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The Hunger (1983)

R  |   |  Fantasy, Horror, Romance  |  29 April 1983 (USA)
6.6
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Ratings: 6.6/10 from 15,656 users  
Reviews: 114 user | 54 critic

The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age... until Miriam has enough of them. Unfortunately that's currently the case ... See full summary »

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(screenplay), (screenplay), 1 more credit »
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Title: The Hunger (1983)

The Hunger (1983) on IMDb 6.6/10

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Cast

Cast overview, first billed only:
...
...
...
...
Beth Ehlers ...
...
Rufus Collins ...
Charlie Humphries
...
Phyllis
James Aubrey ...
Ron
...
Young Woman from Disco
John Stephen Hill ...
Young Man from Disco
...
Arthur Jelinek
Bauhaus ...
Disco Group
Douglas Lambert ...
TV Host
...
Lillybelle
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Storyline

The Egyptian vampire lady Miriam subsists upon the blood of her lovers. In return the guys or girls don't age... until Miriam has enough of them. Unfortunately that's currently the case with John, so his life expectancy is below 24 hours. Desperately he seeks help from the famous Dr. Sarah Roberts. She doesn't really belive his story, but becomes curious and contacts Miriam ... and gets caught in her ban, too. Written by Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>

Plot Summary | Plot Synopsis

Taglines:

Nothing Human Loves Forever


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 April 1983 (USA)  »

Also Known As:

El ansia  »

Box Office

Gross:

$4,800,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

While working in London on this film, Susan Sarandon first met Rupert Everett, Ian McKellen and Suzanne Bertish, people she stayed friends with for decades after. On the DVD commentary for the film, she also said she was still in contact with David Bowie and Catherine Deneuve. See more »

Goofs

In the climactic sequence, Miriam takes a swipe at one of the cadavers, knocking its jaw off. The impact causes it to wobble, making it obvious that it is a rigid, lightweight prop. See more »

Quotes

[first lines]
John Blaylock: No ice.
See more »

Connections

Referenced in Bloodthirsty (1999) See more »

Soundtracks

Lakmé: The Flower Duet
(Act 2, No 2 Duetto: Viens, Malika... Sous le dôme épais où le blanc jasmin)
Music by Léo Delibes
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Gother Than Thou
26 March 2004 | by (United States) – See all my reviews

"The Hunger" opens with the by now familiar Goth anthem "Bela Lugosi's Dead" by Bauhaus. Not a bad way to open a vampire film, though nowadays it would seem almost a parody. "Undead undead undead" indeed. Enter Cathy and Bowie into a slick, sleek, neon nightclub, filled to the rafters with post-punks & pre-Goths playing dead. Too bad they weren't as ready for the real thing as they thought they were. You see, Cathy and Bowie are vampires.

This is a visually stunning film, making up for in effects what it sometimes lacks in coherence. It seems that lovely, immortal Cathy, called Miriam, is a vampire queen who has been around since the Sphinx was built, apparently. Bowie is her consort, a once mortal man whose two hundred-odd year lifespan is suddenly winding down at a frighteningly rapid rate. Desperate to find a cure, he seeks out scientist Susan Sarandon, who at first disbelieves Bowie's claims, but is soon convinced when the young and handsomely androgynous man suddenly ages over the course of a few hours time into a decrepit ruin. Miriam, who has had countless lovers over the centuries, gives Bowie the heave-ho and turns her attention to lovely young Sarandon. But Sarandon, though initially easy to seduce (in an erotic lesbian scene) proves to have a will stronger than Miriam's, and Miriam's habit of keeping her collection of ex-lovers cadavers close at hand, proves to be a mistake.

This is a strange film, almost as cold and dispassionate as one might well imagine a vampire to be. It seems to hold the viewer at arms length, not allowing them to experience the emotions of the characters...but the characters, for the most part, are severely lacking in emotion anyway, so the stark emptiness of the film becomes a brilliant mirror. Some vampire enthusiasts might find this boring and confusing, but it's a good effort and not a total loss.

The three main characters are worth watching simply for their amazing beauty and grace. Tony Scott (brother of Ridley) has made a nice, if somewhat bizarre and chilling, work of art here and, like most works of art, it's up for interpretation.


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Why didnt Miriam just kill her aged lovers? zyggums
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