Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher ... See full summary »

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2 wins & 6 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Lillian Reynolds
...
Alex Terson
Jordan Christopher ...
Gordy Forbes
Donald Hotton ...
Landan Marks
...
Robert Jenkins
Joe Dorsey ...
Hal Abramson
Bill Morey ...
James Zimbach
...
Chris Brace
...
Security Technician
Lou Walker ...
Chef
Stacey Kuhne-Adams ...
Andrea
John Hugh ...
Animal Lab Technician
Ira David Wood III ...
Barry (as David Wood)
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Storyline

Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher brain functions" is added in, and you can literally jump into someone else's head and play back recordings of what he or she was thinking, feeling, seeing, etc., at the time of the recording, the applications for the project quickly spiral out of control. While Michael Brace uses the system to become close again to Karen Brace, his estranged wife who also works on the project, others start abusing it for intense sexual experiences and other logical but morally questionable purposes. The government tries to kick Michael and Lillian off the project once the vast military potential of the technology is discovered. It soon becomes obvious that the government is interested in more than just missile guidance systems. The lab starts producing mind torture recordings and other psychosis inducing material. When ... Written by Eric van bezooijen <eric@webmethods.com>

Plot Summary | Plot Synopsis

Taglines:

...The Ultimate Experience See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

30 September 1983 (USA)  »

Also Known As:

The Gordon Forbes Tapes  »

Box Office

Budget:

$15,000,000 (estimated)

Gross:

$8,900,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When actress Natalie Wood died near the end of principal photography, studio executives tried to kill the film and claim the insurance, saying that director Douglas Trumbull could not complete the film. However, Trumbull's contract gave that decision to him, and he insisted on completing the film, using a stand-in and changing camera angles for the few remaining shots of Wood's character. The resulting hostility between Trumbull and the studio executives meant that this would be Trumbull's last Hollywood film. He has since devoted his efforts to effects work for IMAX films, theme park rides and the like. See more »

Goofs

The boxes containing the water activated foam were cut in advance at the top to increase the effect of them rupturing when they collided with the wall at the portable computer factory. Furthermore, why would a microcomputer factory be transporting cases full of water activated foam so close to the assembly line. See more »

Quotes

[first lines]
Dr. Lillian Reynolds: Can you see better if I move it a little closer?
Dr. Michael Anthony Brace: I can see something. It's parts of the grid, but it's still rotating. It's not locking up.
Hal Abramson: Maybe we all need a little break, Lillian.
Dr. Lillian Reynolds: Hal, you take a break.
See more »

Crazy Credits

After the final credit has rolled, 'TO NATALIE' appears for a couple seconds See more »

Connections

Referenced in RoboCop (2014) See more »

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User Reviews

Knock my socks off
22 August 2003 | by (Indianapolis) – See all my reviews

Brainstorm had a rocky road to completion. After Natalie Wood died before completion of shooting, the studio wanted to shut it down and cash in the completion bond. Trumbull had fought tooth and nail to get the film made to begin with, and when it looked like it would be snatched from the jaws of victory, he hunkered down and dramatically altered sequences to prove it could indeed be finished without Wood's unshot scenes.

The "recorded memory" sequences were even more vivid for us in Indianapolis who saw it at the Eastwood theatre. The Eastwood had one of the few curved Cinerama roadshow screens outside of New York and Hollywood's Cinerama Dome. Think of it as a smaller version of an Omnimax screen. Sitting in the front row, you were completely enveloped by the film, and the visual and audio effect when the "memory" sequences lit up were quite attention grabbing. Trumbull was at this time working on his ill-fated Showscan process for amusement park rides, and was very interested in audience perceptions of diffrent lenses and frame rates. Some of this is used in Brainstorm. It's just not the same on a TV set of any size.

The central core of the story - the recording of the death of Lillian and Michael's obsession to experience it - is a disturbing one, because it explores the very nature of life and death. It can satisfy or dissappoint, because Trumbull has put his vision of memory, experience, death and afterlife on film for everyone to take pot shots at. And they did. It's a shame, because the film is beautiful, thought provoking, and ingenious. Yeah, I know, it has all of that evil government plot boilerplate. Look past it.

(It even revels in the quirks of the researchers, showing the second thing everybody does with new technology is use it for porn.)


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