| Richard Farnsworth | ... | Miner | |
| Jackie Burroughs | ... | Kate | |
| Ken Pogue | ... | Jack Budd | |
| Wayne Robson | ... | Shorty | |
| Timothy Webber | ... | Fernie | |
| Gary Reineke | ... | Detective Seavey | |
| David Petersen | ... | Louis Colquhoun | |
| Don MacKay | ... | Al Sims (as Don Mackay) | |
| Samantha Langevin | ... | Jenny | |
| Tom Heaton | ... | Tom | |
| Jim McLarty | ... | Accomplice (as James McLarty) | |
| George Dawson | ... | Accomplice | |
| Ray Michal | ... | Gunsmith | |
| Stephen E. Miller | ... | Danny Young | |
| David L. Crowley | ... | Oregon Train Crew - Engineer | |
| David McCulley | ... | Oregon Train Crew - Fireman | |
| Garry Chalk | ... | Oregon Train Crew - Mail Clerk (as Gary Chalk) | |
| Jack Leaf | ... | Shopkeeper | |
| Isaac Hislop | ... | Town Boy | |
| Sean Sullivan | ... | Newspaper Editor | |
| Bill Murdoch | ... | Mission Train Crew - Engineer | |
| Jack Ackroyd | ... | Mission Train Crew - Fireman | |
| Nicholas Rice | ... | Mission Train Crew - Mail Clerk | |
| Frank C. Turner | ... | Hotel Clerk (as Frank Turner) | |
| Bill Meilen | ... | Ducks Train Crew - Engineer | |
| David Raines | ... | Ducks Train Crew - Fireman | |
| Paul Coeur | ... | Ducks Train Crew - Conductor (as Paul Jolicoeur) | |
| Mel Tuck | ... | Ducks Train Crew - Baggage Clerk | |
| Peter John | ... | Sergeant Wilson | |
| Paul Whitney | ... | The Mountie | |
| David Ackridge | ... | The Mountie | |
| Murray Ord | ... | The Mountie | |
| Tom Glass | ... | The Mountie | |
| Antony Holland | ... | Judge (as Anthony Holland) | |
| Jon York | ... | Prison Guard | |
| John Owen | ... | Piano Player | |
| Lisa Westman | ... | Farm Girl |
Directed by | |||
| Phillip Borsos | |||
Writing credits | ||
| John Hunter | (written by) | |
Produced by | |||
| John Board | .... | associate producer | |
| Phillip Borsos | .... | co-producer | |
| David Brady | .... | executive producer (as David H. Brady) | |
| Barry Healey | .... | co-producer | |
| Peter O'Brian | .... | producer | |
Original Music by | |||
| Michael Conway Baker | (original score composed by) | ||
Cinematography by | |||
| Frank Tidy | (photographed by) | ||
Film Editing by | |||
| Frank Irvine | |||
Production Design by | |||
| Bill Brodie | |||
Art Direction by | |||
| Ian D. Thomas | (as Ian Thomas) | ||
Set Decoration by | |||
| Kimberley Richardson | |||
Costume Design by | |||
| Christopher Ryan | |||
Makeup Department | |||
| Ilona Herman | .... | makeup supervisor | |
| Phyllis Newman | .... | makeup artist | |
Production Management | |||
| Paul L. Tucker | .... | production manager (as Paul Tucker) | |
Second Unit Director or Assistant Director | |||
| John Board | .... | assistant director | |
| Mary Eilts | .... | second assistant director | |
| Wendy McGillivray | .... | trainee assistant director | |
| Tom Rowe | .... | third assistant director | |
Art Department | |||
| Robin Arkell | .... | storyboard artist | |
| Jim Armstrong | .... | carpenter | |
| Jeremy Borsos | .... | art department assistant | |
| Brian Collins | .... | carpenter | |
| Annmarie Corbett | .... | set dresser (as Anne Marie Corbett) | |
| Susan High | .... | lead painter | |
| Richard Humenick | .... | scenic artist | |
| Charles Leitrants | .... | construction coordinator | |
| Christine MacLean | .... | assistant set dresser | |
| John G. Miller | .... | carpenter (as John Miller) | |
| Michael Ritter | .... | draftsman | |
| Grant Swain | .... | property master | |
| David Tait | .... | carpenter | |
| Bill Thumm | .... | property buyer | |
| Kaija Vogel | .... | art department assistant (as Kaija) | |
| Thom Wells | .... | lead carpenter | |
| David Willson | .... | assistant art director | |
| Paul Willson | .... | carpenter | |
Sound Department | |||
| Alison Clark | .... | sound editor | |
| B.J. Clayden | .... | boom man | |
| Rod Crawley | .... | sound effects editor | |
| Tony Currie | .... | dialogue editor (as Anthony Currie) | |
| Austin Grimaldi | .... | sound re-recording | |
| Joe Grimaldi | .... | sound re-recording | |
| Catherine Hunt | .... | assistant dialogue editor | |
| Andy Malcolm | .... | foley artist | |
| Peter McBurnie | .... | foley artist (as Peter McBernie) | |
| Michele Moses | .... | assistant sound editor | |
| Marta Nielsen | .... | assistant effects editor | |
| Bruce Nyznik | .... | sound designer | |
| Bruce Nyznik | .... | supervising sound editor | |
| Philip Rogers | .... | sound recordist | |
| Peter Thillaye | .... | sound effects editor | |
| Gord Thompson | .... | assistant effects editor (as Gordon Thompson) | |
| Lise Wedlock | .... | sound assistant: foley artist | |
| Rob Young | .... | sound recordist | |
Special Effects by | |||
| Rex Cooley | .... | best boy special effects | |
| John Thomas | .... | special effects | |
| Cliff Wenger | .... | special effects | |
Stunts | |||
| Robert Milicevic | .... | stunt performer | |
Camera and Electrical Department | |||
| John S. Bartley | .... | gaffer (as John Bartley) | |
| John L. Brown | .... | dolly grip (as John Brown) | |
| Dan Conrad | .... | additional photography | |
| Chris Helcermanas-Benge | .... | still photographer (as Chris Helcermenas-Benge) | |
| Phil Hersee | .... | still photographer (as Phillip Hersee) | |
