A movie about a good-for-nothing stuntman called Mike Gaucher who can't do one single job without something going wrong. His fiancée wants to kill him, the film studios don't want to give ... See full summary »
A romantic drama set in Germany just before WWI and centered on a married woman who falls in love with her husband's protégé. Separated first by duties and then by the war, they pledge their devotion to one another.
Pierre Durois is a bumbling school teacher with an eye for the older female students; his father is a reputable surgeon who is running for Mayor. There's a film shooting crew in town and ... See full summary »
Holidaymakers arriving in a Club Med camp on the Ivory Coast are determined to forget their everyday problems and emotional disappointments. Games, competitions, outings, bathing and sunburn accompany a continual succession of casual affairs.
They are the best friends of the world. Five friends who shared everything: may 68, hippies years, the rock and their love for Bernadette. This Bernadette has left them to become a ... See full summary »
Contre l'Oubli (Against Oblivion) is a compilation of 30 French filmmakers, Alain Resnais and Jean Luc Godard among them, who use film to make a plea on behalf of a political prisoner. Jean... See full summary »
Could this film be the work of Patrice Leconte? The director of "Ridicule", "Monsieur Hire", and other excellent movies must have been on auto pilot when he undertook the helm of this ship that was moving upstream without a clue about what port it was heading for. For a comedy, not having a single laugh, it is a capital sin. The idea of an obnoxious detective harassing people is not exactly a novelty, but in the case of this French comedy, it is an irritating joke running through the picture. Besides all its sins, this movie is sadly dated; it just did not age well. On the other hand, M. Leconte is entitled to a miss in his career.
Michel Blanc had the thankless task of making his inspector Leroux a royal pain in the neck, as he keeps going back to the home of a gallery owner with a senseless excuse that does not even make any sense in the context of what the creators were hoping to achieve. Jane Birkin suffers stoically the accusations directed at her. Jacques Villaret is totally wasted in the film.
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