Character actor Michael Shannon has been nominated for his second Oscar for his role in the 2016 thriller Nocturnal Animals. "No Small Parts" takes a look at some of the other characters he's played in the past.
Six years after Michael Myers last terrorized Haddonfield, he returns there in pursuit of his niece, Jamie Lloyd, who has escaped with her newborn child, for which Michael and a mysterious cult have sinister plans.
Three years after he last terrorized his sister, Michael Myers confronts her again, before traveling to Haddonfield to deal with the cast and crew of a reality show which is being broadcast from his old home.
Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason, who did not really drown in the lake some 30 years before?
An apparent murder-suicide in a hospital emergency room leads to an investigation by the on-call doctor, which reveals a plot by an insane toymaker to kill as many people as possible during Halloween through an ancient Celtic ritual involving a stolen boulder from Stonehenge and Halloween masks. Written by
During a reunion panel for the cast and crew of the movie in the Summer of 2015, Tom Atkins and Stacey Nelkin confirmed that the bedroom scene was one of the very first things that they shot together. Both found it humorous because Nelkin had been quickly cast as Ellie Grimbridge due to time restraints on the studio's part and the two had barely gotten acquainted beforehand. See more »
(at around 34 mins) After being startled by Starker and complying to his request to have a drink from his bottle of alcohol Challis wipes the opening using his handkerchief with one hand, takes a swig himself with the other hand, and winces from the liquor. As Starker talks about Conal Cochran you can suddenly see the silhouette of a cigarette in Challis' mouth then shortly thereafter hear the flick of a lighter and see him light the cigarette. See more »
A different animal to the Halloween films that preceded and followed it, Season of the Witch is slowly but surely gaining an appreciation as a standalone horror film. Gone is Michael Myers' indestructible killing machine, in his place is the nefarious Conal Cochran (Dan O'Herlihy), the owner of the Silver Shamrock corporation that specialises in Halloween masks. Cochran has a sinister plan this year - and it's deadly - Dr. Daniel Challis (Tom Atkins) and Ellie Grimbridge (Stacey Nelkin) are caught in the middle of the vile plot and may just be the only salvation to Americana.
With Nigel Kneale involved in the writing process Season of the Witch is delightfully fiendish. There's definite barbs being stung here about the commercialisation of holiday occasions, that capitalism kills, Cochran is intent on restoring Halloween to the true meaning of its origins, creating a Silver Shamrock world order in the process. Kneale would take his name off the credits when the studio tampered with his vision, a shame because his core essence remains - even if Cochran as a Warlock Wicker Man type could well have been genius.
With John Carpenter and Debrah Hill over seeing things from their production chairs, the picture had supervision of some standing. Tommy Lee Wallace maybe directing but it feels like a Carpenter movie, from Dean Cundey's photography - Carpenter's foreboding synth musical score and the sharpness of the gruey horror scenes (which are excellent), it's not hard to see the "non Michael Myers" Halloween series that Carpenter had envisaged after part 2 had been and gone.
Boosted by an irritatingly potent advertisement jingle (a Silver Shamrock variation on London Bridge is Falling Down) that counts down the days to Halloween and the day of carnage, Season of the Witch is consistently gnawing away at the senses. Having Atkins and O'Herlihy propping up the acting helps, both are reliable performers for this material, while the race against time finale has edge of the seat credentials.
It doesn't all work of course, there's some drag and the narrative feels schizophrenic at times, while if it wasn't for Cundey's camera work then Wallace's inept direction of the non horror scenes would be over exposed. Yet as it asks Halloween franchise fans some forgiveness for not actually being part of the franchise, it delivers a smart sci-fi horror hybrid that's not without shock and awe. 7/10
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