A TV reporter and cameraman are taken hostage on a tugboat while covering a workers strike. The demands of the hostage-takers are to collect all the nuclear detonators in the Charleston, SC... See full summary »
The crew of a nuclear bomber attack the Soviet Union while the President of the United States tries desperately to regain control of his military after his helicopter crashes during a ... See full summary »
Rebecca De Mornay,
James Earl Jones
Well, the world has finally managed to blow itself up. Only Australia has been spared from nuclear destruction and a gigantic wave of radiation is floating in on the breezes. Only two ... See full summary »
On September 12, 2001, south of 14th Street is closed off to everyone except emergency workers, residents and the press. The filmmakers join news crews on top of a building adjacent to ... See full summary »
A second generation cameraman in Australia finds evidence that his father had filmed a nuclear test that allowed aboriginies to be exposed to and killed by radiation. He begins a search for... See full summary »
A light-hearted look at the final week before doomsday. American President Johnny Cyclops is trying to run a re-election campaign while dealing with the Russians, a deposed Shah needing to ... See full summary »
The frightening story of the weeks leading up to and following a nuclear strike on the United States. The bulk of the activity centers around the town of Lawrence, Kansas. Written by
Anthony Ventarola <firstname.lastname@example.org>
The idea for the title came from Stu Samuels, who was ABC's executive vice president of television movies and miniseries. He wanted it to convey that this was the story of the fallout, not the nuclear war itself. See more »
An all-out nuclear war is hypothesized by scientists to produce enough soot and fallout to completely blot out the sun, resulting in an extended nuclear winter around the Earth. The film depicts a brief nuclear snowfall soon after the bombing ceases, but for the rest of the film the landscape is mostly bathed in a hazy sunlight. See more »
[Carrying Danny during a blast's windstorm]
I gotcha son. It's alright. I gotcha.
See more »
If you think this movie's theme is outdated, think again. The Doomsday Clock has moved ahead three times since the end of the Cold War. From a press release: "Chicago, February 27, 2002: Today, the Board of Directors of the Bulletin of the Atomic Scientists moves the minute hand of the `Doomsday Clock,' the symbol of nuclear danger, from nine to seven minutes to midnight, the same setting at which the clock debuted 55 years ago. Since the end of the Cold War in 1991, this is the third time the hand has moved forward."
I watched this movie again a few weeks ago, after seeing it on TV as a ten-year-old kid. While some of the story-lines were painful (e.g. the soon-to-be-wed farmer's daughter whining when dad caught her sneaking off to have sex) this was a well-done movie showing the effects of nuclear war on middle america.
While maybe you can knock this for it's dramatic quality, I think it holds together as an honest story. Some of the criticisms I've read below don't hold together. The story *is* clear about the effects that happen at different distances from ground-zero. The Russians nailed Kansas because of the missile silos there. And it is honest about human nature: in the aftermath lots of people help, like the doctor, but others kill for food or land and there's plenty of panic and anger to go around.
This movie made an impression on me when I saw it as a kid and also now as an adult. And for those out there knocking it--remember this: The Day After made the people of the United States realize what kind of horrible toys their leaders are dealing with. It sparked the movement against nukes. We need a similar movement today--because people have forgotten, or don't think nuclear weapons are a threat. But the United States is now researching new, tactical nukes which, if smaller, will still result in fallout poisoning people unlucky to be in the neighborhood. Just like the kids in Iraq that get to breath the Uranium dust from our tank-busting weapons.
I wish we had more movies like this, and like _Traffic_, that bring painful realities to life and make people think.
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