A preacher is accused of adultery and he and his followers are chased out of town and become stranded in an isolated forest which is haunted by the spirits of long dead Native Americans.
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A reverend, Will Smythe, and his followers are chased out of town after Smythe is accused of adultery and polygamy. Joined by a rugged woodsman, Marion Dalton, who wants his cheating wife, the group ventures into a valley, where dwells an ancient evil spirit. As members of the group start to disappear, the witch-bred, insane Leah must discover how to thwart the spirit. Written by
Melissa Martin <martin@ccu.umanitoba.ca>
Will Smythe:
Please let's us take the generous town's providings, but the Lord giveth that he take it away. This is a good town, I only hope that all you good people could come with me... to the promised land.
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This is a wonderful find for any horror film buff who can appreciate the slow-build of the typical "giallo" film, to which it compares stylistically, with a good dose of Gothic influence. Rather than load all of the budget toward the effects and skimp everywhere else, the film-makers opted to use the relatively unknown and overlooked talents of the best low-budget effects and pyrotechnics person in the business, Tassilo Baur. (I personally witnessed him put together special effects on a USC student film in 1981, on a budget of about $100 that looked like thousands. If you look carefully at the effects here, you'll see how well-realized they are for such little money.) Anyway, the effort in this gem was well-placed in the story, the direction and the acting. Overall good production values make this look as good as most studio stuff, and it's much more thoughtful. Great eerie locations and soundtrack add to the atmosphere. Fans of horror films that offer more than violence only for the sake of violence will appreciate this find. Recommended!
8 of 11 people found this review helpful.
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This is a wonderful find for any horror film buff who can appreciate the slow-build of the typical "giallo" film, to which it compares stylistically, with a good dose of Gothic influence. Rather than load all of the budget toward the effects and skimp everywhere else, the film-makers opted to use the relatively unknown and overlooked talents of the best low-budget effects and pyrotechnics person in the business, Tassilo Baur. (I personally witnessed him put together special effects on a USC student film in 1981, on a budget of about $100 that looked like thousands. If you look carefully at the effects here, you'll see how well-realized they are for such little money.) Anyway, the effort in this gem was well-placed in the story, the direction and the acting. Overall good production values make this look as good as most studio stuff, and it's much more thoughtful. Great eerie locations and soundtrack add to the atmosphere. Fans of horror films that offer more than violence only for the sake of violence will appreciate this find. Recommended!