| Lee Marvin | ... | Jimmy Cobb | |
| Miou-Miou | ... | Jessica | |
| Jean Carmet | ... | Socrate | |
| Victor Lanoux | ... | Horace | |
| David Bennent | ... | Chim | |
| Bernadette Lafont | ... | Ségolène | |
| Grace De Capitani | ... | Lily | |
| Tina Louise | ... | Noémie Blue | |
| Muni | ... | Gusta | |
| Jean-Claude Dreyfus | ... | Le Barrec | |
| Juliette Mills | ... | Maggy | |
| Julien Bukowski | ... | Rojinski | |
| Jean-Roger Milo | ... | Julio | |
| Joseph Momo | ... | Doudou Cadillac | |
| Henri Guybet | ... | Marceau | |
| Pierre Clémenti | ... | Snake (as Pierre Clementi) | |
| Jean-Pierre Kalfon | ... | Marcel Torontopoulos | |
| Myriam Salvodi | ... | Mamelles Adenauer | |
| Inger Ekbom | ... | Campeuse | |
| Lillemour Jonsson | ... | Campeuse | |
| Jean Cherlian | |||
| Mohamed Bekhtaoui | ... | Saïd | |
| Chrystel | ... | Strip-tease |
Directed by | |||
| Yves Boisset | |||
Writing credits | ||
| Jean Herman | (novel) (as Jean Vautrin) | |
| Jean Herman | (screenplay) and | |
| Michel Audiard | (screenplay) and | |
| Dominique Roulet | (screenplay) and | |
| Serge Korber | (screenplay) and | |
| Yves Boisset | (screenplay) | |
| Michel Audiard | (dialogue) | |
Produced by | |||
| Norbert Saada | .... | producer | |
Original Music by | |||
| Francis Lai | |||
Cinematography by | |||
| Jean Boffety | |||
Film Editing by | |||
| Albert Jurgenson | |||
| Nadine Muse | |||
Production Design by | |||
| Jacques Dugied | |||
Set Decoration by | |||
| Chantal Giuliani | |||
Production Management | |||
| Guy Azzi | .... | production manager | |
Sound Department | |||
| Joël Beldent | .... | sound mixer (as Joel Belldent) | |
| Jean-Louis Ducarme | .... | sound | |
| Jacques Maumont | .... | sound mixer (uncredited) | |
| Nadine Muse | .... | sound editor (uncredited) | |
Stunts | |||
| Rémy Julienne | .... | stunt coordinator (as RemyJulienne) | |
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| Original Sin | Blood In, Blood Out | Bitter Moon | Tightrope | Freeway |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb France section |
Although I haven't seen every one of his movies, I am reasonably confident to call "Dog Day" the strangest movie Lee Marvin ever appeared in. Why he decided to appear in it, I have no idea, especially since he was still a big star back home in the United States. Fans of Marvin will likely be disappointed by the fact that Marvin doesn't appear in this movie as frequently as he does in his other movies - in fact, he almost becomes a secondary character. The other characters in the movie are a real weird lot, disappearing and reappearing seemingly at random, and acting in random ways when they do appear. Certainly, the movie at first does command your attention because you've likely not seen anything like it before, but it soon becomes tiresome, and you likely won't care what happens at the end when it eventually gets there.