Blue Thunder is a specially modified helicopter. It is for police work, but is armed and designed to counter street insurgencies. Its makers want to show what it will do, but have to train Los Angeles Police pilot Frank Murphy to fly and use it in order to allow it to operate in the city. Murphy and the project pilot have differences going back to Vietnam. The conflict between them continues to heat up as Murphy begins to suspect that Blue Thunder is more than has been disclosed. Written by
John Vogel <firstname.lastname@example.org>
In the sequence where Kate had just crashed through the door at the drive-in theater and two police cars spun out, you can see that one of the police cars comes very close to the camera. What you might not know was that a Japanese man, studying under cinematographer John A. Alonzo was acting as cameraman, and the police car would have hit him if not for the key grip right his cameraman's waist belt from the back and yanked him right off his feet, saving him from being mowed down. See more »
In the scene on the bridge over the L.A. river where Kate is stopped by "Metropolitan" Police, the younger officer's gun keeps switching from a Colt Python or Diamondback to a Smith & Wesson Model 15. He draws a Colt as he exits the car and brandishes a Smith & Wesson approaching the car and during the exterior shots of Kate's car. A Colt is seen from an interior shot of the driver side window which alternates with the Smith & Wesson exterior shots. A final exterior shot show a Colt as "Blue Thunder" hovers from the bottom of the bridge. See more »
[Murphy and Lymangood are on patrol]
All those people. What do you suppose they're all doing down there?
Well, according to the latest statistics, about 1 million, 775 thousand of them are... getting it on!
That many, eh!
The rest are waiting for 'Laverne and Shirley'!
See more »
The hardware, weaponry and surveillance systems depicted in this film are real and in use in the United States today. See more »
Always liked this one. Well written and acted, with excellent aerial action sequences. It's a shame this was Warren Oate's last role - he was magnificent. Other reviewers made a valid point about this film presaging the use of military hardware against civilians. We already use airplanes to catch speeders on the ground - doesn't the aviation fuel cost more than the amount of revenue taken in through summonses?
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