Cujo (1983)

User Rating:

5.7/10   

Director:

Lewis Teague

Writers:

Stephen King (novel)
Don Carlos Dunaway (writer) ...

Release Date:

12 August 1983 (USA)

Genre:

Horror | Thriller

Tagline:

Now there's a new name for terror...

Plot:

A friendly St. Bernard named "Cujo" contracts rabies and conducts a reign of terror on a small American town.

Plot Keywords:

Stephen King | Extramarital Affair | Killer Dog | Dog Attack | Disturbing

Awards:

1 win & 3 nominations

Cast

Dee Wallace	...	Donna Trenton
Danny Pintauro	...	Tad Trenton
Daniel Hugh Kelly	...	Vic Trenton (as Daniel Hugh-Kelly)
Christopher Stone	...	Steve Kemp
Ed Lauter	...	Joe Camber
Kaiulani Lee	...	Charity Camber
Billy Jayne	...	Brett Camber (as Billy Jacoby)
Mills Watson	...	Gary Pervier
Sandy Ward	...	Bannerman
Jerry Hardin	...	Masen
Merritt Olsen	...	Professor
Arthur Rosenberg	...	Roger Breakstone
Terry Donovan-Smith	...	Harry
Robert Elross	...	Meara
Robert Behling	...	Fournier

Runtime:

91 min | Canada:93 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Iceland:16 | West Germany:16 | Australia:MA (DVD rating) | Canada:18A (Ontario) | Finland:K-15 (uncut) | Finland:K-16 (uncut) (2000) (DVD version) | Finland:K-16 (uncut) (1994) (VHS version) | Finland:K-18 (cut) (1983) | Canada:13+ (Quebec) | Singapore:NC-16 (re-rating) | Singapore:PG (cut) | Australia:M | France:-12 | Norway:18 | Poland:18 | Sweden:15 | UK:18 | USA:R

Filming Locations:

Glen Ellen, California, USA

Company:

Sunn Classic Pictures

Trivia:

Stunt double Jeannie Coulter was in the car and had the one of the toys used by the dogs' trainers as a "lure". The window was partially down, the dog jumped up and put his paws on the window, forcing it down and he reached in for his toy. Jeannie's reaction was to lower the toy and the dog bit her nose. She was treated at the hospital and released. There was also the rumor at the time that she was bitten by a rabid dog which was entirely incorrect.

Goofs:

Revealing mistakes: When Cujo attacks a cop in the hallway of the house, his tail has obviously been strapped to one of his legs.

Quotes:

Vic Trenton: There are no real monsters.
Tad Trenton: Except for the one in my closet.

Movie Connections:

Referenced in The Guardian (2006/I)

It might have you foaming at the mouth?

A St. Bernard dog is playfully chasing a rabbit, but when the dog decides to pop its head into a burrow it's bitten by a rabies-infected bat and slowly over time it becomes a maliciously uncontrolled mutt. Which, it turns on its owner and also terrorises that of a unfaithful women and her son that came to get their vehicle repaired, but only to be trapped in their broken down car with rabid dog outside trying to get to them.

Beethoven… yep, I just couldn't stop thinking of the lovable Beethoven when watching this flick. That was one of my childhood favourites, but I guess it isn't going to be quite the same when I come across it again. I won't look a Beethoven the same way again. Anyhow, this is one of the King's better-made adaptations. Although, it's a long way from brilliant, it delivers a stable amount of interest and tension to proceedings. This was my second viewing of it and it has hardly lost any of that full-blooded impact it generated, especially the heart racing standoff between the dog and the trapped victims. I wouldn't be surprise that you don't think your watching a horror film to begin with, as the opening basis centres around a family melodrama, raising martial issues and work commitments. It kind of comes across as cheesy in its supposed sentiment in those moments.

Then it kicks into gear with the slow beginning making way for a crackerjack final 40 minutes of simple confined tension built around isolation. It also doesn't hold back on the vicious dog attacks with ample ferocity and raw suspense being belted out. Watching people being mauled apart by this giant scuffed up dog wasn't that pleasant at all. The gore effects were more than adequate and it looked the part of a rabid dog perfectly. But you couldn't help but feel sorry for the dog, as it's more of a victim then the people who he's terrorising. Honestly I cared more for the misunderstood pooch than the initial victims. The characters weren't entirely likable, with the exception of one or two, but I didn't connect with them in this mess. The story is simple and plays it straight, but that doesn't mean it avoids the familiar clichés. Although, it doesn't entirely hurt the film, well it kind of enhances it actually. A surprising factor I found was that the film's camera-work was well choreographed with plenty of swirling shots and when it needed to up the ante it became rather erratic to fit in with the mood. Also add in some glorious slow-mo. The score on the other hand I thought was forcefully unbalanced and didn't fit into the mood at times. The performances are all sturdy and very hard to knock. Dee Wallace-Stone was at the top of her game as the wayward wife and Danny Pintauro as her worried son was equally so. Daniel Hugh Kelly gives a likable performance as the father and of course the endearing dog is worth a mention too. The strong performances make this traumatic experience even more believable.

A tautly constructed and work-man like film that won't push the boundaries, but its intensely petrifying in its simple origins.