Paul is a new kid in town with a robot named "BB". He befriends Samantha and the three of them have a lot of good times together. That is, until Samantha's abusive father throws her down ... See full summary »
A man tries to uncover an unconventional psychologist's therapy techniques on his institutionalized wife, while a series of brutal attacks committed by a brood of mutant children coincides with the husband's investigation.
An apparent murder-suicide in a hospital emergency room leads to an investigation by the on-call doctor, which reveals a plot by an insane toymaker to kill as many people as possible during Halloween through an ancient Celtic ritual involving a stolen boulder from Stonehenge and Halloween masks. Written by
A milk factory was used for the setting of the Silver Shamrock factory. See more »
When Little Buddy and his family are being murdered by the use of Little Buddy's Pumpkin mask, the Silver Shamrock tag on the back of the mask disappears and reappears several times. See more »
Hey Mr. Cochran, just what is the final processing?
Oh I assure you it's just a little bit of this and a little bit of that. Quality inspection, the seal of approval. You know, the usual. And of course, there's a lot of trade secrets.
Oh I'd sure like to take a look.
Not even a peek for your best salesman?
Just one little look?
Well you see, part of the final processing involves volatile chemicals. They're very dangerous. I wouldn't want to put anybody in any danger.
Oh sure, I ...
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I like "Halloween III". Some people consider it to be one of those "so bad it's good" kind of films, but they're wrong. It's competently made and much better than the "Halloween" films that appeared after it. As sequels go it's pretty strange, though. For starters, Michael Myers is nowhere in sight. This second sequel has nothing to do with the two previous films in the series (personally I couldn't care less about that) and the plot is downright weird. What's strange about it is that there's very little symbolism at stake - something which is rare in occult horror films. Normally, filmmakers seem to feel that they need some sort of psychological excuse to show us unrealistic horror. Not so in "Halloween III". We never get to know the main characters and get only the most superficial impression of their personalities. The sinister goings-on in the film have nothing to do with the personal traumas of the protagonist - he's just there because he has to be, in order for the plot to move on. In this sense, the film is refreshingly "naive". The atmosphere or tone of the film is why I like it. It has that "midnight movie" feel, mainly - I think - because of the soundtrack. Music is rarely used, but always effectively like in John Carpenters "The Thing" (1982). And there are some almost surreal images thrown in along the way, like the one where snakes surprisingly appear from within the pumpkinhead.
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