| Honey | ... | Honey | |
| Adele Bertei | ... | Isabel | |
| Jean Satterfield | ... | Adelaide Norris | |
| Florynce Kennedy | ... | Zella (as Flo Kennedy) | |
| Becky Johnston | ... | Newspaper Editor | |
| Pat Murphy | ... | Newspaper Editor | |
| Kathryn Bigelow | ... | Newspaper Editor | |
| Hillary Hurst | ... | Leader of Women's Army Hillary Hurst | |
| Sheila McLaughlin | ... | Other Leader | |
| Marty Pottenger | ... | Other Leader / Woman at Site | |
| Lynne Jones | ... | Other Leader | |
| Ron Vawter | ... | FBI Agent | |
| John Coplans | ... | Chief | |
| John Rudolph | ... | TV Newscaster | |
| Warner Schreiner | ... | TV Newscaster | |
| Valerie Smaldone | ... | TV Newscaster | |
| John McLearen | ... | TV Spot Revolution | |
| Pat Place | ... | Woman from Ragazzo | |
| Julia Hanlon | ... | Woman from Ragazzo | |
| Maria David | ... | Woman from Phoenix | |
| Toviana Starks | ... | Woman from Phoenix | |
| Cat Hightower | ... | Woman from Phoenix | |
| Veronica Campbell | ... | Woman at Daycare Meeting | |
| Mayumi Sakaguchi | ... | Woman at Induction | |
| Ryan | ... | Girl in Subway | |
| Chris Brewer | ... | Girl in Subway | |
| Bill Tatum | ... | Mayor Zubrinsky | |
| Jorge Ramos | ... | Rapist | |
| Júlio Peña | ... | Rapist | |
| Merián Soto | ... | Rape Victim | |
| Mark Hendrien | ... | Man on Subway | |
| Dana Johnson | ... | Woman Reading | |
| Jerry Nixon | ... | Adelaide's Boss | |
| Gary Valdes | ... | Co-Worker | |
| Dirk Zimmer | ... | Co-Worker | |
| Jacques Sandulescu | ... | Foreman at Second Site | |
| Gary Hill | ... | Man in Truck | |
| Sis McQuader | ... | Woman at Site | |
| Susan Sawyer | ... | Woman at Site | |
| Sherry Rosso | ... | Woman at Site | |
| Donna Allegra Simms | ... | Woman at Site | |
| Valerie Jones | ... | Woman at Site | |
| Ramona Galindez | ... | Woman at Site | |
| Katy Taylor | ... | Woman at Site | |
| Marion Benjamin | ... | Woman at Site | |
| Joan Ellis | ... | Woman at Site | |
| Carolyn Fitzgerald | ... | Woman at Site | |
| Alice Sullivan | ... | Woman at Site | |
| Belle Chevigny | ... | Belle Gayle | |
| Paul Zonghetti | ... | Agent #2 | |
| Alexa Evans | ... | Woman Arguing with Honey | |
| Malick N'Diaye | ... | African Man | |
| Dolly Udemzue | ... | African Woman | |
| Barbara Scott | ... | Woman with Machine Gun | |
| Hanita | ... | Voice of Woman in Desert (voice) | |
| Diane Jacobs | ... | Woman at Secretary Strike | |
| Felice Rosser | ... | Woman at Secretary Strike | |
| Hal Miller | ... | Cop at Precinct | |
| Peggy Lee Brennan | ... | Lawyer with Zella (as Peg Brennan) | |
| Michael Sullivan | ... | FBI Chief #2 | |
| Nancy Reilly | ... | Woman in Jail / Woman Breaking Into CBS | |
| Rosemary Hochschild | ... | Woman in Jail | |
| Vanessa Zannis | ... | Woman in Jail | |
| Sheila Carr | ... | Woman in Jail / Woman Breaking Into CBS | |
| Ed Bowes | ... | Socialist Editor | |
| Allan Ryan | ... | Handgun Demo | |
| Kathy Gunst | ... | Woman Breaking Into CBS | |
| Amy Chen | ... | Woman Breaking Into CBS | |
| Patrick Brogan | ... | Washington Correspondent | |
| Edmead Smith | ... | Security Guard | |
| Mike Bencivenga | ... | CBS Technician | |
| Eric Bogosian | ... | CBS Technician | |
| Gregory Samuels | ... | CBS Technician | |
| Walter Scheuer | ... | President | |
| Paul Chevigny | ... | District Attorney | |
| Joel Kovel | ... | Psychiatrist | |
| Bill Sturgis | ... | Agent #3 | |
| Tom Whittaker | ... | Voice-over News (voice) |
Directed by | |||
| Lizzie Borden | |||
Writing credits(in alphabetical order) | ||
| Lizzie Borden | screenplay | |
| Ed Bowes | story | |
Produced by | |||
| Lizzie Borden | .... | producer | |
Cinematography by | |||
| Ed Bowes | |||
| Al Santana | |||
Film Editing by | |||
| Lizzie Borden | |||
Sound Department | |||
| Tom Crawford | .... | additional sound | |
| Daniel Edelman | .... | additional sound (as Dan Edelman) | |
| Rachel Field | .... | additional sound | |
| Rachel Reichman | .... | additional sound | |
Special Effects by | |||
| Bob Lyss | .... | special effects cameraman | |
| Hisa Tayo | .... | special effects | |
Visual Effects by | |||
