| Photos (see all 4 | slideshow) |
Directed by | |||
| Peter Schamoni | |||
Writing credits(in alphabetical order) | ||
| Peter Schamoni | writer | |
Produced by | |||
| Wolfgang Hammerschmidt | .... | producer | |
| Peter Schamoni | .... | producer | |
Original Music by | |||
| Herbert Grönemeyer | |||
Cinematography by | |||
| Gérard Vandenberg | |||
Film Editing by | |||
| Elfie Tillack | |||
Production Design by | |||
| Alfred Hirschmeier | |||
Costume Design by | |||
| Christiane Dorst | |||
| Elisabeth Schewe | |||
Makeup Department | |||
| Heinz Bernhardt | .... | makeup artist | |
| Victor Leitenbauer | .... | makeup artist | |
| Henriette Schörgmayer | .... | makeup artist | |
| Karin Wacker | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Harald Fischer | .... | assistant director | |
| Gunter Krää | .... | assistant director | |
Art Department | |||
| Wolfgang Kallnischkies | .... | property master | |
| Kurt Pentzien | .... | property master | |
| Gisela Schulze | .... | constructor | |
| Dietmar H. Suhr | .... | constructor | |
Sound Department | |||
| Dierck Lange | .... | boom operator | |
| Gerard Rueff | .... | sound | |
| Hans-Dieter Schwarz | .... | sound mixer | |
Camera and Electrical Department | |||
| Dieter Bähr | .... | assistant camera | |
| Jochen Radermacher | .... | assistant camera | |
| Sybille Werner | .... | still photographer | |
Editorial Department | |||
| Sigrid Kühn | .... | assistant editor | |
Music Department | |||
| Ivo Pogorelich | .... | musician: piano | |
Other crew | |||
| Viktoria Esch | .... | script supervisor | |
| Hans A. Neunzig | .... | assistant script | |
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| Amadeus | Shine | Immortal Beloved | Die Legende von Paul und Paula | Geblendeter Augenblick - Anton Weberns Tod |
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| Full cast and crew | Company credits | IMDb Biography section |
| IMDb West Germany section | Add this title to MyMovies |
And who, might you ask, is Clara Wieck? Well, if she hadn't married Schumann, she might have been much more famous than he. Her pianist abilities were thought to be equal to or greater than those of Franz Liszt. I had the privilege of seeing this film in New York City in a small theater, subtitled. A friend of mine rented it and, unlike one of the posters, his film was dubbed in English. I am glad I got to see the German version.
This is a beautiful film with a feminist bend to it, being the story of a brilliantly talented young woman exploited by her father and Schumann, who becomes her husband. Kinski is absolutely wonderful and beautiful. Also, her piano fingerings are great.
There is an interesting line at the end, where Wieck says, talking about her home with Schumann, "I hope there will be room for two pianos." Of course there weren't, and she was forever known as Clara Schumann.
The film doesn't go into the fact that Clara Schumann did have a career after marriage, however, and a good part of her relationship with her husband revolved around their mutual passion for music. She had 8 children but managed to compose and do concert tours, often with her husband, until he was institutionalized. After Schumann's death, with the help of Brahms, she continued to do concerts though plagued by various ailments.
Try to see this film in German with subtitles if at all possible.