Grand Canyon revolved around six residents from different backgrounds whose lives intertwine in modern-day Los Angeles. At the center of the film is the unlikely friendship of two men from ... See full summary »
John Logan is a poor little rich boy. He learns to love from three nubile L.A. newcomers that will do anything to be introduced into the sizzling nightlife of the City of Angels. Portraying... See full summary »
Everyone has a talent, and dreams do come true. Stacy Lancaster has an incredible knack for Blackjack. Once she joins up with daring Will Bonner the two young gamblers are on a non-stop ... See full summary »
A seminal Thirty-Something movie in which a group of old college friends who are now all grown up and hardened by the big wide world come together for the funeral of Alex, a barely glimpsed corpse, who was at one time the brightest and the best of them, and yet who never managed to achieve half as much as any of the others. The friends use the occasion to reacquaint themselves with each other and to speculate as to what happened to their idealism which had been abundant when they were younger. Written by
Mark Thompson <email@example.com>
After filming the college Thanksgiving flashback scene, the cast and crew moved on to the picturesque town of Beaufort, SC and settled in for the remainder of the shoot. It was during the colder fall off-season for Beaufort, so the usual summer vacationers were absent, leaving a somewhat deserted feel to the area. With Hollywood so far away, and it being a time before cell phones or the Internet, contact with the outside world was limited, leaving the cast and crew to spend most of their time together off-camera as well, which helped in creating a tight communal atmosphere. When they weren't filming, the actors spent their time exploring the area, playing parlour games and having dinner together. See more »
The fog completely disappears after Harold's brief close-up shot when he and Nick are jogging through town. See more »
You'll never get this many people to come to my funeral.
Ohh, Karen, I'll come. And, you know... I'll bring a date.
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A Winning Comedy-Drama Backed by One of the Best Soundtracks Ever!
1983's THE BIG CHILL is one of those beautifully crafted and wonderfully acted films that is so ingratiating that I can watch it over and over and never tire of it. Director Lawrence Kasdan hits the bullseye in this alternately hilarious and moving variation on the earlier RETURN OF THE SECAUCUS SEVEN. This film follows the reunion of a group of friends who went to college together, who have gathered for the funeral of their mutual friend, Alex, who has committed suicide. The original screenplay included scenes with Alex, who was played by Kevin Costner, but, in a stroke of genius, it was decide to delete all of the Alex scenes in the film, lending a wonderful air of mystery to the character of Alex and allowing the audience more input as to why Alex decided to end his life. Alex's friends are Harold Cooper (Kevin Kline), who now owns a shoe store franchise and his doctor-wife, Sarah (Glenn Close), who also serve as our hosts ; Michael (Jeff Goldblum), a writer for PEOPLE magazine; Meg (Mary Kay Place)an attorney who wants to have a baby; Sam (Tom Berenger) an actor with his own TV show who misses the simple life; Karen (JoBeth Williams), a restless housewife who would really like to be a writer and Nick (William Hurt) a drug dealer who would like to be anything else. Also thrown into the mix is Chloe (Meg Tilly) Alex's girlfriend, who knows a completely different Alex than his friends do. This gathering of old and new friends sets the stage for some long-dormant resentments to bubble to the surface and for some long buried passions to be re-ignited. Kasdan has a sharp directorial eye and a flawless ear for dialogue with one of the most quotable screenplays ever and it is all set to a soundtrack of the greatest music from the 1960's ever compiled for a movie soundtrack. The cast is perfection...Close received a Best Supporting Actress nomination but the entire cast works at the same level and to honor one without honoring the ensemble wouldn't have been right. This is the ultimate ensemble piece and it works just about perfectly. Anyway you slice it, an instant classic.
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