Six years after Michael Myers last terrorized Haddonfield, he returns there in pursuit of his niece, Jamie Lloyd, who has escaped with her newborn child, for which Michael and a mysterious cult have sinister plans.
Three years after he last terrorized his sister, Michael Myers confronts her again, before traveling to Haddonfield to deal with the cast and crew of a reality show which is being broadcast from his old home.
Tommy Jarvis goes to the graveyard to get rid of Jason Voorhees' body once and for all, but inadvertently brings him back to life instead. The newly revived killer once again seeks revenge, and Tommy may be the only one who can defeat him.
Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason, who did not really drown in the lake some 30 years before?
An apparent murder-suicide in a hospital emergency room leads to an investigation by the on-call doctor, which reveals a plot by an insane toymaker to kill as many people as possible during Halloween through an ancient Celtic ritual involving a stolen boulder from Stonehenge and Halloween masks. Written by
(at around 24 mins) The plaza where Challis called his ex-wife on the pay phone to shirk his parental responsibilities was also featured in Halloween II (1981) when Darcy is trying to get Karen to keep her promise of taking her home. See more »
In the morning shot of the assassin's burnt-out car outside the hospital, it is obvious the parking spaces are at a regular ninety-degree angle, however the car is parked at a forty-five degree angle across several spaces. While this is plausible for the robotic assassin, the two cars beside it - obviously owned and parked by humans - are also on a forty-five degree angle instead of properly in the spaces. See more »
A different animal to the Halloween films that preceded and followed it, Season of the Witch is slowly but surely gaining an appreciation as a standalone horror film. Gone is Michael Myers' indestructible killing machine, in his place is the nefarious Conal Cochran (Dan O'Herlihy), the owner of the Silver Shamrock corporation that specialises in Halloween masks. Cochran has a sinister plan this year - and it's deadly - Dr. Daniel Challis (Tom Atkins) and Ellie Grimbridge (Stacey Nelkin) are caught in the middle of the vile plot and may just be the only salvation to Americana.
With Nigel Kneale involved in the writing process Season of the Witch is delightfully fiendish. There's definite barbs being stung here about the commercialisation of holiday occasions, that capitalism kills, Cochran is intent on restoring Halloween to the true meaning of its origins, creating a Silver Shamrock world order in the process. Kneale would take his name off the credits when the studio tampered with his vision, a shame because his core essence remains - even if Cochran as a Warlock Wicker Man type could well have been genius.
With John Carpenter and Debrah Hill over seeing things from their production chairs, the picture had supervision of some standing. Tommy Lee Wallace maybe directing but it feels like a Carpenter movie, from Dean Cundey's photography - Carpenter's foreboding synth musical score and the sharpness of the gruey horror scenes (which are excellent), it's not hard to see the "non Michael Myers" Halloween series that Carpenter had envisaged after part 2 had been and gone.
Boosted by an irritatingly potent advertisement jingle (a Silver Shamrock variation on London Bridge is Falling Down) that counts down the days to Halloween and the day of carnage, Season of the Witch is consistently gnawing away at the senses. Having Atkins and O'Herlihy propping up the acting helps, both are reliable performers for this material, while the race against time finale has edge of the seat credentials.
It doesn't all work of course, there's some drag and the narrative feels schizophrenic at times, while if it wasn't for Cundey's camera work then Wallace's inept direction of the non horror scenes would be over exposed. Yet as it asks Halloween franchise fans some forgiveness for not actually being part of the franchise, it delivers a smart sci-fi horror hybrid that's not without shock and awe. 7/10
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