After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason, who did not really drown in the lake some 30 years before?
Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
An apparent murder-suicide in a hospital emergency room leads to an investigation by the on-call doctor, which reveals a plot by an insane toymaker to kill as many people as possible during Halloween through an ancient Celtic ritual involving a stolen boulder from Stonehenge and Halloween masks. Written by
When Cochran talks to Daniel in the holding cell, he mentions the ancient Irish holiday, Samhain. The sacrifices referred to by Daniel are references to the Pagen tradition rituals that were developed in the early stages of the ancient holiday. See more »
After Dr. Challis checks into the motel, almost gets hit by Little Buddy Kupfer's bicycle and narrowly ran over by Marge Guttman's car, he enters the room and tells Ellie the "place is a zoo". Although it was bright and sunny outside immediately before, when he enters it's pitch dark behind him. See more »
I like "Halloween III". Some people consider it to be one of those "so bad it's good" kind of films, but they're wrong. It's competently made and much better than the "Halloween" films that appeared after it. As sequels go it's pretty strange, though. For starters, Michael Myers is nowhere in sight. This second sequel has nothing to do with the two previous films in the series (personally I couldn't care less about that) and the plot is downright weird. What's strange about it is that there's very little symbolism at stake - something which is rare in occult horror films. Normally, filmmakers seem to feel that they need some sort of psychological excuse to show us unrealistic horror. Not so in "Halloween III". We never get to know the main characters and get only the most superficial impression of their personalities. The sinister goings-on in the film have nothing to do with the personal traumas of the protagonist - he's just there because he has to be, in order for the plot to move on. In this sense, the film is refreshingly "naive". The atmosphere or tone of the film is why I like it. It has that "midnight movie" feel, mainly - I think - because of the soundtrack. Music is rarely used, but always effectively like in John Carpenters "The Thing" (1982). And there are some almost surreal images thrown in along the way, like the one where snakes surprisingly appear from within the pumpkinhead.
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