Dr. Eduardo Plarr, despite the name is an Anglo working in a Latin American country. His work is a return home after several years. He begins to form and re-establish friendships and begins...
See full summary »
Jesse has to get out of Las Vegas quickly, and steals a car to drive to L.A. On the way he shoots a police man. When he makes it to L.A. he stays with Monica, a girl he has only known for a... See full summary »
Eddie, a Chicago cop on the edge, goes undercover as hitman. A man and a mysterious woman want him to kill a merciless New Orleans criminal kingpin. The sting goes sour and Eddie's partner is killed. All Eddie wants now is revenge.
Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose ... See full summary »
A psychiatrist (Gere) has an affair with his patient's sister (Basinger) who is married to a Greek mobster (Roberts). The mobster is a tyrant over his wife. The psychiatrist wants her to ... See full summary »
Dr. Eduardo Plarr, despite the name is an Anglo working in a Latin American country. His work is a return home after several years. He begins to form and re-establish friendships and begins an affair. All of this comes together to create problems when he is asked to help revolutionaries kidnap a diplomat. Written by
John Vogel <email@example.com>
First film as a producer for Norma Heyman. Heyman had tried for years to get this movie made ever since she first read the novel back in the early 1970s. Heyman was turned down by the majority of Hollywood film studios. Proper development on the film began when, after a chance meeting with actor Richard Gere at a New York restaurant, Gere was sent the script, and showed interested in doing the film. See more »
The Honorary Consul/Beyond the Limit has an especially low reputation in the US, mainly because of the antipathy many feel to Richard Gere, but it's one of the best Graham Greene adaptations to date, and infinitely more successful than Philip Noyce's disappointing version of The Quiet American (which explores similar themes) with it's over-rated and rather lazily mechanical star-turn from Michael Caine. By contrast, Caine here is staggeringly good, totally inhabiting the character's flaws without 'giving a performance' - here he's inside the drunken Charlie Fortnum's skin completely and doesn't need to act. Gere certainly offers him better support than the disastrous Brendan Fraser, managing an acceptable English accent and capturing the character's emotional apathy. Bob Hoskins is also on top understated form as the local police chief, avoiding turning him into Senor Haroldo Shand and coming up with an amiably sympathetic but dangerous presence that owes nothing to his usual stock-in-trade characters.
The irony of timing of seeing a film about a fictional British hostage no-one wants back in the week after a real-life British hostage his government didn't want back was murdered in Iraq only occurred to me later. There are similarities (Caine's character even has a much-younger foreign wife while the Americans here also put pressure on the British government not to act), but being a Graham Greene story this is much more concerned with moral responsibility, lapsed Catholicism and, ultimately, an act of forgiveness that sees the film's nominally weakest and most compromised character emerge as it's strongest. Well directed by John Mackenzie with superb photography by Phil Meheux that compliment each other to give a convincing sense of everyday life in a military dictatorship, it's highly recommended despite the low IMDb rating.
16 of 17 people found this review helpful.
Was this review helpful to you?