A family-values man named Jerry Blake marries widows and divorcées with children in search of the perfect family. As soon as his new family members show signs of being human and not robots ... See full summary »
Anna Rydell returns home to her sister (and best friend) Alex after a stint in a mental hospital, though her recovery is jeopardized thanks to her cruel stepmother, aloof father, and the presence of a ghost in their home.
Highschool geek Arnie Cunningham falls in love with "Christine", a bright red 1958 Plymouth Fury which has seen much better days. Setting himself the task of restoring the car to its original condition, his friends notice that the car is not the only thing that is changing. Arnie seems to spend more and more time with his car. He's also developed a sort of cocky arrogance which does not seem like the real Arnie at all. Written by
Murray Chapman <firstname.lastname@example.org>
She was born bad. Plain and simple. Somewhere deep on a darkened assembly line. Christine. A '58 Plymouth Fury possessed by Hell. She's taken control of her teenage owner, Arnie. Her previous owner is not alive to warn him. And now she's steering straight for the one person in her way. Arnie's girlfriend, Leigh. The other woman. See more »
The opening scene, which shows Christine being "born" in Detroit, was added in for the movie; it was used to explain the origin of Christine's evil nature, which had been changed from the original Stephen King novel. See more »
When Arnie brings Christine home to get his parents to register the car in their name, Arnie's mother is standing against the kitchen sink, holding a cigarette which switches hands between shots. See more »
The kid was cut in half Arnie, they had to scrape his legs up with a shovel.
Well, isn't that what you're supposed to do with shit? Scrape it up with a little shovel?
Don't get smart with me, son. Your girlfriend is a hell of a lot more convincing than you are.
She's not my girlfriend. And since when is it against the law to fix up your own car when somebody else busts it up, huh?
Then you get off my back.
[...] See more »
In the opening credits when the titles are appearing, Christine's engine can be heard. See more »
Written by Del Shannon and Max Crook
Performed by Bonnie Raitt
Courtesy of Warner Bros. Records, Inc.
by arrangement with Warner Special Products
Mole Hole Music / Bug Music & Rightsong Music, Inc. See more »
Let me make this clear right away: I haven't read the book, nor do I intend to. You won't find any comparisons between the book and the film in this review. This film combines two of the biggest names in horror from two different medias; Stephen King is pretty much legendary for his written horror work. John Carpenter is also a pretty well-known name, but as a horror director rather than writer. Having not read the book, I have no idea how true Carpenter stayed to the source material, but I can understand from various sources that he changed a lot, and the changes were very big, so fans of the book might not like the movie. Whenever I hear about a film being made that is based on a King novel my response is usually that of someone who lacks any interest in it whatsoever. When I hear that it's directed by John Carpenter, one of my favorite directors, particularly within the horror genre, I develop an interest. Carpenter does a great job of turning something as potentially lame and goofy as a possessed car into something that you really fear. I was at the edge of my seat for a lot of the scenes, and I jumped at several shocking moments. The story revolves around a nerd buying a car, and the car significantly changing his personality. He changes enormously throughout the film, and I must say, the actor does a great job of capturing the emotion of the character. The plot is great, it doesn't move along very fast, but rather deliberately slow, building up atmosphere, building to a climax that is every bit as exciting as the build-up promises. The acting is great, especially by Keith Gordon, who portrays the nerd-like Arnie, who buys the demonic car. The film has pretty much the same sense of humor that Carpenter's films usually have, albeit slightly less of it is present than in several of his others, less serious films. The special effects are very good, they are almost impossible to tell. Had I not known better, I could have sworn that they were real. They probably could be more well-made had they been done today, but I still think it's amazing how real they look. They don't look the least bit dated. All in all, a good Carpenter film that probably won't be to everyones liking. I recommend it to fans of Carpenter, and fans of atmospheric horror films in general. 7/10
17 of 27 people found this review helpful.
Was this review helpful to you?