| Photos (See all 10 | slideshow) |
| Chevy Chase | ... | Eddie Muntz | |
| Sigourney Weaver | ... | Catherine DeVoto | |
| Gregory Hines | ... | Ray Kasternak | |
| Vince Edwards | ... | Frank Stryker | |
| William Marquez | ... | Gen. Cordosa | |
| Eduardo Ricard | ... | Col. Salgado | |
| Richard Herd | ... | Lyle | |
| Graham Jarvis | ... | Babers | |
| Wallace Shawn | ... | Harold DeVoto | |
| Randi Brooks | ... | Ms. Della Rosa | |
| Ebbe Roe Smith | ... | Bob | |
| Richard Libertini | ... | Masaggi | |
| J.W. Smith | ... | Will | |
| Carmencristina Moreno | ... | Woman Singer (as Carmen Moreno) | |
| Charles Levin | ... | Dr. Rechtin | |
| Pepe Serna | ... | Vardis | |
| Wilfredo Hernández | ... | Rojas | |
| John Davey | ... | Pilot on Screen | |
| Miguel Pinero | ... | Molino | |
| Maurice Marsac | ... | Frenchman | |
| Joe Ross | ... | Russian Translator | |
| Jonathan Terry | ... | Gaylord | |
| Robert Cornthwaite | ... | Huddleston | |
| Gwil Richards | ... | Rev. Borman | |
| Kelly Lange | ... | Newscaster | |
| Ken Letner | ... | Sen. Bryce | |
| JoMarie Payton | ... | Baptist #1 (as Jo Marie Payton-Noble) | |
| Tony Plana | ... | Chicano Man | |
| Betty Cole | ... | Baptist #2 | |
| John Hancock | ... | Baptist Minister | |
| Helen Martin | ... | Baptist #3 | |
| Eddie Hice | ... | Bagman | |
| David Haskell | ... | Rockwell Official | |
| Ray Manzarek | ... | Charlie Simbo | |
| David Hall | ... | Rick Penido | |
| Alex Colon | ... | Street Robber | |
| John Reilly | ... | Swain | |
| James Staley | ... | JWT Assoc | |
| Stephen Keep Mills | ... | Promoter (as Stephen Keep) | |
| Louis Giambalvo | ... | Freddie Muntz | |
| Robert Alan Browne | ... | Man from Grumman | |
| Bradford English | ... | Man from McDonnell Douglas | |
| Jim Ishida | ... | Masaggi's Aide #1 | |
| Michael Yama | ... | Masaggi's Aide #2 | |
| Judith Baldwin | ... | Luckup Hostess #1 | |
| Jan McGill | ... | Luckup Hostess #2 | |
| Frank Lugo | ... | Station Wagon Driver | |
| Loyda Ramos | ... | Chicano Woman | |
| Wendy Solomon | ... | Freddie's Wife | |
| John Stinson | ... | Helicopter Reporter | |
| Janet Louise Smith | ... | Woman in Commercial | |
| Jesus Carmona | ... | Accordionist | |
| rest of cast listed alphabetically: | |||
| Jack Angel | ... | Announcer (uncredited) | |
| Robert David Hall | ... | Ray Penido (uncredited) | |
| Patti Negri | ... | (uncredited) | |
Directed by | |||
| William Friedkin | |||
Writing credits | ||
| Robert Towne | uncredited & | |
| Robert Garland | uncredited | |
| Paul Brickman | writer | |
| Bernard Edelman | book | |
Produced by | |||
| Jon Avnet | .... | executive producer | |
| Paul Brickman | .... | executive producer | |
| David Salven | .... | associate producer | |
| Steve Tisch | .... | executive producer | |
| Bud Yorkin | .... | producer | |
Original Music by | |||
| Arthur B. Rubinstein | |||
Cinematography by | |||
| Richard H. Kline | |||
Film Editing by | |||
| Jere Huggins | |||
| Ned Humphreys | |||
| Bud S. Smith | |||
Casting by | |||
| Nancy Klopper | |||
Production Design by | |||
| Bill Malley | |||
Set Decoration by | |||
| Richard C. Goddard | |||
Costume Design by | |||
| Rita Riggs | |||
Makeup Department | |||
| Frank Griffin | .... | makeup artist | |
| Kaye Pownall | .... | hair stylist | |
| Brad Wilder | .... | makeup artist (uncredited) | |
Production Management | |||
| David Salven | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Terence A. Donnelly | .... | first assistant director | |
| James M. Freitag | .... | second assistant director | |
| Bruce Logan | .... | second unit director in charge of optical effects | |
Art Department | |||
| John Alvin | .... | poster artist | |
| Barry Bedig | .... | property master | |
| Stan Cockerell | .... | assistant property master | |
| Peter Van Zyl | .... | greensman | |
Sound Department | |||
| Willie D. Burton | .... | production sound mixer | |
| Don Digirolamo | .... | sound re-recording mixer | |
| Stephen Hunter Flick | .... | supervising sound effects editor | |
| Robert Glass | .... | sound re-recording mixer | |
| Warren Hamilton Jr. | .... | sound effects editor | |
| J. Paul Huntsman | .... | supervising dialogue editor | |
| Chris Jenkins | .... | sound re-recording mixer (as Christopher Jenkins) | |
| Robert Knudson | .... | sound re-recording mixer | |
| Marvin E. Lewis | .... | boom operator | |
| Mark A. Mangini | .... | sound effects editor | |
| Andrew Patterson | .... | dialogue editor | |
| Christopher Flick | .... | apprentice sound editor (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| Joe Day | .... | special effects | |
| Mike Edmonson | .... | special effects foreman | |
| Scott Forbes | .... | special effects technician | |
| Chuck Gaspar | .... | special effects | |
| Doug Hubbard | .... | special effects | |
| Jeff Jarvis | .... | special effects supervisor | |
| Richard Stutsman | .... | special effects technician | |
| Diana Allen Williams | .... | miniature model maker | |
Visual Effects by | |||
| William L. Arance | .... | airbrush artist | |
| Rocco Gioffre | .... | matte artist | |
| Michael Kelly | .... | visual effects editor | |
| Tom Pahk | .... | model maker | |
