Grand Canyon revolved around six residents from different backgrounds whose lives intertwine in modern-day Los Angeles. At the center of the film is the unlikely friendship of two men from ... See full summary »
James is a new speech teacher at a school for the deaf. He falls for Sarah, a pupil who decided to stay on at the school rather than venture into the big bad world. She shuns him at first, ... See full summary »
Luis Molina and Valentin Arregui are cell mates in a South American prison. Luis, a trans individual, is found guilty of immoral behavior and Valentin is a political prisoner. To escape ... See full summary »
A seminal Thirty-Something movie in which a group of old college friends who are now all grown up and hardened by the big wide world come together for the funeral of Alex, a barely glimpsed corpse, who was at one time the brightest and the best of them, and yet who never managed to achieve half as much as any of the others. The friends use the occasion to reacquaint themselves with each other and to speculate as to what happened to their idealism which had been abundant when they were younger. Written by
Mark Thompson <email@example.com>
Although "The Big Chill" differed in subject matter and style from director Lawrence Kasdan's previous picture Body Heat (1981), both films shared Kasdan's interest in creating dynamic characters which are true to people's lives. In "The Big Chill", the characters are former college house-mates who have drifted apart over the years. Members of the baby-boom generation who entered young adulthood as idealistic non-conformists, they are now, for the most part, members of the establishment. "The Big Chill" emerged as a compassionate testimonial to a confused generation, one that has survived the passions of youth and grown through painful self-awareness into adulthood. In this context, the title "The Big Chill" takes on several resonant metaphorical meanings, from the obvious reference to the group's own mortality, strongly reinforced by the occasion of their reunion at a funeral, to the cooling of idealistic fires in the face of more calculated self-interest. See more »
The fog completely disappears after Harold's brief close-up shot when he and Nick are jogging through town. See more »
Hey, Nick? You know, we go back a long way, and I'm not gonna piss that away 'cause you're higher than a kite.
Wrong, a long time ago we knew each other for a short period of time; you don't know anything about me. It was easy back then. No one had a cushier berth than we did. It's not surprising our friendship could survive that. It's only out there in the real world that it gets tough.
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After reading several of the user comments on this movie, it is clear that many people missed quite a bit. Those "funny one-liners" (and there are plenty!) are much more than that: they tell us volumes about the characters. This movie certainly does not spell anything out to the viewer (except, perhaps, the obvious), so you must be able to find the meaning behind the words. If you listen to what the characters are saying, then you can understand their past relationships, their present feelings, which friends have stayed close, etc. Remember, these are old friends: the script is very realistic so the characters are not going to explain every line to one another. I believe to truly enjoy this movie you need to pay close attention to all of the details and understand a bit about the attitudes and ideals of the two eras the movie depicts.
Wonderful, intelligent movie!
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