Legend says that Antonio Bay was built in 1880 with blood money obtained from shipwrecked lepers, which no one believes. On the eve of the town's centennial, many plan to attend the celebrations, including the murdered lepers.
Jamie Lee Curtis,
In 1957, in Detroit, a red Plymouth Fury is built and is the cause of two accidents, one of them fatal, still in the assembly line. Twenty-one years later, the outcast and bullied nerd Arnold "Arnie" Cunningham is getting a ride with his best and only friend Dennis Guilder and he sees the wrecked car for sale in a garden. Arnie immediately falls in love with the car. The car was given the name Christine by it's first owner. He brings the car to a repair shop of the despicable Will Darnell and works hard to restore the classic car. While he works in the restoration, he changes his personality to a cocky teenager and he dates the most beautiful girl in the high-school, Leigh Cabot. Soon Arnie becomes selfish and jealous of the supernatural Christine that kills everyone that is a threat to them. Written by
Stephen King chose a '58 Plymouth Fury for Christine because it was a "forgotten car." "I didn't want a car that already had a legend attached to it like the '50s Thunderbird." See more »
When Christine is crushed and dropped from the junkyard crane, the side facing Dennis, Leigh and Junkins shows a steel wheel very prominently. As they talk, they are looking right at it, and when the shot returns to the cube, the wheel is gone, replaced by Christine's mangled grillwork and front bumper- as if the cube has spun 180 degrees. The viewing angle is unchanged, evidenced by the crane's tread belts and the area in the background, and if the cube were 'morphing', the 3 characters would have seen it and reacted. See more »
For my Smart Money, "Christine" is one of John Carpenter's most underrated efforts (up there with "Assault on Precinct 13"), and also one of his most effective. Even though its modest look and relative restraint in gore came as a result of "The Thing"'s box-office failure the previous year, and Carpenter has all but admitted his heart wasn't in the project, it ultimately turned out VERY well (if this is an effort from a sleepwalking Carpenter, he's better than most directors when they're awake). As someone who was knocked out by Rob Bottin's intricately gruesome FX work in "The Thing," but left cold by the shallow characters, "Christine" fills in the gaps of suspense and human story with ease. In retrospect, some of the absurd plot elements ("a haunted car," as Carpenter constantly reiterates) lends the film an odd humor that doesn't detract from things (and indeed, it was Stephen King's own infatuation with cars and rock music that inspired this story of obsession). Scenes are composed with great skill by Carpenter (making wonderful use of the widescreen image), and there are many striking images sprinkled throughout (the most incredible being the flaming Christine speeding after a villain). The excellent cast gives their all in making a potential B-movie premise glow with A-list polish: Keith Gordon's Arnie (the painfully square high-school senior who buys the titular vehicle), John Stockwell's Dennis (the resourceful jock and best friend), Alexandra Paul's Leigh (the earthy girlfriend who sparks Christine's jealousy), and Harry Dean Stanton's Junkins (the snooping P.I.) provide this tale with a lot of propulsive force. In a sense, "Christine" is a nice even ground between the zaniness of "Escape from New York" and the FX extremes of "The Thing," and exemplifies Carpenter's range as a director. A very underrated effort that is very much worth your time.
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