Legend says that Antonio Bay was built in 1880 with blood money obtained from shipwrecked lepers, which no one believes. On the eve of the town's centennial, many plan to attend the celebrations, including the murdered lepers.
Jamie Lee Curtis,
In 1957, in Detroit, a red Plymouth Fury is built and is the cause of two accidents, one of them fatal, still in the assembly line. Twenty-one years later, the outcast and bullied nerd Arnold "Arnie" Cunningham is getting a ride with his best and only friend Dennis Guilder and he sees the wrecked car for sale in a garden. Arnie immediately falls in love with the car. The car was given the name Christine by it's first owner. He brings the car to a repair shop of the despicable Will Darnell and works hard to restore the classic car. While he works in the restoration, he changes his personality to a cocky teenager and he dates the most beautiful girl in the high-school, Leigh Cabot. Soon Arnie becomes selfish and jealous of the supernatural Christine that kills everyone that is a threat to them. Written by
According to the filmmakers in the DVD documentary, 28 Plymouth "Furys" (which in reality were Belvederes or Savoys) were purchased and restored for the film. A few were "showcase" cars that were used whenever Christine is just sitting there "looking pretty" or whenever Arnie is driving her. There were "hot rod" versions with souped up engines and airplane landing lights for the headlights for Christine's rampages. And there were "junked" and "shell" cars for the versions of Christine in disrepair or for her "death" scene. There is one way to tell which cars are the showcase hot rod cars and the stunt cars: if you look at the under grill beneath Christine's front bumper, the showcase cars have a chrome under grill while the stunt cars have a red painted under grill. See more »
When Arnie visits Dennis in the hospital for the first time, the foot he puts the paper cup on is fake. See more »
The kid was cut in half Arnie, they had to scrape his legs up with a shovel.
Well, isn't that what you're supposed to do with shit? Scrape it up with a little shovel?
Don't get smart with me, son. Your girlfriend is a hell of a lot more convincing than you are.
She's not my girlfriend. And since when is it against the law to fix up your own car when somebody else busts it up, huh?
Then you get off my back.
[...] See more »
In the opening credits when the titles are appearing, Christine's engine can be heard. See more »
For my Smart Money, "Christine" is one of John Carpenter's most underrated efforts (up there with "Assault on Precinct 13"), and also one of his most effective. Even though its modest look and relative restraint in gore came as a result of "The Thing"'s box-office failure the previous year, and Carpenter has all but admitted his heart wasn't in the project, it ultimately turned out VERY well (if this is an effort from a sleepwalking Carpenter, he's better than most directors when they're awake). As someone who was knocked out by Rob Bottin's intricately gruesome FX work in "The Thing," but left cold by the shallow characters, "Christine" fills in the gaps of suspense and human story with ease. In retrospect, some of the absurd plot elements ("a haunted car," as Carpenter constantly reiterates) lends the film an odd humor that doesn't detract from things (and indeed, it was Stephen King's own infatuation with cars and rock music that inspired this story of obsession). Scenes are composed with great skill by Carpenter (making wonderful use of the widescreen image), and there are many striking images sprinkled throughout (the most incredible being the flaming Christine speeding after a villain). The excellent cast gives their all in making a potential B-movie premise glow with A-list polish: Keith Gordon's Arnie (the painfully square high-school senior who buys the titular vehicle), John Stockwell's Dennis (the resourceful jock and best friend), Alexandra Paul's Leigh (the earthy girlfriend who sparks Christine's jealousy), and Harry Dean Stanton's Junkins (the snooping P.I.) provide this tale with a lot of propulsive force. In a sense, "Christine" is a nice even ground between the zaniness of "Escape from New York" and the FX extremes of "The Thing," and exemplifies Carpenter's range as a director. A very underrated effort that is very much worth your time.
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