| Photos (See all 30 | slideshow) |
| Keith Gordon | ... | Arnie Cunningham | |
| John Stockwell | ... | Dennis Guilder | |
| Alexandra Paul | ... | Leigh Cabot | |
| Robert Prosky | ... | Will Darnell | |
| Harry Dean Stanton | ... | Detective Rudolph Junkins | |
| Christine Belford | ... | Regina Cunningham | |
| Roberts Blossom | ... | George LeBay | |
| William Ostrander | ... | Buddy Repperton | |
| David Spielberg | ... | Mr. Casey | |
| Malcolm Danare | ... | Moochie Wells | |
| Steven Tash | ... | Rich Cholony | |
| Stuart Charno | ... | Don Vandenberg | |
| Kelly Preston | ... | Roseanne | |
| Marc Poppel | ... | Chuck | |
| Robert Darnell | ... | Michael Cunningham | |
| Richard Collier | ... | Pepper Boyd | |
| Bruce French | ... | Mr. Smith | |
| Douglas Warhit | ... | Bemis | |
| Keri Montgomery | ... | Ellie | |
| Jan Burrell | ... | Librarian | |
| Charlie Steak | ... | Shoppie (as Charles Steak) | |
| rest of cast listed alphabetically: | |||
| Mohhib Jivan | ... | Auto Shop Clerk (uncredited) | |
| Daniel A. Lomino | ... | Liquor Store Clerk (uncredited) | |
| John Madden | ... | Himself (uncredited) | |
| John Richard Petersen | ... | High School Student (uncredited) | |
| Barry Tubb | ... | Football Player (uncredited) | |
Directed by | |||
| John Carpenter | |||
Writing credits | ||
| Stephen King | (novel) | |
| Bill Phillips | (screenplay) | |
Produced by | |||
| Barry Bernardi | .... | associate producer | |
| Larry J. Franco | .... | co-producer (as Larry Franco) | |
| Richard Kobritz | .... | producer | |
| Kirby McCauley | .... | executive producer | |
| Mark Tarlov | .... | executive producer | |
Original Music by | |||
| John Carpenter | |||
| Alan Howarth | |||
Cinematography by | |||
| Donald M. Morgan | (director of photography) | ||
Film Editing by | |||
| Marion Rothman | |||
Casting by | |||
| Karen Rea | |||
Production Design by | |||
| Daniel A. Lomino | (as Daniel Lomino) | ||
Set Decoration by | |||
| Cloudia Rebar | (as Cloudia) | ||
Costume Design by | |||
| Darryl Levine | |||
Makeup Department | |||
| Frankie Bergman | .... | hair stylist | |
| Robert Dawn | .... | makeup supervisor (as Bob Dawn) | |
Production Management | |||
| Robert Doudell | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Larry J. Franco | .... | first assistant director (as Larry Franco) | |
| Connie Garcia-Singer | .... | dga trainee | |
| Jack Philbrick | .... | second assistant director | |
Art Department | |||
| Daril Alder | .... | leadman | |
| Richard Chirco | .... | set dresser | |
| William J. Durrell Jr. | .... | set designer (as William Joseph Durrell Jr.) | |
| Louis S. Fleming | .... | assistant property master | |
| Walt Hadfield | .... | construction coordinator | |
| George Jenson | .... | production illustrator | |
| Kent H. Johnson | .... | property master | |
| Tony Leonardi | .... | painter (as Anthony J. Leonardi Jr.) | |
| J.D. Smith | .... | set dresser | |
| John Tyrrell | .... | paint foreman | |
Sound Department | |||
| John K. Adams | .... | foley artist (as John Adams) | |
| Joseph F. Brennan | .... | boom operator (as Joseph Brennan) | |
| Thomas Causey | .... | sound mixer | |
| Hank Garfield | .... | boom operator | |
| Michael C. Gutierrez | .... | dialogue editor (as Michael Gutierrez) | |
| Duane Hartzell | .... | sound editor | |
| Devon Heffley Curry | .... | adr supervisor (as Devon Heffley) | |
| Robert J. Litt | .... | sound re-recording mixer | |
| Steve Maslow | .... | sound re-recording mixer | |
| John Post | .... | sound editor | |
| Steve Rice | .... | foley artist | |
| David E. Stone | .... | sound editor (as David Stone) | |
| Kendrick Sweet | .... | dialogue editor (as Ken Sweet) | |
| Elliot Tyson | .... | sound re-recording mixer | |
| David Lewis Yewdall | .... | supervising sound editor (as David Yewdall) | |
Special Effects by | |||
| Ted Allen | .... | special effects | |
| Roy Arbogast | .... | special effects supervisor | |
| Elmer Hui | .... | special effects (as E. Hui) | |
| Bill Lee | .... | special effects foreman | |
| Kevin Quibell | .... | special effects | |
| Mike Reedy | .... | special effects (as Michael Reedy) | |
| David Simmons | .... | special effects (as David L. Simmons) | |
| Dick Wood | .... | special effects (as Richard Wood) | |
| Gary Zink | .... | special effects (uncredited) | |
Stunts | |||
| Buff Brady | .... | stunts | |
| David D. Darling | .... | stunts | |
| Ted Duncan | .... | stunts | |
| Tom Elliott | .... | stunts | |
| Donna Evans | .... | stunts | |
| Clifford Happy | .... | stunts | |
| Robert Lee Harris | .... | stunts | |
| Norman Howell | .... | stunts | |
| Terry Leonard | .... | stunt coordinator | |
| Mike H. McGaughy | .... | stunts | |
| John Meier | .... | stunts | |
| Conrad E. Palmisano | .... | stunts | |
| Kerry Rossall | .... | stunts | |
| Ben Scott | .... | stunts (as Ben R. Scott) | |
| John-Clay Scott | .... | stunts | |
| Dean Smith | .... | stunts | |
| Dick Warlock | .... | stunts | |
| Jim Wilkey | .... | stunts | |
| Walter Wyatt | .... | stunts | |
Camera and Electrical Department | |||
| Mike Amorelli | .... | set electrician (as Michael Amorelli) | |
