Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
...
...
Paul
Robert Dunn ...
Sgt. Enright
Garry Goodrow ...
Tony Berrutti
...
Salesgirl (as Lisa Persky)
...
Grocer
Waldemar Kalinowski ...
Tomachoff
Jack Leustig ...
Highway Patrolman
Eugène Lourié ...
Dr. Boudreaux (as Eugene Lourié)
Georg Olden ...
Kid
Miguel Pinero ...
Carlito
...
Man with Pipe
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Storyline

Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a few days. As the film progresses, the police get closer to him, and the crimes escalate. Written by Colin Tinto <cst@imdb.com>

Plot Summary | Add Synopsis

Taglines:

He's the last man on earth any woman needs - but every woman wants...


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

13 May 1983 (USA)  »

Also Known As:

Sin aliento  »

Box Office

Gross:

$19,900,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

When Jesse breaks into Monica's house, the book he uses to support the vase with the yellow flower is a copy of "Learning From Las Vegas" by Robert Venturi, Denise Scott Brown and Steven Izenour, one of the most influential books in the emergence of postmodern architecture. See more »

Goofs

When Jesse interrupts Monica's exam, he spills blue ink on the professor's pants. In the next scene, the stain has a different pattern. See more »

Quotes

Detective: "Don't F-U-C-K with the L.A.P.D."
See more »

Connections

Featured in Time of the Gypsies (1988) See more »

Soundtracks

Message of Love
Written by Chrissie Hynde
Performed by The Pretenders
Al Gallico Music Corporation
Sire Records
See more »

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User Reviews

Mehico! Mehico! Mehico!
14 March 2004 | by (Charlotte, NC) – See all my reviews

I got tired of watching my censored taped-from-TV version of this film, so I finally bought the DVD. I am one happy hombre. In addition to the superior video and audio quality, one gets several unobstructed views of the object of Gere's love/lust -- and that's no insignificant treat.

One reviewer aptly referred to this film as Gere doing his "early-80s cheeseball riff on the sexiest man alive." I concur. "Breathless" could be seen as an expansion of his minor role as Diane Keaton's dangerous pretty-boy in "Looking for Mr. Goodbar" -- transposed from wintery Chicago to sultry L.A.

I won't analyze this film. It doesn't hold up under criticism, and certainly there is plenty to dislike, starting with the relentlessly sociopathic behavior of its protagonist. Rather, in the spirit of the film's love-almost-conquers-all theme, here's just a partial list of what I love about "Breathless":

1. Kaprisky in her see-through swimsuit. Rowrrrr! The rest of her wardrobe is pretty damn sexy, too. (The jury's still out on Gere's blue 'soot.')

2. The kiss at the diving board. It has to be one of the best in cinema history. Kaprisky is a goner after that.

3. Gere's line: "I think maybe I was rolling dice when I should have been rolling you." Cheesy, sure, but look at her face when he says it.

4. The shower scene, together. Kaprisky running hot and cold. "Jesse, you're crazy." ... "So what?" ... "It's OK. I like it."

5. Gere turning female heads wherever he goes, as he exudes his studly scent.

6. Los Angeles as The Place to Be. I lived and loved in L.A. during the early/mid-80s, and can vouch for the intoxication of being young and on the go in the City of Dreams. It's one big-ass place. McBride and veteran lensman Richard Kline do a superb job of capturing its heat, light (L.A. sunsets put a glow over the whole city), and diversity -- from the downtown hotels and office towers, to the industrial sections, to the Hollywood hills, to upscale West L.A., to the beach communities (where we see what must be every mural in L.A.).

7. The amazing ending. Gere taking his "all-or-nothing" motto to the wire. In what other movie will you see a dude dancing and singing to his woman while the cops have their guns drawn on him?

"Breathless" is Gere at his best. Maybe Kaprisky, too, for whatever that's worth. Don't think too hard about it. Just enjoy the ride.


30 of 43 people found this review helpful.  Was this review helpful to you?

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