Mary Ann Taylor loves the comforts of her hometown in Mercury, Texas. She has a steady job as a waitress in her father's diner, yet she can't help but feel unfulfilled by a life of pouring ...
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Mary Ann Taylor loves the comforts of her hometown in Mercury, Texas. She has a steady job as a waitress in her father's diner, yet she can't help but feel unfulfilled by a life of pouring coffee and grilling hamburgers. Mary Ann's real passion is photography, but pursuing her dream of becoming a photographer means leaving Mercury behind. Despite her desperation to expand her horizons, Mary Ann hesitates to leave because of her mother's declining health and because of her new romance with Jack Parker. Jack is a mechanic who just returned to town after realizing the cruelties of the outside world. He experienced big-city living first-hand and wants nothing more than to settle down back home. But Jack and Mary Ann soon find that cruelties exist in their own little town when Jack discovers that his sister Nancy is being brutally beaten and routinely abused by her husband Les. While Jack struggles with how to help Nancy, Mary Ann is faced with a crucial choice about her future: stay in ... Written by
You could leave him.
He'd find me.
Change your name.
Go on, pick one! Pick a new name. Pick a name, any name. Come on.
Oh... uh. I can't think of any.
How about Laura?
Oh, God! That's worse than the one I've got!
Hey, what's wrong with your name? It's beautiful just like you are. You're beautiful.
[cradles her face in his hands. Nancy suddenly bursts into tears]
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OK drama with an outstanding performance by Dianne Wiest
On the IMDb message board of The Sweet Hereafter, a writer asked users what was the most bone chilling moment in a film. I mentioned the little seen, small town drama Independence Day (a.k.a.: Follow Your Dreams, and not to be confused with the 1996 sci-fi blockbuster). Although Kathleen Quinlan and David Keith were the leads, I thought their somewhat interesting but not very compelling small-town romance was overshadowed by a subplot that could have been a main story in another movie.
As Keith's suicidal and physically-abused sister, Dianne Wiest gave a heartbreaking performance. The dramatic decision she makes that directly affects her abusive husband (Cliff DeYoung, who also does a great job with his despicable character) and indirectly affects the lead characters, definitely chilled my bones.
Weist's performance here was three years before her first of three supporting Oscar nominations, with 2 wins for Hannah and Her Sisters and Bullets Over Broadway.
Although I had mixed feelings for Independence Day, I would recommend checking out the movie for Dianne Wiest's outstanding supporting performance.
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