| Dirk Zimmer | .... | graphics | |
Camera and Electrical Department | |||
| Kirsten Bates | .... | video camera | |
| Lizzie Borden | .... | additional camera operator | |
| Lizzie Borden | .... | additional camera operator | |
| Tom Bowes | .... | video camera | |
| Dee Dee Halleck | .... | video camera | |
| Johanna Heer | .... | additional camera operator | |
| Chris Hegedus | .... | additional camera operator | |
| Gary Hill | .... | additional camera operator | |
| Peter Hutton | .... | additional camera operator | |
| Becky Johnston | .... | additional camera operator | |
| Sheila McLaughlin | .... | additional camera operator | |
| Phil O'Reilly | .... | video camera | |
| Michael Oblowitz | .... | additional camera operator | |
| Jack Ochs | .... | additional camera operator | |
| Greta Schiller | .... | additional camera operator | |
| Richard Tierman | .... | video camera | |
| Jack Walworth | .... | video camera | |
Editorial Department | |||
| Ed Bowes | .... | consultant: editing | |
Music Department | |||
| The Bloods | .... | composer: theme music | |
| Ibis | .... | composer: song "These Days" | |
| Ibis | .... | composer: theme music | |
| Red Crayola | .... | composer: theme music | |
Other crew | |||
| Karen Achenbach | .... | production assistant | |
| Vinnie Arnold | .... | production assistant | |
| Tom Bills | .... | production assistant | |
| Jo Bonney | .... | video graphic artist | |
| Cathy Campbell | .... | production assistant | |
| Steve Cohen | .... | production assistant | |
| Suzanne Fletcher | .... | production assistant | |
| Ed Friedman | .... | production assistant | |
| Becky High | .... | production assistant | |
| Rosemary Hochschild | .... | production assistant | |
| Phil O'Reilly | .... | video of women in desert | |
| Roberta Raeburn | .... | production assistant | |
| Jeff Ruthus | .... | production assistant | |
| Ryan | .... | production assistant | |
| Bill Stokes | .... | production assistant | |
| Allan Tannenbaum | .... | production assistant | |
Thanks | |||
| Dee Dee Halleck | .... | special thanks | |
| Chris Hegedus | .... | special thanks | |
| D.A. Pennebaker | .... | special thanks | |
| Rafik | .... | special thanks | |
| Tony Roberts | .... | special thanks | |
| Walter Scheuer | .... | special thanks | |
| Marvin Soloway | .... | special thanks | |
| Laurie Spiegel | .... | special thanks | |
| Mayo Thompson | .... | special thanks | |
|
|
|
|
|
| Steal This Movie | Milk | Across the Universe | This Revolution | Stonewall |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Even almost 20 years after its release, "Born In Flames" retains its sense of urgency and immediacy. This is due both to the energy of the performances, soundtrack and direction and to the fact that most of the women's demands in the film - including equality in the workplace, safety from harrasment and sexual crimes, and equal representation in government - still have not been met.
One of the film's greatest achievements is its representation of the divisions and debates within feminism. The film does not try to offer a single solution or plan of action as a definitive best way forward and so avoids tempting over-simplification of a complex set of issues. Rather than negative or unhelpful, I found this approach incredibly refreshing in a medium rife with happy endings and simple, fictional solutions.
"Born In Flames" doesn't have an answer, but it has many, many questions and many, many voices. These voices and the regular delivery of discourse straight to camera and audience has regularly led to critical disapproval and claims that it is "overly polemical". I don't find "Born in Flames" overly polemical. I don't agree with many of the opinions and strategies given voice and action in the film, but I found the experience of being directly addressed by a female character on issues that are largely invisible in mainstream cinema energising and inspiring. This film won't change the world, but it made me start writing for my fanzine again and get on the phone to my bandmates to get a practice organised. Enough films, debate, writing, and noise, and we'll get somewhere.