Grand Canyon revolved around six residents from different backgrounds whose lives intertwine in modern-day Los Angeles. At the center of the film is the unlikely friendship of two men from ... See full summary »
A seminal Thirty-Something movie in which a group of old college friends who are now all grown up and hardened by the big wide world come together for the funeral of Alex, a barely glimpsed corpse, who was at one time the brightest and the best of them, and yet who never managed to achieve half as much as any of the others. The friends use the occasion to reacquaint themselves with each other and to speculate as to what happened to their idealism which had been abundant when they were younger. Written by
Mark Thompson <firstname.lastname@example.org>
At least twice during the movie we can see an octopus on a TV screen in the house. Of course an octopus has eight legs, and there are eight intertwined friends in the film (counting their friend Alex, who we barely see). See more »
The fog completely disappears after Harold's brief close-up shot when he and Nick are jogging through town. See more »
Yeah. I'm a little disappointed though, I wanted to ride up there. I always wanted to ride in a limo.
[Michael and Sam exchange a look]
I do half my work in limos.
Are you a chauffeur?
No I'm a journalist.
[Sam starts to laugh]
I write for People Magazine.
[Looks at Sam]
I can't believe you're still mad about that thing.
[...] See more »
While channel surfing, saw this movie again tonight, for about the 35th time. What makes this movie great is not the story - hell, there is no story really - but the making of the movie itself. It is the single best combination of acting, film editing, sound track, dialogue, and every other thing that goes into a movie, ever put together. No special effects, no car chases, no suspense, no anything that usaually passes for entertainment. Just excellent film making. Even tonight, I saw yet one more background detail I never noticed before. You have to watch this movie multiple times to appreciate it. Nearly everything that happens early in the movie relates to something that occurs later on. The transitions and foreshadowing, the character relationships, the very words themselves all fit together like no other film ever made. I truly believe that this is a film that should be studied as an example of pure movie making, no less than Citizen Kane. To rate this movie as a 10 is to underrate it. Of course, that is just my opinion.
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