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Cross Creek (1983)

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In 1930's Marjorie Kinnan Rawlings moves to Florida's backwaters to write in peace. She feels bothered by affectionate men, editor and confused neighbors, but soon she connects and writes The Yearling, a classic of American literature.

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Title: Cross Creek (1983)

Cross Creek (1983) on IMDb 7/10

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Nominated for 4 Oscars. Another 2 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Norton Baskin
...
Ellie Turner
...
...
Mrs. Turner
...
Paul
...
Floyd Turner
...
Tim's Wife
Bo Rucker ...
Leroy
...
Charles Rawlings
...
Tim
Tommy Alford ...
Postal Clerk
Norton Baskin ...
Man in the Rocking Chair
Terrence Gehr ...
Store Keeper
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Storyline

In 1930's Marjorie Kinnan Rawlings moves to Florida's backwaters to write in peace. She feels bothered by affectionate men, editor and confused neighbors, but soon she connects and writes The Yearling, a classic of American literature.

Plot Summary | Add Synopsis

Taglines:

The portrait of a woman who, at the edge of survival, found a world of meaning. See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

27 October 1983 (Netherlands)  »

Also Known As:

Cross Creek - Ich kämpfe um meine Freiheit  »

Filming Locations:

 »

Box Office

Gross:

$200,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The fiddle tunes Rip Torn's character plays, and the style in which they are played, are authentic to the region and era. They are based closely on recordings of Cush Holston, an old time fiddler who was from rural north Florida and recorded at an advanced age at a folk festival in 1960. The tune Torn sings is Holston's "Coon Dog," and the instrumental he plays before this is also from Holston, "Have a Hood Time Tonight." The actual playing for the film was done by a Florida old time musician who had studied and researched the music of Holston. See more »

Quotes

[first lines]
Marjorie Kinnan Rawlings: [voiceover] My journey to maturity began in New York, in 1928. I was married to Charles Rawlings, the newspaper man and yachting enthusiast. I had been trying to write stories that I thought would be most likely to sell - gothic romances were extremely popular - and I had written dozens. I was desperate to express myself. Even as a child I'd been consumed with the desire to be a writer.
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Connections

Referenced in The Making of 'E.T. The Extra-Terrestrial' (1996) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Engaging Semi-Biopic of a Great Writer
1 December 2008 | by (Arlington, VA.) – See all my reviews

When this movie came out nearly twenty years ago, I was completely aware of it, yet avoided it like the plague. Why? Because it was in the Top Ten lists of most of the noted critics that year, and because of preconceived notions I had about critics and their 'lofty' reviews at the time. I am kicking myself soundly now for having done so.

For those few out there not aware of this remarkable film yet, CREEK is the biographical depiction of a period in the life of renowned author Marjorie Kinnan Rawlings, when she moved to a very rural area of Florida, became enamored of the place and its people, and was inspired during that time to write some of her best work, including the novel that defined her career, THE YEARLING. Mary Steenburgen's career was just starting to come into its own when she made this film, and her wonderful portrayal of the author as a strong, independent-minded woman at a time when being so was frowned upon is the movie's rock-solid center.

Complementing her are marvelous turns by Peter Coyote as Norton Baskin, the man who becomes extremely interested in Marjorie and becomes a big part of her life; Rip Torn and Dana Hill as Cross Creek natives Marsh and Ellie Turner, the father and daughter who (according to this version of the story) become the inspiration for Rawlings' best-known work, and Alfre Woodard, who was also early in her career, playing Marjorie's somewhat skittish yet steadfast housekeeper, Geechee.

Note must be made of all the actors in the small roles as well, as they all add to the ambiance of this quiet, almost serene backwoods community that Marjorie learned to call home, and where she did much of her best work. A particularly haunting part of the film is when she encounters a young backwoodsman named Tim (John Hammond) and his beautiful pregnant wife (Toni Hudson), who also become the basis of another important Rawlings' story, "Jacob's Ladder", which I am now determined to find.

John Alonzo's photography brings an almost magical feel to the swamp and marshlands of the region, and Leonard Rosenmann contributes a score that accents rather than interrupts the movie's flow.

Plus, there is a bonus in the form of an actor who was also an integral part of Steenburgen's personal life at the time, portraying Max Perkins, Marjorie's publisher. Fans of Mary will already know who I'm talking about, and it is a treat to see them together again after their previous film, TIME AFTER TIME.

I wouldn't call this a 'family' film per se, since the younger ones who might be disturbed by THE YEARLING or OLD YELLER will find this just as disconcerting. But for adults especially, seeking to escape car chases, exploding buildings or the latest adolescent yuk-fest, CROSS CREEK will come as a welcome respite...as soothing and comforting as Ms. Rawlings eventually found it to be.


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