An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
A seminal Thirty-Something movie in which a group of old college friends who are now all grown up and hardened by the big wide world come together for the funeral of Alex, a barely glimpsed corpse, who was at one time the brightest and the best of them, and yet who never managed to achieve half as much as any of the others. The friends use the occasion to reacquaint themselves with each other and to speculate as to what happened to their idealism which had been abundant when they were younger. Written by
Mark Thompson <firstname.lastname@example.org>
The characters were based on people Lawrence Kasdan lived with in the Eugene V. Debs co-op in Ann Arbor, MI, while attending the University of Michigan. Co-ops are co-ed housing in which the residents share household duties like cooking. This explains why the characters are so comfortable sharing the house and cooking, and are so attached to the Michigan football game. See more »
When the cast is eating their first dinner a crewmember is visible through the window on the right. See more »
Since when did you get so friendly with cops? Harold?
You know you're fuckin' stupid? Stupid, yeah. First off, that cop has twice kept this house from being ripped off. Happens to be a hell of a guy. And you...
Come on, Harold. What is it?
What is it with you? Is jail another "experience" you want to "try?" See what that's "like?" You know, I live here. This place means something to me. I'm dug in. I don't need this shit.
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While channel surfing, saw this movie again tonight, for about the 35th time. What makes this movie great is not the story - hell, there is no story really - but the making of the movie itself. It is the single best combination of acting, film editing, sound track, dialogue, and every other thing that goes into a movie, ever put together. No special effects, no car chases, no suspense, no anything that usaually passes for entertainment. Just excellent film making. Even tonight, I saw yet one more background detail I never noticed before. You have to watch this movie multiple times to appreciate it. Nearly everything that happens early in the movie relates to something that occurs later on. The transitions and foreshadowing, the character relationships, the very words themselves all fit together like no other film ever made. I truly believe that this is a film that should be studied as an example of pure movie making, no less than Citizen Kane. To rate this movie as a 10 is to underrate it. Of course, that is just my opinion.
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