After a traffic accident Kaylie is in coma for months. Her doctors want to try a new procedure on her: to regain her consciousness, they stimulate her brain with neural patterns of a woman ... See full summary »
Inspired by the true story of the most publicized and deranged serial killer known to everyone as "The Night Stalker." He stalked and killed relentlessly, keeping the cities of San Francisco and Los Angeles terrified.
Nada, a beautiful French journalist on assignment in New York, records the life and work of an up and coming punk rock star, Billy. Soon she enters into a volatile relationship with him and... See full summary »
They met on the Internet. They fell in love. They drove to the desert and stopped at an abandoned warehouse. They wandered inside. Inside they found unspeakable horror. Only one of them ... See full summary »
Inspired by the streak of murders committed along Baseline Ave in Arizona during 2006 amd 2007. A vicious serial killer stalks and kills women along Baseline Avenue, a 2-mile stretch in East Phoenix, AZ.
Lacey is approached by a group of Hollywood phonies to make a movie based on her experiences. Lacey travels to Hollywood, to the home of a film director, where she brings along the last surviving haunted mirror shard from the end of the first movie as proof to her horrifying experiences. One by one, the phonies are killed by the mirror spirit who possesses the body of the director's manservant. Written by
The first half of the original version this movie is built up almost entirely out of flashback footage from part one. The "Redux/ Director's Cut" is approximately 85 percent of the footage from the original film. See more »
Where I come from, we don't have boogeymens, we only have goblins.
See more »
You know you're in trouble when the flashback scenes are the best part of the movie
Bizarre, pretentious, idiotic sequel starts off with 40 minutes of flashback footage of the first movie. So much footage is used from part one, that when the end credits roll, they actually credit both the cast of this movie AND the first one!
When the flashbacks mercifully end, the rest of this movie is pretty much Ulli Lommel poking the viewer in the eyes with this ridiculous story about filmmakers wanting to do a movie based on the events in part one, then a certain piece of broken mirror turns up and you can guess the rest. And if you can't then you have the iq of a carrot. Why did Lacey even bother to keep the piece of mirror? She had to know that it would cause more murder and mayhem. Then she misplaces it, and can't remember that she left it under her pillow! Perhaps she can't remember because of Lomell using a flashlight for lighting in many scenes, and the for-no-apparent-reason kaleidoscope vision some people have in the film?
We're then treated to see (or is that tricked into seeing?) some of the most idiotic killings ever filmed: death by electric toothbrush, death by shaving cream, death by salad tongs, death by sucking on a tailpipe after being slapped on the ass by a ladder(?!) etc.
No writer is credited (actually this was written by Bruce Starr, Ulli Lommel and Suzanna Love - she incidentally looks great in this movie, but you can watch the first movie to see her) and directed by Bruce Starr, Ulli Lommel and Paul Wilson (but both Ulli Lommel and Paul Wilson took their names off of this, and IMDb doesn't even list Wilson's name here) this was filmed in 1981 and not released until '83, and there is even a flashback sequence within a flashback sequence - what more can you ask for?
In most versions, the opening titles are in red, in a generic font against a plain black background. The British version, titled "Revenge of the Boogeyman" has a completely different set of titles: red lettering, like that found on a birthday cake, on plain white cards. When John Carradine's name appears, a hand is very clearly visible in the top right corner, holding the card up for the camera to film.
Now, about the so-called Director's Cut/ Redux:
The original Boogeyman II recycled tens of minutes of footage of the first film, and this version recycles even more, approximately eighty to ninety percent of the Director's Cut/ Redux is whole chunks of the first film repeated again and narrated by Ulli Lommell, in the guise of Lommell being questioned by off-screen police about the deaths which occurred in the original Boogeyman film, from 1980. All of the footage of him is taken from one stationary camera angle, while Lommell hides behind mirrored sunglasses, and is obviously looking down at the script on the table in front of him. (Who am I kidding, like there was really even a script for this)
Apparently this redux/ director's cut takes place 22 years later, and the police are just now getting around to questioning him! Lommell claims that he has no memory of the events in the first film, as he narrates the intimate details of the story of the first film, which was told to him 22 years ago? What? Ulli, do you even know what the bloody hell you are talking about here? Or was the dialogue just drunken, stream-of-consciousness ramblings? Ulli also claims that the second film's events are, in his memory, nothing more than "a series of slow motion still-photographs". Again, what the hell does that mean?
Ulli says of the butler, played by Shoto von Douglas: "He actually, ... uh, .... one day, came walking down the street, in the butler outfit, and rang the bell and asked me whether he could serve me". Yeah, Ulli, that happens a lot, I bet.
"Lacey claims that it was the boogeyman. Well, I don't believe in the boogeyman. But yeah, maybe, uh, maybe it was the boogeyman. I'll stand trial for these killings, no problem. I have nothing to hide, I'm innocent. The boogeyman did it." Heavy drinking Ulli, or just stupidity?
Original version of Boogeyman II gets a 2/ 10 from me, just for a couple of unintended laughs.
The Director's Cut/ Redux version gets a 1/ 10, and almost makes the original Boogeyman II look like a classic.
16 of 18 people found this review helpful.
Was this review helpful to you?