Six years after Michael Myers last terrorized Haddonfield, he returns there in pursuit of his niece, Jamie Lloyd, who has escaped with her newborn child, for which Michael and a mysterious cult have sinister plans.
Three years after he last terrorized his sister, Michael Myers confronts her again, before traveling to Haddonfield to deal with the cast and crew of a reality show which is being broadcast from his old home.
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
An apparent murder-suicide in a hospital emergency room leads to an investigation by the on-call doctor, which reveals a plot by an insane toymaker to kill as many people as possible during Halloween through an ancient Celtic ritual involving a stolen boulder from Stonehenge and Halloween masks. Written by
In the morning shot of the assassin's burnt-out car outside the hospital, it is obvious the parking spaces are at a regular ninety-degree angle, however the car is parked at a forty-five degree angle across several spaces. While this is plausible for the robotic assassin, the two cars beside it - obviously owned and parked by humans - are also on a forty-five degree angle instead of properly in the spaces. See more »
From an ancient, sacrificial circle... Stonehenge.
[Shows Chaliss the rock]
Ha ha. We had a TIME getting it here. You wouldn't believe how we did it.
[laughs; Shows him a small stone from Stonehenge]
It has a power in it.
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I like "Halloween III". Some people consider it to be one of those "so bad it's good" kind of films, but they're wrong. It's competently made and much better than the "Halloween" films that appeared after it. As sequels go it's pretty strange, though. For starters, Michael Myers is nowhere in sight. This second sequel has nothing to do with the two previous films in the series (personally I couldn't care less about that) and the plot is downright weird. What's strange about it is that there's very little symbolism at stake - something which is rare in occult horror films. Normally, filmmakers seem to feel that they need some sort of psychological excuse to show us unrealistic horror. Not so in "Halloween III". We never get to know the main characters and get only the most superficial impression of their personalities. The sinister goings-on in the film have nothing to do with the personal traumas of the protagonist - he's just there because he has to be, in order for the plot to move on. In this sense, the film is refreshingly "naive". The atmosphere or tone of the film is why I like it. It has that "midnight movie" feel, mainly - I think - because of the soundtrack. Music is rarely used, but always effectively like in John Carpenters "The Thing" (1982). And there are some almost surreal images thrown in along the way, like the one where snakes surprisingly appear from within the pumpkinhead.
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