Dr. Eduardo Plarr, despite the name is an Anglo working in a Latin American country. His work is a return home after several years. He begins to form and re-establish friendships and begins...
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Eddie, a Chicago cop on the edge, goes undercover as hitman. A man and a mysterious woman want him to kill a merciless New Orleans criminal kingpin. The sting goes sour and Eddie's partner is killed. All Eddie wants now is revenge.
A psychiatrist (Gere) has an affair with his patient's sister (Basinger) who is married to a Greek mobster (Roberts). The mobster is a tyrant over his wife. The psychiatrist wants her to ... See full summary »
John Preston is a British agent with the task of preventing the Russians detonating a nuclear explosion next to an American base in the UK. The Russians are hoping this will shatter the 'special relationship' between the two countries.
Keen young Raymond Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose ... See full summary »
Following the Second World War, a northern cannery combine negotiates for the purchase of a large tract of uncultivated Georgia farmland. The major portion of the land is owned by Julie Ann... See full summary »
John Phillip Law
Dr. Eduardo Plarr, despite the name is an Anglo working in a Latin American country. His work is a return home after several years. He begins to form and re-establish friendships and begins an affair. All of this comes together to create problems when he is asked to help revolutionaries kidnap a diplomat. Written by
John Vogel <firstname.lastname@example.org>
First film as a producer for Norma Heyman. Heyman had tried for years to get this movie made ever since she first read the novel back in the early 1970s. Heyman was turned down by the majority of Hollywood film studios. Proper development on the film began when, after a chance meeting with actor Richard Gere at a New York restaurant, Gere was sent the script, and showed interested in doing the film. See more »
Competent adaptation of a typical Graham Greene story, a tale of dilemma, forgiveness and redemption in a quasi-fascist South America. Direction and acting are both ordinary, though Michael Caine and Richard Gere are at least well cast; Bob Hoskins (an Argentinian policeman!) less so. Always interesting, but strangely subdued: Greene packs a greater moral punch on the page.
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