Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher ... See full summary »
Two reporters, Tracy and Chuck, get a message from a third one who discovered something about "Futureworld" and becomes killed before he could tell anyone about it. They visit Futureworld ... See full summary »
The world is shocked by the appearance of two talking chimpanzees, who arrived mysteriously in a U.S. spacecraft. They become the toast of society; but one man believes them to be a threat to the human race.
Supernova chronicles the search and rescue patrol of a medical ship in deep space in the early 22nd century and its six-member crew which includes a Captain and Pilot, a co-pilot, a medical... See full summary »
In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the run with a hostage - a connection that becomes an important part of the way against the system.
Jarrod and his pregnant girlfriend Elaine travel to Los Angeles to meet his old friend and successful entrepreneur Terry, and his wife Candice. Terry gives a party in his apartment for ... See full summary »
Deep space, at the edge of the galaxy. The future. A new prisoner arrives on top security prison ship and psychiatric research unit Dante 01. Sole survivor of an encounter with an alien ... See full summary »
Linh Dan Pham,
One by one members of a special project team are being killed by telekinesis - the ability to move things with the power of the mind alone. The race is to determine which of the remaining team members is the murderer and to stop them.
Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher brain functions" is added in, and you can literally jump into someone else's head and play back recordings of what he or she was thinking, feeling, seeing, etc., at the time of the recording, the applications for the project quickly spiral out of control. While Michael Brace uses the system to become close again to Karen Brace, his estranged wife who also works on the project, others start abusing it for intense sexual experiences and other logical but morally questionable purposes. The government tries to kick Michael and Lillian off the project once the vast military potential of the technology is discovered. It soon becomes obvious that the government is interested in more than just missile guidance systems. The lab starts producing mind torture recordings and other psychosis inducing material. When ... Written by
Eric van bezooijen <firstname.lastname@example.org>
Douglas Trumbull originally wanted to film this movie in "Showscan", a 60-frame-per-second widescreen process he'd developed, but the costs of retrofitting theaters to show it proved prohibitive. If the "Showscan" version had been made, each non-"Brainstorm" frame would have been printed twice to create a 30-frame-per-second "normal" film rate to compliment the cropped, non-widescreen shots. The intent was to create an experience similar to what the onscreen characters were "viewing." See more »
When Lillian is recording her death, the tape reel is almost empty and it only records for about 30 seconds. After the funeral, when Brace and Hal are in the lab , the reel on the table is full. Then later, when we see the tape reel in the tape lab, it's almost empty again. See more »
Yes, "Brainstorm" is marred by uneven acting and the death of its lead actress, Natalie Wood, under circumstances that to this day are still the stuff of speculation.
Yes, Louise Fletcher's death scene is overacted to the point of parody.
Yes, it's not easy to accept Christoper Walken in a role of a semi-normal person.
Yes, "Brainstorm" was only Douglas Trumbull's second film as a director, and some might argue that it was little better than "Silent Running."
But, even despite all of that, the story is incredibly engaging, the visuals are striking (what else would you expect from the wizard responsible for "2001" and "Blade Runner"?), James Horner's music is absolutely divine, and the film is quite enjoyable.
Also, in its favor, a great deal of the credit (or blame, as many would say) for the final result lies squarely with MGM/UA. Still dealing with United Artists' financial baggage after their merger, the company all but took the film away from Trumbull after Wood's death--not to mention the studio's lack of support for Trumbull's plan to film the "helmet" sequences in his ultra-realistic Showscan process.
So, in point, I highly recommend this movie, but just be aware of what you're getting into...
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