It's one year later after the events of Halloween 4. Michael survives the shootings and on October 31st he returns with a vengeance. Lurking and stalking, Jamie, Rachel, and Rachel's ... See full summary »
Six years ago, Michael Myers terrorized the town of Haddonfield, Illinois. He and his niece, Jamie Lloyd, have disappeared. Jamie was kidnapped by a bunch of evil druids who protect Michael... See full summary »
Serial Killer Michael Myers is not finished with Laurie Strode, and their rivalry finally comes to an end. But is this the last we see of Myers? Freddie Harris and Nora Winston are reality ... See full summary »
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
An apparent murder-suicide in a hospital emergency room leads to an investigation by the on-call doctor, which reveals a plot by an insane toymaker to kill as many people as possible during Halloween through an ancient Celtic ritual involving a stolen boulder from Stonehenge and Halloween masks. Written by
Ellie's car is a 1982 Oldsmobile Cutlass Supreme. See more »
There are obvious timezone errors when they label the different cities. Ohio and New York (Eastern) still have daylight, while Washington and Arizona (Pacific/Mountain) are already into the night. See more »
I like "Halloween III". Some people consider it to be one of those "so bad it's good" kind of films, but they're wrong. It's competently made and much better than the "Halloween" films that appeared after it. As sequels go it's pretty strange, though. For starters, Michael Myers is nowhere in sight. This second sequel has nothing to do with the two previous films in the series (personally I couldn't care less about that) and the plot is downright weird. What's strange about it is that there's very little symbolism at stake - something which is rare in occult horror films. Normally, filmmakers seem to feel that they need some sort of psychological excuse to show us unrealistic horror. Not so in "Halloween III". We never get to know the main characters and get only the most superficial impression of their personalities. The sinister goings-on in the film have nothing to do with the personal traumas of the protagonist - he's just there because he has to be, in order for the plot to move on. In this sense, the film is refreshingly "naive". The atmosphere or tone of the film is why I like it. It has that "midnight movie" feel, mainly - I think - because of the soundtrack. Music is rarely used, but always effectively like in John Carpenters "The Thing" (1982). And there are some almost surreal images thrown in along the way, like the one where snakes surprisingly appear from within the pumpkinhead.
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