate the fact that people become famous, just for the sake of being famous. I hate the fact that just because a celebrity gets married or has a child, that's front page news. I hate reality TV. I hate shows like "Pop Idol" (or "American Idol"), where normal people seem to think they are destined for A-list status. The fact that this film (The King of Comedy) is as old as I am, is either an all too worrying statement on society, or proves that it was way ahead of its time. Maybe that's why I love it so much.
De Niro has always amazed me, but the fact that he seems to understand this character so well is a little overwhelming. Whether he is delivering cringeworthy gags to a cardboard audience, or embarrassing himself, obliviously, in front of Jerry Lewis, his consistency is amazing. His motives are understandable to anyone who's ever had a dream. Perhaps it's De Niro's early ambition as an actor, that fuelled this shamefully overlooked performance.
Jerry Lewis is perfect as the disgruntled TV host. A man who lives a double-life of hilarious TV personality, with a bitter persona off-screen. You can certainly relate to this man's motivations, his love for his work, but his resistance to allow it run his personal life.
The only character I can't totally emphasize with is Sandra Bernhard's Masha (her actions aren't justified as well as De Niro's Rupert). But maybe that just goes with my aforementioned hatred for celebrity culture. The scary thing is, I know that people like this exist, and I didn't for a second, question the feasibility of her performance.
As usual, Scorsese shows brilliant control, despite this being one of his most modest works.
"The King of Comedy" should be looked upon, now more than ever, as a very important film, that has a lot to say about the world we live in and the obsessions that we consume. 9/10