An investigator on the Moscow police force relentlessly pursues the solution to a triple homicide which occurred in Moscow's Gorky Park. He finds that no one really wants him to solve the ... See full summary »
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An investigator on the Moscow police force relentlessly pursues the solution to a triple homicide which occurred in Moscow's Gorky Park. He finds that no one really wants him to solve the crime because it is just the tip of a complex conspiracy which involves the highest levels of the Moscow city government. Written by
Mark Logan <email@example.com>
The Rolls Royce driven across from Tegelbacken to Gamla Stan, supposedly with Lee Marvin behind the wheel, was in fact driven by the Swedish co-producer, according to the press release at any rate, because having Marvin do it would have cost more. Marvin and Hurt exit the vehicle right above the famous Five Small Houses restaurant and enter the foyer of a house rented for the occasion in Danderyd, a suburb north of Stockholm fifteen miles away. See more »
When Arkady's car stalls on the bridge on the way back to Moscow, the wipers are still running. As Arkady repeatedly tries to re-start the car, we see the wipers still running at full speed. In real life, each time he tried to restart the car, the wipers would slow from the drain of battery power away from the wipers to the starter motor. See more »
A very unique, fast moving and entertaining story about political and criminal intrigue in Cold War (real cold, just watch the movie!) Russia. The grisly murder of three young people sends our protagonist, Inspector Arkady Renko (W. Hurt), on a complex, intertwining mission to find out who and/or what was behind this dastardly crime. As the crime facts unfold, potential suspects begin to surface in the mind of the inspector, suspects that may include American collusion with KGB officials. Maybe not entirely novel on the surface, but the sequences of events and the characterizations set forth are anything but pedestrian.
Perhaps the sequences of the facial reconstruction of the 3 victims "de-skinned" facial bones and the subsequent deductions provide the impetus for an unusual plot setting. The involvement of the American cop (B. Dennehy), the Siberian beauty and romantic interest (J. Pacula) who wants out of her homeland, the rich American (L. Marvin), the inspector's police buddies, to name a few, provide more than mere tangential plot fodder: the sum of their actions coalesces in the inspector's mind and takes him closer yet to what could be a very inconvenient truth. All this is done cinematically with good pace and little wasted motion.
It is noteworthy that most of the so-called Russians are British Isles actors who maintain their native brogue while donning the usual Kossack-like apparel! Yet their histrionic adeptness suffers not and their characterizations come off well. After all, we've seen this type of casting done before, but I don't think we could pull this off in modern Russia. Instead of filming in Finland with British actors, we would be filming in Moscow or St. Pete with Russian actors.
Any additional reviewing will get me into the "spoiler" category, so I'll just sign off by saying see the movie. To me, it is William Hurt's best!
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