Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher ...
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A young psychic on the run from himself is recruited by a government agency experimenting with the use of the dream-sharing technology and is given the inverse task of planting an idea into the mind of the US president.
Max von Sydow,
Whitley Strieber goes with his family and some friends to his holiday home in the forest. They experience some weird occurances, are they UFO activity? Whitley is abducted and then faces a ... See full summary »
In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher brain functions" is added in, and you can literally jump into someone else's head and play back recordings of what he or she was thinking, feeling, seeing, etc., at the time of the recording, the applications for the project quickly spiral out of control. While Michael Brace uses the system to become close again to Karen Brace, his estranged wife who also works on the project, others start abusing it for intense sexual experiences and other logical but morally questionable purposes. The government tries to kick Michael and Lillian off the project once the vast military potential of the technology is discovered. It soon becomes obvious that the government is interested in more than just missile guidance systems. The lab starts producing mind torture recordings and other psychosis inducing material. When ... Written by
Eric van bezooijen <firstname.lastname@example.org>
According to Douglas Trumbull, MGM, who had financial troubles at the time, got cold feet about putting up the rest of the money to complete the film. "MGM's problem was that insurance institution Lloyd's of London, when it took depositions from me and other people, realized that the film could be finished. Why should they pay an insurance claim for something that really wasn't damaged goods?" When MGM refused to pay for the film to be completed, Lloyd's of London provided $2.75 million for Trumbull to complete principal photography and an additional $3.5 million towards post-production. Meanwhile, other studios showed interest in buying Brainstorm from MGM to release as their own production. "MGM decided to allow Lloyd's of London to offer the film to many of the major studios in town," said Trumbull. "Several of them made bids to MGM. And the studio suddenly realized that a lot of other people in this town were excited about Brainstorm, and were ready to put up millions of dollars. MGM figured they'd look like jerks if they let it go and it turned out to be a big success. So they finally decided to work out this deal where Lloyd's of London would put up the remaining money and become a profit participant." See more »
The boxes containing the water activated foam were cut in advance at the top to increase the effect of them rupturing when they collided with the wall at the portable computer factory. Furthermore, why would a microcomputer factory be transporting cases full of water activated foam so close to the assembly line. See more »
Brainstorm had a rocky road to completion. After Natalie Wood died before completion of shooting, the studio wanted to shut it down and cash in the completion bond. Trumbull had fought tooth and nail to get the film made to begin with, and when it looked like it would be snatched from the jaws of victory, he hunkered down and dramatically altered sequences to prove it could indeed be finished without Wood's unshot scenes.
The "recorded memory" sequences were even more vivid for us in Indianapolis who saw it at the Eastwood theatre. The Eastwood had one of the few curved Cinerama roadshow screens outside of New York and Hollywood's Cinerama Dome. Think of it as a smaller version of an Omnimax screen. Sitting in the front row, you were completely enveloped by the film, and the visual and audio effect when the "memory" sequences lit up were quite attention grabbing. Trumbull was at this time working on his ill-fated Showscan process for amusement park rides, and was very interested in audience perceptions of diffrent lenses and frame rates. Some of this is used in Brainstorm. It's just not the same on a TV set of any size.
The central core of the story - the recording of the death of Lillian and Michael's obsession to experience it - is a disturbing one, because it explores the very nature of life and death. It can satisfy or dissappoint, because Trumbull has put his vision of memory, experience, death and afterlife on film for everyone to take pot shots at. And they did. It's a shame, because the film is beautiful, thought provoking, and ingenious. Yeah, I know, it has all of that evil government plot boilerplate. Look past it.
(It even revels in the quirks of the researchers, showing the second thing everybody does with new technology is use it for porn.)
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