A family-values man named Jerry Blake marries widows and divorcées with children in search of the perfect family. As soon as his new family members show signs of being human and not robots ... See full summary »
Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
Highschool geek Arnie Cunningham falls in love with "Christine", a bright red 1958 Plymouth Fury which has seen much better days. Setting himself the task of restoring the car to its original condition, his friends notice that the car is not the only thing that is changing. Arnie seems to spend more and more time with his car. He's also developed a sort of cocky arrogance which does not seem like the real Arnie at all. Written by
Murray Chapman <email@example.com>
Screenwriter Bill Phillips and rocker George Thorogood filmed a cameo appearance as the junkyard workers who compress Christine and dropped the cube at the end; the sequence was cut because neither could act very well (as Phillips states in the documentary). It was also Phillips who suggested that they use George Thorogood's "Bad To The Bone" as the movie's theme song. See more »
Towards the end of the film Dennis, who is on crutches and can hardly walk, gets into Darnell's garage through a window. After he drops in, he clearly runs to the door to let Leigh inside. See more »
Let me tell you a little something about love, Dennis. It has a voracious appetite. It eats everything. Friendship. Family. It kills me how much it eats. But I'll tell you something else. You feed it right, and it can be a beautiful thing, and that's what we have.
[voice rising in volume]
You know, when someone believes in you, man, you can do anything, any fucking thing in the entire universe. And when you believe right back in that someone, then watch out world, because nobody can stop you ...
[...] See more »
In the opening credits when the titles are appearing, Christine's engine can be heard. See more »
Let's face it. Christine is far from the best novels of King, especially this creepy dead former owner, sitting on the backseats, and teasing Arnie.
Carpenter chose not to put this character into the movie. What a great choice. Which other movie has shown a true love between a human and a machine ever since? I mean, a film with no ridiculous situations and tired old gags. None.
Big John created a weird teenage movie, with a great cast (Keith Gordon has never been better) and a hypercool soundtrack. One of a kind you won't easily forget!
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