Grand Canyon revolved around six residents from different backgrounds whose lives intertwine in modern-day Los Angeles. At the center of the film is the unlikely friendship of two men from ... See full summary »
A seminal Thirty-Something movie in which a group of old college friends who are now all grown up and hardened by the big wide world come together for the funeral of Alex, a barely glimpsed corpse, who was at one time the brightest and the best of them, and yet who never managed to achieve half as much as any of the others. The friends use the occasion to reacquaint themselves with each other and to speculate as to what happened to their idealism which had been abundant when they were younger. Written by
Mark Thompson <email@example.com>
As the movie opens an older couple is walking up to the church, but both were clearly standing still arm in arm until they got their [late] cue to walk. See more »
They're either married or gay. And if they're not gay, they've just broken up with the most wonderful woman in the world, or they've just broken up with a bitch who looks exactly like me. They're in transition from a monogamous relationship and they need more space. Or they're tired of space, but they just can't commit. Or they want to commit, but they're afraid to get close. They want to get close, you don't want to get near them.
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While channel surfing, saw this movie again tonight, for about the 35th time. What makes this movie great is not the story - hell, there is no story really - but the making of the movie itself. It is the single best combination of acting, film editing, sound track, dialogue, and every other thing that goes into a movie, ever put together. No special effects, no car chases, no suspense, no anything that usaually passes for entertainment. Just excellent film making. Even tonight, I saw yet one more background detail I never noticed before. You have to watch this movie multiple times to appreciate it. Nearly everything that happens early in the movie relates to something that occurs later on. The transitions and foreshadowing, the character relationships, the very words themselves all fit together like no other film ever made. I truly believe that this is a film that should be studied as an example of pure movie making, no less than Citizen Kane. To rate this movie as a 10 is to underrate it. Of course, that is just my opinion.
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