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In 1966 New Jersey, Jill Rosen, a frustrated high schooler, is intrigued by an enigmatic new student known only as the Sheik. Sheik is an Italian whose primary interests are his car, Frank Sinatra, and Jill. At first she is taken aback by his forwardness, but they soon develop a relationship, much to the chagrin of their parents. Sheik gets expelled from school, and Jill is accepted at an all-girls college. After a fight, Sheik goes to Florida to work in a club lip-synching Sinatra songs. Sheik becomes dissatisfied with his Florida lifestyle and goes back to New Jersey to try to win Jill over. Written by
Philip Brubaker <email@example.com>
When the screenplay was completed, John Sayles shopped the script around to several major Hollywood studios who all rejected it saying they did not like the ending and would not support the film without major changes to the story. See more »
When Sheik and Jill leave on their trip to the New Jersey shore, they cross a large bridge that has the slogan "Trenton Makes - The World Takes" on it. This bridge actually takes you from Trenton into Morrisville, Pennsylvania. See more »
The ultimate fantasy of high school girls of the 1960's
I always dreamed and fantasized about falling for a hood like Sheik. "Nice" girls who grew up in the 1960's and were in the honor society were supposed to achieve the questionable goal of marrying a nice boy who would earn well and buy us a nice house in the suburbs, where we would presumably have some nice children...
And this, in a word, is what lends "Baby, It's You" its poignancy. High school is the one place, the last place, in which the unlikely and all-too-temporary coupling of a female "achiever" bound for suburban "niceness" and the magnetic male "underachiever" bound for urban "unniceness" can occur. Sheik/Albert Capadilupo ("Is he an Arab?" "No, Italian.") embodies all the qualities that leader-type Jill Rosen has been told time and time again do not make a good, suitable husband or match or date: he disdains academic achievement, he is "good" with his hands, he drives fast, he has underworld connections, he knows how to kiss..and possibly how to do other things. Jill Rosen, in turn, has dreamy eyes, answers questions in class, gets good grades, and has ambitions of being something very much more than a "wife," qualities which fascinate and often infuriate Sheikh.
In the course of the movie, the on-again, off-again romance between them -which features all the quirkiness and unpredictability of most high-school romances, and then some- lights up, then sputters, then heats up again. My favorite movie scene of all time takes place when a sleepless maniacal Sheik barrels up US Route 1 from Miami in a series of stolen cars, then collars numerous shocked and amazed debutante types in the Student Center in order to locate Jill.
Free of sci-fi special effects or surrealistic flashbacks, this is a movie for people who love and believe in "romance" in the truest sense of the word
that one brief "Camelot"-like time when two people from different
backgrounds and even worlds light up the world for each other, even though they sense it will end all too soon.
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