| Tim Hogan | .... | key grip | |
| James L. Hurford | .... | grip (as Jim Hurford) | |
| Bruce Ingram | .... | assistant cameraman | |
| Stephen Jackson | .... | generator operator (as Steve Jackson) | |
| John McCallum | .... | key focus (as Sandy McCallum) | |
| Peter McLennan | .... | second camera operator | |
| Ron Orieux | .... | camera operator | |
| Barry Reid | .... | best boy grip | |
| Tim Sale | .... | additional photography | |
| Jim Shea | .... | still photographer | |
| Len Wolfe | .... | best boy electrician | |
Costume and Wardrobe Department | |||
| Jane Grose | .... | wardrobe mistress | |
| Linda Lee Langdon | .... | wardrobe assistant | |
| Gillian McNair | .... | seamstress | |
Editorial Department | |||
| Nigel Hollick | .... | post-production assistant | |
| Maureen Levitt | .... | assistant editor | |
| Ingrid Rosen | .... | negative cutting | |
| Bruce Whidden | .... | color timer | |
Music Department | |||
| The Chieftains | .... | music performers: traditional Irish music | |
| Victor Feldbrill | .... | score conductor | |
| David Greene | .... | engineer | |
Transportation Department | |||
| Dave Bowe | .... | driver (as David Bowe) | |
| Brian Boyer | .... | driver | |
| Al Brown | .... | driver | |
| George A. Grieve | .... | driver captain (as George Grieve) | |
| Scott Irvine | .... | transportation coordinator | |
| Drew Neville | .... | driver | |
| Bonnie Reis | .... | driver | |
| Rocky Zantolas | .... | driver co-captain | |
Other crew | |||
| Patti Allen | .... | production coordinator (as Patrice Allen) | |
| Linda Baca | .... | assistant: Mercury Pictures | |
| Derek Barker | .... | travel | |
| Elizabeth Blomme | .... | unit publicist | |
| Richard Cosgrave | .... | wrangler | |
| Victoria Emery | .... | assistant accountant | |
| Tom Glass | .... | head wrangler | |
| Debbie Hlady | .... | production office assistant | |
| Dennis Houser | .... | wrangler | |
| Doug Lauder | .... | wrangler | |
| Kate McBride | .... | assistant: Mercury Pictures | |
| Elizabeth Pontsa | .... | production accountant | |
| Bonnie Reis | .... | chef | |
| Joanne Ryan | .... | craft service | |
| Joanne Ryan | .... | first aid | |
| Sandra Gould Sale | .... | administration: Mercury Pictures | |
| Michael E. Steele | .... | unit location manager (as Michael Steele) | |
| Lee Walkling | .... | script supervisor | |
Thanks | |||
| Matt Anderson | .... | the producers wish to express their appreciation to: for their assistance and involvement in the creation of this picture | |
| Ed Bernston | .... | the producers wish to express their appreciation to: for their assistance and involvement in the creation of this picture | |
| Robert G. Crompton | .... | the producers wish to express their appreciation to: for their assistance and involvement in the creation of this picture | |
| Bob Culp | .... | the producers wish to express their appreciation to: for their assistance and involvement in the creation of this picture | |
| Frank Culp | .... | the producers wish to express their appreciation to: for their assistance and involvement in the creation of this picture | |
| Joe Gardner | .... | the producers wish to express their appreciation to: for their assistance and involvement in the creation of this picture | |
| Dave Morley | .... | the producers wish to express their appreciation to: for their assistance and involvement in the creation of this picture | |
| Struan Robertson | .... | the producers wish to express their appreciation to: for their assistance and involvement in the creation of this picture | |
| Robert Sawnson | .... | the producers wish to express their appreciation to: for their assistance and involvement in the creation of this picture | |
| Mike Solecki | .... | the producers wish to express their appreciation to: for their assistance and involvement in the creation of this picture | |
| D. Bruce Stratton | .... | the producers wish to express their appreciation to: for their assistance and involvement in the creation of this picture | |
| Recent Posts (updated daily) | User |
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| Where Is 'The Grey Fox' | goldfrogger |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb Canada section |
When Richard Farnsworth died a few years ago, among the films cited were his Oscar-nominated roles in Comes a Horseman and The Straight Story, and his supporting roles in hits like The Natural and Misery. The Grey Fox rarely got a mention which is a shame because it's one of Mr. Farnsworth's most compelling as we follow his portrayal of the real-life stagecoach robber Bill Miner after being freed from jail and his attempts in living a straight life with his sister and her husband. But times have changed the last 33 years and so in the early 20th century, Miner goes back to his old habits and robs trains (he got the inspiration watching The Great Train Robbery), then poses as George Edwards in a British Columbia town with his cohorts in tow. He also later falls for a feminist who takes pictures...I'll stop there and say while Miner does bad things, he gets some admiration for the gentlemanly way he does them, hence his "gentleman bandit" moniker. If you're interested in western rarities and are a fan of Farnsworth, I highly recommend The Grey Fox.