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Le Dernier Combat (The Last Battle) (1983)

Le dernier combat (original title)
R | | Sci-Fi | 12 June 1984 (USA)
In the post-apocalyptic future, only a few humans are left. No one is able to speak; the film contains no dialogue, and characters communicate non-verbally. A determined loner befriends a ... See full summary »

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Cast

Complete credited cast:
Pierre Jolivet ...
...
The Doctor
Fritz Wepper ...
Captain
...
The Brute
Christiane Krüger ...
Captain's Concubine
Maurice Lamy ...
Dwarf
Pierre Carrive ...
Captain's Man
Jean-Michel Castanié ...
Captain's Man
Michel Doset ...
Captain's Man
Bernard Havet ...
Captain's Man
Marcel Berthomier ...
Captain's Man
Petra Müller ...
Woman in the Cell
Garry Jode ...
Captain's Man
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Storyline

In the post-apocalyptic future, only a few humans are left. No one is able to speak; the film contains no dialogue, and characters communicate non-verbally. A determined loner befriends a reclusive older man and these two battle against vicious thugs for food, shelter and life itself. Written by Marty Cassady <martyc@vt.edu>

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A high volume film in black and white cinemascope See more »

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Sci-Fi

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12 June 1984 (USA)  »

Also Known As:

Le Dernier Combat (The Last Battle)  »

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2.35 : 1
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Did You Know?

Trivia

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider. See more »

Quotes

[the film's only line of dialogue]
The Doctor: [whispering] Bon... jour...
The Man: [whispering] Bon... jour...
See more »


Soundtracks

Ruines - Part 2
Written by Eric Serra
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User Reviews

 
Luc Besson's debut film
11 February 2007 | by See all my reviews

Luc Besson's first work is also his first foray in science fiction, a genre to which he will return fourteen years later with "the Fifth Element" (1997). Even if this film was strongly influenced by Hollywood cinema, it is still highly enjoyable. Back in 1983, "le Dernier Combat" reveals Besson's own approach of science fiction. He takes back a threadbare topic and his efforts are discernible to make a stylish work. Shot in widescreen and black and white, a disaster has destroyed virtually all the population from earth and we will never know what was this disaster and why men can't talk any more. Some barbarian hordes were formed. In parallel, a man (Pierre Jolivet) lives on his own and arrives in an unrecognizable Paris where he is received by a doctor (Jean Bouise).

There are no words in Besson's work. The characters' actions and the progression of the events go through looks and gestures. Although the starting point and the backdrop are unnerving, the film has never the look of a despondent one. It seems that the man and the doctor try to reproduce gestures and actions linked to mankind before the disaster. The film opens with the man having sex with an inflatable doll. Later, the doctor tries to make him speak through a machine and he is a painter in his spare time. It's all the more intriguing as these paintings seem to come from the prehistoric times. Following this reasoning, one could argue that the bearded giant (Jean Reno) embodies evil and a threat to the efforts deployed by the man and the doctor to regain what finally made a human being. Ditto for the gang of baddies at the beginning of the film.

The pessimistic whiff that such a film could convey isn't really at the fore and gives way to a glimmer of hope. Personally, the film could have gained with no music at all, except the one the man can hear with his cassette recorder. Luc Besson was to make better and still entrancing films like this one, he also boosted Pierre Jolivet's career as a director who will leave a patchy work behind him in the future: "Force Majeure" (1989), "Simple Mortel" (1991), "ma Petite Entreprise" (1999) or "Filles Uniques" (2003).


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