| Andrea Occhipinti | ... | Bruno | |
| Anny Papa | ... | Sandra | |
| Fabiola Toledo | ... | Angela | |
| Michele Soavi | ... | Tony Rendina | |
| Valeria Cavalli | ... | Katia | |
| Stanko Molnar | ... | Giovanni | |
| Lara Lamberti | ... | Julia (as Lara Naszinski) | |
| rest of cast listed alphabetically: | |||
| Giovanni Frezza | ... | Little Blond Boy in Film (uncredited) | |
| Marco Vivio | ... | Little Boy in Film #1 (uncredited) | |
Directed by | |||
| Lamberto Bava | |||
Writing credits(in alphabetical order) | ||
| Elisa Briganti | writer | |
| Dardano Sacchetti | writer | |
Produced by | |||
| Lamberto Bava | .... | producer | |
| Mino Loy | .... | producer (uncredited) | |
| Luciano Martino | .... | producer (uncredited) | |
Original Music by | |||
| Guido De Angelis | |||
| Maurizio De Angelis | |||
Cinematography by | |||
| Gianlorenzo Battaglia | |||
Film Editing by | |||
| Lamberto Bava | |||
Set Decoration by | |||
| Stefano Paltrinieri | |||
Costume Design by | |||
| Stefano Paltrinieri | |||
Makeup Department | |||
| Giovanni Amadei | .... | makeup artist | |
| Carla Catanzaro | .... | assistant makeup artist | |
Production Management | |||
| Roberto de Laurentiis | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Michele Soavi | .... | assistant director | |
Art Department | |||
| Angeluccio Maccarinelli | .... | props | |
Sound Department | |||
| Paolo Frati | .... | sound effects | |
| Mario Giacco | .... | sound effects | |
| Eros Giustini | .... | sound engineer | |
Special Effects by | |||
| Giovanni Corridori | .... | special effects | |
Camera and Electrical Department | |||
| Gianlorenzo Battaglia | .... | camera operator | |
| Enzo Frattari | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Giovanna Jacono | .... | wardrobe | |
Editorial Department | |||
| Isabella Mauro | .... | second assistant editor | |
| Teresa Negozio | .... | first assistant editor | |
| Luciano Vittori | .... | color consultant | |
Other crew | |||
| Donatella Botti | .... | continuity | |
| Ofelia Garcia | .... | production secretary | |
| Saverio Mangogna | .... | production secretary | |
| Recent Posts (updated daily) | User |
|---|---|
| One great giallo! | LambertoBava |
| shock ending? | videa552 |
| I think this is the film | JGrossoiii |
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| The Bird with the Crystal Plumage | Black Belly of the Tarantula | The Cat o' Nine Tails | Deep Red | The Case of the Scorpion's Tail |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Italy section |
Director Lamberto Bava is the son of the arguably greatest Horror director who ever lived, the almighty Mario Bava. And while the younger Bava has made some more than decent films himself (such as the hugely entertaining "Dèmoni" of 1985), they do not play in the same category as his father's masterpieces. "La Casa Con La Scala Nel Buio" aka "A Blade in the Dark" of 1983 is Lamberto Bava's contribution to the wonderful Giallo-genre (which was created by his father in the 60s), and while the film is an enjoyable, stylish and supremely gory Giallo, it isn't a very good one. "A Blade in the Dark" begins fantastically with a gruesome scene that turns out to be a sequence of a movie in the movie. Composer Bruno (Andrea Occhiprinti, who also appeared in Fulci's "New York Ripper"), who has moved into an elegant big house in order to work on the score to the film, suddenly finds himself stalked by a psychopathic killer, who is butchering women in the house...
Some people seem to regard this film as a rip-off of Dario Argento's brilliant ultra-brutal 1982 Giallo "Tenebre" (for which Lamberto Bava had served as assistant director), but, personally, I do not see too many parallels, other than the protagonist having a creative job and beautiful women being brutally murdered. The murders are not very numerous for a Giallo, but those that occur are very bloody; one of them is committed with a Stanley knife, another one is one of the most brutal ones ever in a Giallo (and that is quite something regarding the genre's tendency to spectacularly gory killings). The plot has holes, which is not too tragic as such. However, the characters are not properly introduced, nor are they likable, which makes the suspense a lot less intense. In some parts, it is also kinda slow as it includes several unnecessarily uninteresting scenes. The score by the De Angelis brothers is once again great.
Overall, "A Blade in the Dark" is an acceptably stylish and gory Giallo with a somewhat sloppy plot, that may be seen or missed by my fellow Italian Horror fans. It is definitely one of the weaker Gialli out there, but it is still entertaining enough to be worth spending 110 minutes watching it.