The Dresser (1983)

User Rating:

7.6/10   

Director:

Peter Yates

Writer:

Ronald Harwood (screenplay)

Release Date:

6 December 1983 (USA)

Genre:

Drama

Tagline:

What happens backstage is always true drama. And often pure comedy.

Plot:

An effeminate personal assistant of a deteriorating veteran actor struggles to get him through a difficult performance of King Lear.

Plot Keywords:

Backstage | Actor | Theater | 1940s | Shakespeare's King Lear

Awards:

Nominated for 5 Oscars. Another 3 wins & 13 nominations

Cast

Albert Finney	...	Sir
Tom Courtenay	...	Norman
Edward Fox	...	Oxenby
Zena Walker	...	Her Ladyship
Eileen Atkins	...	Madge
Michael Gough	...	Frank Carrington
Cathryn Harrison	...	Irene
Betty Marsden	...	Violet Manning
Sheila Reid	...	Lydia Gibson
Lockwood West	...	Geoffrey Thornton
Donald Eccles	...	Mr. Godstone
Llewellyn Rees	...	Horace Brown
Guy Manning	...	Benton
Anne Mannion	...	Beryl
Kevin Stoney	...	C. Rivers Lane

Runtime:

118 min

Country:

UK

Language:

English

Color:

Color (Rankcolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Australia:PG | Iceland:L | UK:PG | Finland:K-12 | Sweden:11 | USA:PG | Singapore:PG

Filming Locations:

Alhambra Theatre, Bradford, West Yorkshire, England, UK

Company:

Columbia Pictures Corporation

Trivia:

The original Broadway production of "The Dresser" by Ronald Harwood opened at the Brooks Atkinson Theater in New York on November 6, 1981, ran for 200 performances and was nominated for the 1982 Tony Award for the Best Play. Ronald Harwood also wrote the screenplay for the filmed production.

Goofs:

Anachronisms: After Sir and Norman leave the marketplace, they're passed by a Routemaster bus. These buses were first used in London in 1954, and weren't used outside London until the 1970's.

Quotes:

Sir: The critics? No, I have nothing but compassion for them. How can I hate the crippled, the mentally deficient, and the dead?

Movie Connections:

Referenced in "The Nanny: The Honeymoon's Overboard (#6.1)" (1998)

Brilliant and illuminating and moving

Albert Finney and Tom Courtenay are brilliant as Sir and his Dresser. Of course the play is brilliant to begin with and nothing can compare with the immediacy and collegiality of theatre, and I think you listen better in theatre; but on the screen we become more intimate, we're 'up-close' more than we are in the theatre, we witness subtle changes in expression, we "see" better as well as listen. Both the play and the movie are wondrous: moving, intelligent, illuminating--of the backstage story of the company, of historical context, of the two main characters, and of the parallel characters in "Lear" itself. If you cannot get to see it in a theatre (I don't imagine it's produced much these days) then, please, do yourself a favor, and get the video.