5.9/10
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6 user 15 critic

Deadline Auto Theft (1983)

After the attempted theft of his daughter's husband's car, LAPD Captain Gibbs declares war on master car thief Maindrian Pace, whose insurance investigation company provides the perfect ... See full summary »

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Cast

Cast overview, first billed only:
H.B. Halicki ...
...
Captain Gibbs
Marion Busia ...
Pumpkin Chase
Jerry Daugirda ...
Eugene Chase
George Cole ...
Atlee Jackson
Lang Jeffries ...
Lt. Arthur
...
Carl
Judi Gibbs ...
Herself
Pat Hartigan ...
Lt. Reed
Butch Stockton ...
1-Baker-11 Detective (Driver)
Phil Woods ...
1-Baker-11 Detective (Passenger)
James McIntyre ...
Stanley Chase
Ronald Halicki ...
Corlis Pace
Markos Kotsikos ...
Maureen Coddington ...
Officer DuPree
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Storyline

After the attempted theft of his daughter's husband's car, LAPD Captain Gibbs declares war on master car thief Maindrian Pace, whose insurance investigation company provides the perfect front. A South American drug lord pays Pace and his team to steal 48 cars for him, so they set out on the job while the police frantically try to track him down. Their efforts pay off when Pace's boss double-crosses him and tips them off on his next job. Police pursue Pace in "Eleanor", the last of the cars needed to fulfill their contract, through southern California as he tries to get away. Written by Paul Morris

Plot Summary | Add Synopsis

Genres:

Action | Comedy | Drama

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

28 October 1983 (USA)  »

Also Known As:

Auf dem Highway spielt die Polizei verrückt  »

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Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When viewed after director H.B. Halicki's second movie, The Junkman (1982), this film becomes an interesting piece of meta-fiction. Most of the movie is a shortened version of Halicki's first film, Gone in 60 Seconds (1974), with a new, lengthy opening sequence and various other new scenes which create a new subplot surrounding Hoyt Axton and the LAPD Auto-Theft Division. In The Junkman (1982), Gone in 60 Seconds (1974) is presented as a fictional film in post-production - this movie's new opening sequence is partially seen being shot in The Junkman (1982), during which Christopher Stone's character comments that Halicki (himself playing a fictional director) was "not excited" by the first three minutes of the original film (train crash investigation), and is therefore filming an entirely new sequence. As such, this film is the result of what is seen being shot in The Junkman (1982), and thus takes place in a different universe. In reality, Halicki sought to improve upon the original Gone in 60 Seconds (1974) by re-releasing it with these new scenes, which are far more extravagant and costly than what was originally shot. Without the different title, it could almost be seen as a "director's cut" of the original movie. See more »

Goofs

At the impound yard, Lt. Arthur is alternately leaning on a patrol car directly beside the wrecked ambulance and one further along. See more »

Connections

Edited from Gone in 60 Seconds (1974) See more »

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User Reviews

 
Not very often do you get someone to rip-off their own film
15 September 2006 | by (Boston, MA) – See all my reviews

This is basically the cult classic 'Gone in 60 Seconds' with some added plot and few a few extra heaps of twisted metal.

H.B. Halicki wanted to improve upon his initial successful film, so in conjunction while shooting the sequel 'The Junkman' he squeezed in some time to shoot the few extra scenes seen here. The result is pretty worthless. Like many camp classics, it is not plot or aesthetic quality that makes them good. It is the tongue-in-cheek nature that makes them fun romps. Can you imagine 'The Evil Dead' being "improved" upon? Sounds stupid to even consider, though Sam Raimi is trying to get a remake off the ground. However, he is pretty much starting from scratch with that, while here you have the same film with scenes added years later. The differences between these scenes are so apparent that it becomes ridiculous. Styles of clothes and even the condition of the old and new shots is so inconsistent that you'll be thinking an ape edited the film.

What is even more disappointing that the "additions" don't add anything. They merely stretch out a film which goes against the whole point of good editing where you trim for good pacing. Also, the new chase scene in the beginning is highly mediocre and the climatic chase from the original is here untouched so by the time you get past the middle of the film you've seen it all before. The funny thing is H.B. Halicki's widow introduces the film as if it were a totally new movie on the DVD introduction.

So only watch this if you want to see the famous 40 minute chase scene and cannot get the original in your hands. Or if you want to see an overblown array of car crashing that is the only thing that H.B Halicki managed to shoot for yet another chase film , but was killed in a stunt accident. That comes as a special feature on the DVD. But it is really nothing special and gets well beyond the line of ridiculousness with its slow motion, ever mounting metallic carnage. That essentially amounts to this film being waste of time. 2/10

Rated PG for metal crunching mayhem


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