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Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a trans individual, is found guilty of immoral behavior and Valentin is a political prisoner. To escape ... See full summary »
During World War II, an American pilot and a marooned Japanese navy captain are deserted on a small uninhabited island in the Pacific Ocean. There, they must cease their hostility and cooperate if they want to survive, but will they?
Manhattan janitor Daryll Deever is fixated on hard-charging TV commentator, Tony Sokolow; he tapes her commentary daily to watch after work. When a wealthy Vietnamese man, with many shady ... See full summary »
Sam Longwood, a frontiersman who has seen better days, spies the gold-mine partner, Jack Colby, who ran off with all the gold from a mine they were prospecting fifteen years earlier. He ... See full summary »
An investigator on the Moscow police force relentlessly pursues the solution to a triple homicide which occurred in Moscow's Gorky Park. He finds that no one really wants him to solve the crime because it is just the tip of a complex conspiracy which involves the highest levels of the Moscow city government. Written by
Mark Logan <email@example.com>
This movie is both a cold war spy movie and a police procedural detective thriller. See more »
When Renko shoots Iamskoy and the public baths, Iamskoy falls backward over the railing. He starts to fall straight down, which would be logical. But the aerial shot shows him landing out in the pool, in the water, several feet from the edge of the pool. He should have landed on the pool deck, not in the water. See more »
This is a fairly common story, that of an honest man fighting alone against a corrupt system. The setting is unusual, and the plot has some entertaining twists.
William Hurt plays Senior Investigator Renko, of the Moscow Militia (i.e. police). He is assigned to a high-profile murder case, and finds himself alternately prodded on, hindered or even threatened by his own superiors, by the KGB and by his obvious suspect. All these people are acting so self-confidently compared to Renko's plodding, that the sense of loneliness, or even of paranoia is very apparent.
Much of the action is contrived and unconvincing, both in its development and denouement, although the film does build to a good climax. On the other hand, all the characterisations of ordinary russians, who must have been strange creatures to film directors and audiences alike at the time, is very good.
The directors discarded one of the original novel's best tricks, that of sending Renko to New York (to recover valuable state property), and confronting him with the law enforcement system which gave rise to "Kojak" and the "Hill Street Blues".
Overall this is quite a good film, and fairly close to the novel. There are some sequels written which deserve to appear on the screen.
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