Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher ...
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Brilliant researchers Lillian Reynolds and Michael Brace have developed a system of recording and playing back actual experiences of people. Once the capability of tapping into "higher brain functions" is added in, and you can literally jump into someone else's head and play back recordings of what he or she was thinking, feeling, seeing, etc., at the time of the recording, the applications for the project quickly spiral out of control. While Michael Brace uses the system to become close again to Karen Brace, his estranged wife who also works on the project, others start abusing it for intense sexual experiences and other logical but morally questionable purposes. The government tries to kick Michael and Lillian off the project once the vast military potential of the technology is discovered. It soon becomes obvious that the government is interested in more than just missile guidance systems. The lab starts producing mind torture recordings and other psychosis inducing material. When ... Written by
Eric van bezooijen <firstname.lastname@example.org>
When actress Natalie Wood died near the end of principal photography, studio executives tried to kill the film and claim the insurance, saying that director Douglas Trumbull could not complete the film. However, Trumbull's contract gave that decision to him, and he insisted on completing the film, using a stand-in and changing camera angles for the few remaining shots of Wood's character. The resulting hostility between Trumbull and the studio executives meant that this would be Trumbull's last Hollywood film. He has since devoted his efforts to effects work for IMAX films, theme park rides and the like. See more »
The Pinehurst Resort is at minimum 270 miles from the Wright Brothers Museum, which is at least a 4.5 hour drive at 60mph, so there is no way he could have gotten there in mere moments as depicted in the film. See more »
There's something magical about "Brainstorm". If it's the plot, the music, Christoper Walken, i don't know. But this one changed my digital lifestyle.
"Brainstorm" feels like a farsighted dot.com commercial to me, way before the web was won. OK, merchandised mind reading technology. Well, that was a doubtlessly stunning plot. But gee, this guy hooked a mobile (!) PC to some company's intra-net via phone line (!), just like operating a fax machine! Far out, THAT was cool and sensational! I was completely struck, and the next day i got me an acoustic coupling device, "communication software" and online i went, visiting "mailboxes" with my 1MHz IBM compatible. On 300 baud/sec. Or 0,003 MBit in contemporary terminology. The digits dropped in, one by one, and i felt sooo hip. Some months later i was the first person i knew doing online banking, and my friends considered me not hip but eccentric. However, it took me 20 years to actually purchase a mobile PC, because i needed slots slots slots *lol*...
By the time "Brainstorm" was made, being online was for nerds. The technological "atmosphere" held not the faintest haze of what we know now as the world-wide-web, turning the most remote and separate corners of the world into one global village.
The idea of sharing sensual impressions by technical means is not necessarily new, as plenty of sci-fi authors (especially of east-European origin) dealt with that before. "Brainstorm" was just too cool in depicting the consequences of such-alike machinery: elder men going nuts with looped orgasms, children haphazardly checking out tapes with psychotic episodes, deliberately tracked death experiences locked away by military, a black market of ethically questionable contents etc.
We're working on it, i guess. In fact, we're working on everything that mother nature won't supply voluntarily. Weird we are. The only question is: helmets or implants?
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