Nuclear war in the United States is portrayed in a realistic and believable manner. The story is told through the eyes of a woman who is struggling to take care of her family. The entire ... See full summary »
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David Lee Smith,
Five hundred years in the future, a renegade crew aboard a small spacecraft tries to survive as they travel the unknown parts of the galaxy and evade warring factions as well as authority agents out to get them.
The frightening story of the weeks leading up to and following a nuclear strike on the United States. The bulk of the activity centers around the town of Lawrence, Kansas. Written by
Anthony Ventarola <email@example.com>
The premiere of this TV movie was a major media event. No sponsors bought commercial time after the point in the movie where the nuclear war occurs, so the last half of the show was aired straight through, without commercials. See more »
In the opening scenes where Billy McCoy and his counterparts are discussing their upcoming plans while riding a helicopter to the base, the helicopter's shadow can be seen on the trees below. The shadow is that of a Bell 206 Jet Ranger, but when the camera cuts to an outside shot of the helicopter, it is actually a Bell UH-1N Huey. See more »
This movie aired recently on the USA network and I saw it for the first time since I was ten years old. Although I did not find myself experiencing nightmares when I went to bed that night, as I did seventeen years ago, I still found the movie's message delivered clearly and with solid dramatic impact.
Upon close analysis, there are flaws, both technical and on the creative end. The post-bomb world seems far too well-lit at times in light of the "nuclear winter" theory. And (as the film's disclaimer says) the actual results are much, much grimmer. Seven years ago I visited Hiroshima and Nagasaki, and the photos, accounts and newsreel footage taken of those who survived are absolutely horrifying.
Some of the plot point devices and characters seem far too constructed (or perhaps outright contrived): Steve Guttenberg and his girlfriend and their tearful reunion, the dying doctor played by Jason Robards returning to the ruins of Kansas City for a final farewell to his home (and wife who died in the explosion). But the acting is strong, and Nicholas Meyer's largely low-key direction (often with no music) hammer home what is the film's message - loss. Not just the typical message that everyone loses in (nuclear) war, but illustrating what would be lost: loved ones, your home, your way of life, simple human dignity. And that it would be lost forever. For me, one of the most chilling lines is when Steve Guttenberg says to his girlfriend, "There's not going to be any phones."
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