Stoney Cooper, a former Los Angeles police officer, is at a low point in his life. Kicked off the force because of his anti-authority attitude, he now ekes out a living as a freelancer in ... See full summary »
Two uneasy friends, a police officer and a TV talk show host, each pursue the mysterious "handcuff killer" with the aid of an artist who sees - and draws - the killer's crimes before they're committed.
Rebel without a cause or a clue at an elite but uptight High School discovers some of his classmates have formed an even more elite clique more or less hell-bent on ridding the school, and ... See full summary »
J. Eddie Peck,
Thieves run over a child while escaping after a robbery. A deadly hitman who likes to taunt his targets is hired to track them down. Stone moves to England, but the assassin follows. Loosely based on Donald Westlake's cult crime novel.
Stoney Cooper, a former Los Angeles police officer, is at a low point in his life. Kicked off the force because of his anti-authority attitude, he now ekes out a living as a freelancer in New York. All this changes when the daughter of an old friend is killed by a serial killer terrorizing L.A. Although almost nobody in his old home town is happy to see him back, Cooper pledges to bring the killer to justice before any more innocent people die. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
"Dying is one thing, but pain is a whole other subject."
A customarily vanilla, but rather violent and tawdry action thriller joint with a colourfully explosive Wings Hauser performance as an ex-cop returning to Los Angeles to find the serial killer that murdered his friends' granddaughter. He's a rogue who believes the system doesn't work and would go about any way to get the job done ("Your crazy man!"). Because of this, he's not welcome by the local authorities, then there's the ex-wife and also the local criminals who he had a past with when he was a LA cop.
There's no surprises here, but it's well made in workman-like manner by director Paul Aaron ("A Force of One"). Fundamental is how you can describe the b-grade story, but it did somewhat change route in the back-end after what I thought was going to be your typical stalk and slash outing with a (ex-maverick) cop after a psycho serial killer. In away I probably would have preferred if stuck to that formula (something similar to Charles Bronson's "10 to Midnight"), then where it actually headed. Even the added love-interest with Joyce Ingalls's character felt like nothing more than padding. The narrative does have a scattered pattern going on, but everything is thinly examined when it comes to its finale. Pacing can be very uneven, but the action is physically tough and breakneck (as well as that pumping soundtrack) but you end up wishing there were more extreme dynamics than what's produced. Also showing up in the cast is Paul Shenar, Al Ruscio, Lincoln Kilpatrick and Arlen Dean Snyder.
"You leave L.A, I'll have your ass!"
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