| Ralph Barone | .... | set electrician | |
| Tom Barone | .... | electrical best boy (as Thomas R. Barone) | |
| Russell Caldwell | .... | set electrician (as Ed Tobin) | |
| David Canestro | .... | grip | |
| James B. Crawford | .... | set electrician (as James Crawford) | |
| Richard Dow | .... | grip | |
| Kim Gottlieb | .... | still photographer (as Kim Gottlieb-Walker) | |
| Richard Hartley | .... | set electrician (as Richard Hartley Jr.) | |
| Gary Holt | .... | gaffer (as Gary H. Holt) | |
| Bob E. Krattiger | .... | set electrician (as Robert Krattiger) | |
| Michael Laws | .... | set electrician | |
| Marc Margulies | .... | second assistant camera | |
| Gary Parker | .... | dolly grip | |
| Tony Rivetti | .... | first assistant camera (as Anthony J. Rivetti) | |
| Chris Schwiebert | .... | camera operator | |
| Alex Skvorzov | .... | electrical best boy | |
| Calvin Sterry | .... | key grip (as Cal Sterry) | |
| Louis Tobin | .... | gaffer (as Lou Tobin) | |
| Joseph F. Valentine | .... | panaglide operator (as Joseph Valentine) | |
| Clay H. Wilson | .... | second grip (as Clay Wilson) | |
| Steve Wolfe | .... | set electrician | |
| James B. Crawford | .... | lamp operator (uncredited) | |
| Michael Laws | .... | lamp operator (uncredited) | |
Casting Department | |||
| Annette Benson | .... | casting assistant | |
| Janice Spitzer | .... | extras casting | |
| Peter Spitzer | .... | extras casting | |
Costume and Wardrobe Department | |||
| Dawn J. Jackson | .... | costumer: women (as Dawn Jackson) | |
| Darryl Levine | .... | costume supervisor | |
Editorial Department | |||
| Virginia Katz | .... | assistant film editor | |
Music Department | |||
| William C. Carruth | .... | music editor (as William Carruth) | |
| David Marsh | .... | music clearance | |
| Michael Ochs | .... | music coordinator | |
Transportation Department | |||
| George Alden | .... | driver | |
| Ed Arter | .... | transportation captain | |
| E.O. Braden | .... | transportation co-captain | |
| Gary Burch | .... | driver | |
| Eddie Lee Voelker | .... | transportation coordinator | |
| Gordon Wiles | .... | driver (as Gordon W. Wiles) | |
Other crew | |||
| Ellen Benjamin | .... | assistant: Mr. Carpenter | |
| Shirley Bonner | .... | assistant: Mr. Kobritz | |
| Bethany Brown | .... | assistant production accountant | |
| Gary Burch | .... | mechanic | |
| Maurice Costello | .... | first aid | |
| Karlene Gallegly | .... | location manager | |
| Larry Hand | .... | production accountant | |
| Jeffery House | .... | moldmaker (as Jeff House) | |
| Kisuna Jacobsen | .... | script supervisor | |
| Mary McKernan | .... | office assistant | |
| Bridget Murphy | .... | production coordinator | |
| Midge Ogle | .... | craft service | |
| Carol Rosenthal | .... | production secretary | |
| Richard Ruiz | .... | moldmaker | |
| Rubin Saens | .... | custom body works | |
| Peter J. Silbermann | .... | publicity coordinator | |
| Eddie Lee Voelker | .... | coordinator: "Christine" | |
Thanks | |||
| Robert Dawn | .... | in memory of (as Bob Dawn) | |
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| Carrie | Pet Sematary | The Dead Zone | Bullitt | Carrie |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
For my Smart Money, "Christine" is one of John Carpenter's most underrated efforts (up there with "Assault on Precinct 13"), and also one of his most effective. Even though its modest look and relative restraint in gore came as a result of "The Thing"'s box-office failure the previous year, and Carpenter has all but admitted his heart wasn't in the project, it ultimately turned out VERY well (if this is an effort from a sleepwalking Carpenter, he's better than most directors when they're awake). As someone who was knocked out by Rob Bottin's intricately gruesome FX work in "The Thing," but left cold by the shallow characters, "Christine" fills in the gaps of suspense and human story with ease. In retrospect, some of the absurd plot elements ("a haunted car," as Carpenter constantly reiterates) lends the film an odd humor that doesn't detract from things (and indeed, it was Stephen King's own infatuation with cars and rock music that inspired this story of obsession). Scenes are composed with great skill by Carpenter (making wonderful use of the widescreen image), and there are many striking images sprinkled throughout (the most incredible being the flaming Christine speeding after a villain). The excellent cast gives their all in making a potential B-movie premise glow with A-list polish: Keith Gordon's Arnie (the painfully square high-school senior who buys the titular vehicle), John Stockwell's Dennis (the resourceful jock and best friend), Alexandra Paul's Leigh (the earthy girlfriend who sparks Christine's jealousy), and Harry Dean Stanton's Junkins (the snooping P.I.) provide this tale with a lot of propulsive force. In a sense, "Christine" is a nice even ground between the zaniness of "Escape from New York" and the FX extremes of "The Thing," and exemplifies Carpenter's range as a director. A very underrated effort that is very much worth your time.