6.6/10
141
2 user 8 critic

Carne de tu carne (1983)

August 6, 1956 during the military dictatorship of Rojas Pinilla. Explosions in central Cali military convoy destroy much of the traditional buildings of the city and exposing the roots of ... See full summary »

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2 wins & 1 nomination. See more awards »
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Cast

Credited cast:
Adriana Herrán ...
Margareth
David Guerrero ...
Andres Alfonso
Santiago García ...
Andres Alfonso's dad
Vicky Hernández ...
Julia
...
Ever
Sebastián Ospina ...
Benjamín
Rest of cast listed alphabetically:
Silvio Arango
Paulina de Duque
Alberto Dow
Karen Lamassonne
César Mejía
Sonia Montero
Luis Ospina
Lina Uribe ...
Ana- Andre's and Margareth's mom
Josué Ángel ...
Enrique
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Storyline

August 6, 1956 during the military dictatorship of Rojas Pinilla. Explosions in central Cali military convoy destroy much of the traditional buildings of the city and exposing the roots of some houses which for years had kept the secret stories of its inhabitants: Proprietary notable families of Manors sugar mills and surrounding. One such family is visited by a girl, who has lived for years in the U.S., and is half sister of our young protagonist. It is knowledge, dig into the past of the family¸ attracted to each other¸ and are immersed in a delirium in which they appear as mythical ancestors who also starred in stories of incest and violence. Written by Diego Alvarez

Plot Summary | Plot Synopsis

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Drama | Horror

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Release Date:

25 December 1983 (Colombia)  »

Also Known As:

Bloody Flesh  »

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Trivia

This film was dedicated to Roger Corman and Roman Polanski. See more »

Crazy Credits

Dedicated to Roman Polanski See more »

Connections

Featured in Los hongos (2014) See more »

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User Reviews

 
Tropical Gothic...baroque
17 March 2006 | by (United Kingdom) – See all my reviews

An extremely interesting film about La Violencia in Colombia which captures the strange social and political heterogeneity of this dark set of events. Mayolo developed his own aesthetic - partly in collaboration with filmmaker Luis Ospina and the late Andrés Caicedo - 'el gótico tropical' in order to convey this strangeness. The film combines local Colombian myths - caspi, la madremonte, el hojarasquin del monte - with themes of vampirism and incest to convey the place of La Violencia within a repetitive and cyclical history characterised by interpartisan conflicts that benefit the empowerment of the Colombian aristocracy. Opening with a series of cross-cuts showing, alternately, a dying grandmother, and a group of graverobbbers in the countryside of the Cauca region, the film (as suggested by these images) delves deep into the 'other scene' of political life and into the dark quasi- supernatural forces driving it. Whether Mayolo's 'tropical Gothic' works is another matter, and whether it is Gothic or indeed baroque is a question that the spectator might wish to ask him/herself. Some of the performances are strong (particularly Mayolo's own cameo as the family chauffeur-cum 'pájaro'), others, however, are fairly weak - in particular that of Andrés Alfonso and Enrique, the Communist uncle, whose performances waver between the wooden and the melodramatic. The whirring, moaning soundtrack nicely conveys the sense of historical repetition.


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