In London, the twenty-seven year-old hairdresser Rita decides to complete her basic education before having children as desired by her husband Denny. She joins the literature course in an ...
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John Preston is a British Agent with the task of preventing the Russians detonating a nuclear explosion next to an American base in the UK. The Russians are hoping this will shatter the "special relationship" between the two countries.
In London, the twenty-seven year-old hairdresser Rita decides to complete her basic education before having children as desired by her husband Denny. She joins the literature course in an open university and has tutorial with the middle-aged Dr. Frank Bryant that is an alcoholic and deluded professor from the upper-class without self-esteem. Frank lives with the also Professor Julia and they have a loveless relationship; Julia has a love affair with the dean Brian. The amusing Rita gives motivation to Frank to prepare her for the exams to join the university while she leaves Denny and moves to the house of the waitress Trish, who loves Gustav Mahler and is a cult woman. Will she succeed in the exams? Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Julie Walters has said of this film to UK's Guardian newspaper: "Making the film was utterly different (to the 1980 stage production, in which Walters also starred). I made Rita a bit rougher round the edges and toned my performance down. The director, Lewis Gilbert, wanted me, but I'd never done a feature before, only a bit of telly, and they needed a star. There was talk of doing it with Paul Newman and Dolly Parton. But then Michael Caine came on board as Frank, and I was in. I remember his wife saying: 'You are very lucky it's Michael'. She was thinking of other people of that ilk, who were starry and not that easy. But Michael was lovely, so generous to me." See more »
In the sequence leading up to Frank telling Rita that he is an appalling teacher, the way Rita holds the mug of whiskey changes. See more »
People who have experienced the mid-life crisis will be at home with this movie, as 26 year old hairdresser, Rita (Julie Walters), is pressurised into settling down with boyfriend Denny. Not only is this an un-needed pressure, but her father is plaguing her about when she is going to have children, but all Rita wants to do is find herself and take up something new. Her common touch and wonderful idiosyncrasies bring a breath of fresh air to snotty high class life, but when she goes to Dr. Frank Bryant (Michael Caine) to not only improve her lexicon, but to improve her image she begins a journey of blood and tears. Frank is assigned to tutor her, and from the start their personalities resonate the human touch.
Dr. Frank Bryant's marriage has gone down the pan, and his current girlfriend is playing away. On top of this he has hit the bottle and can only get through the day of teaching the young toffs, with a blend of his lecturing skills and the drink. He is jaded, he is tired of the same lecture routines, and he cannot understand why these students want to discuss the finer points of Blake. But Rita is new and fresh, initially Rita doesn't possess the skills required to write analytical essays; but she is different, she is vibrant, she is funny and she is unbelievably up front. As their relationship blossoms and Rita starts to find herself, she becomes increasingly drawn to the student way of life, and when Franks life is enriched because of her presence and her willingness to learn he sends her to a summer camp, to be educated at a greater level.
However, Rita's return with a change of character surprises Frank, and soon they drift away from their zany, affectionate meetings. Educating Rita is funny, expressive, sentimental, poignant and sad, as Frank must come to terms with the young bird fleeing the nest, whilst Rita begins to realize what she is becoming. With one thing gained, many other things are lost, and with Frank's increasing drinking problem because of Rita's character change, the two are headed for disaster. Both Caine and Walters give amazingly touching performances, and throughout I felt myself urging them to each other, only to know deep down that the age gap is just too much. Not many films make the audience care enough about relationships and circumstances, but this brilliant movie not only gets the audience committed to their plight, but also feels the full range of emotions.
When Rita gives her own interpretation of what assonance is, Bryant finds himself chuckling away to himself and realising that she is indeed right. What is especially touching is the way that Bryant wants Rita to stay as she is, because life has so little characters left for him. What she wants to become is everything that Bryant wants to forget, and there begins a sentimental tug of war. In between the funny moments, and plot directions is the feeling that life has more to offer than just being able to talk fluently about past authors, something which Bryant is driven to distraction over. But the movie nevertheless doesn't miss a moment to entertain and take the characters to our hearts, ensuring that Educating Rita remains a film classic.
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