| David B. Sharp | .... | model maker | |
| Keith Shartle | .... | production coordinator: DQI | |
| Scott Squires | .... | motion control supervisor | |
| Robert C. Thomas | .... | motion control gaffer | |
| Hoyt Yeatman | .... | motion control supervisor | |
| Eric Guaglione | .... | motion control miniature effects: optical camera assistant: DQI (uncredited) | |
| David Merritt | .... | model maker: Coast Special Effects (uncredited) | |
Stunts | |||
| John Ashby | .... | stunts | |
| Bruce Paul Barbour | .... | stunt performer | |
| John Escobar | .... | stunts | |
| Tony Kahana | .... | stunts | |
| Rick Sawaya | .... | stunts | |
Camera and Electrical Department | |||
| Albert Bettcher | .... | camera operator | |
| Alan R. Disler | .... | first assistant camera "a" camera | |
| Kevin Jewison | .... | second assistant camera | |
| Jud Kehl | .... | assistant camera | |
| Dan Lerner | .... | panaglide operator | |
Animation Department | |||
| Kerry Colonna | .... | animation effects supervisor | |
Editorial Department | |||
| Donah Bassett | .... | negative cutter | |
| Aubrey Head | .... | color timer | |
| Bud S. Smith | .... | supervising editor | |
Music Department | |||
| Mark Hoder | .... | orchestrator | |
| Abby Treloggen | .... | music editor | |
Other crew | |||
| Allen Blaisdell | .... | front projection operator | |
| William Bowling | .... | location manager | |
| Betty A. Griffin | .... | script supervisor | |
| William Hogue | .... | transportation captian | |
| Ann Luly | .... | misc crew | |
| David Salven Jr. | .... | location manager | |
| Charles A. Tamburro | .... | aerial coordinator / helicopter pilot | |
| Rick Whitfield | .... | video coordinator | |
| Recent Posts (updated daily) | User |
|---|---|
| I love Friedkin and Chevy but this movie us unwatchable.. | motley6 |
| political jabs ruined | DaveDude12 |
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| Buffalo Soldiers | Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb | Team America: World Police | Don't Be a Menace to South Central While Drinking Your Juice in the Hood | Day of the Wacko |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Eddie Muntz is a pervasive black market arms dealer who after a missed sale, meets a fellow salesman Harold in the same field for the US Luckup Corporation while in South America. After he commits suicide with the stress of waiting by the phone for the government dictator to ring him back to complete the deal. Eddie answers and takes over the deal which involves a new high-tech, non-pilot plane known as the Peacemaker. Soon enough everybody wants to get on this multi-million dollar deal. Eddie's work pal Ray has found god, and he's doing his best trying to keep him on the job and Harold's icy widow Catherine wants her share of the prize.
William Friedkin's "Deal Of the Century" is somewhere in between a black comedy and frank pot-shot on the international arms trade. It never distinguishes itself either way, but I think that's the point. Especially how nervously bizarre this turns out to be. I certainly enjoyed this misunderstood satirical item on an interestingly flavorers topic and the sardonically dark humour was neat treat to the senses. Those looking for a laugh-out-loud affair will only get humour that's rather broadly downbeat in tone, despite how over-blown they turn out to be. While, it didn't constantly make me laugh, it got some grimaces out of me. It can feel like a Chevy Chase vehicle most of the time, as the rest of the cast do pale in comparison. That's not their fault, because their characters don't have the material to lift them out of Chase's shadow. Chase is one of my favourite iconic 80's comedians and he immediately fits the role with his causally dry and quick-witted personality. Sigourney Weaver is there to look good in her steely firebrand performance and Gregory Hines doesn't look too interested throughout. There's a short comic performance by Wallace Shawn too.
The freshly ammo-packed story by Paul Bickerman is complicatedly knotty and obvious with its attacks. Creeping in were oddball situations and a surrealistic air on the worrying subject at hand. The snappy script works up a creative novelty, smearing it with sneering gags, spicy irony and that of Chase's slyly gruff voice-over narration to string scenes together. Super weapons to ensure peace, nicely put. As for William Friedkin's direction, well at first I didn't even know that this was on his resume. His style is extremely random and kinetic in just what's going to happen, but this unfocused mark goes on to morph its way into the premise. The interestingly high octane climax springs to mind. The production does look cheap, but the sweeping musical score creates the right vibe and there's strikingly framed camera-work. Explosions make there way in and the effects for the plane look rather hokey when its up in the air, but decent enough when on the ground.
While, I don't see too much love for this offering. It isn't significantly great and it can be clumsy, but I don't see it as a piece of absurd garbage that it's made out to be. Simply a delightful, if farcical romp that kept me highly entertained.