| Christian Patey | ... | Yvon Targe | |
| Vincent Risterucci | ... | Lucien | |
| Caroline Lang | ... | Elise | |
| Sylvie Van den Elsen | ... | Grey Haired Woman | |
| Michel Briguet | ... | Grey Haired Woman's Father | |
| Béatrice Tabourin | ... | La photographe | |
| Didier Baussy | ... | Le photographe | |
| Marc Ernest Fourneau | ... | Norbert | |
| Bruno Lapeyre | ... | Martial | |
| François-Marie Banier | |||
| Alain Aptekman | |||
| Jeanne Aptekman | ... | Yvette | |
| Dominique Mullier | |||
| Jacques Behr | |||
| Gilles Durieux | |||
| Alain Bourguignon | |||
| André Cler | ... | Père de Norbert | |
| Claude Cler | ... | Norbert's Mother | |
| Anne de Kervazdoué | |||
| Bernard Lamarche-Vadel | |||
| Pierre Tessier | |||
| Eric Franklin | |||
| Jean-Louis Berdot | |||
| Yves Martin | |||
| Luc Solente | |||
| Valérie Mercier | |||
| Alexandre Pasche | |||
| Jean-Michel Coletti | |||
| Stéphane Villette |
Directed by | |||
| Robert Bresson | |||
Writing credits(in alphabetical order) | ||
| Robert Bresson | writer | |
| Leo Tolstoy | short story "Faux billet" (as Tolstoï) | |
Produced by | |||
| Antoine Gannagé | .... | executive producer | |
| Jean-Marc Henchoz | .... | producer | |
| Daniel Toscan du Plantier | .... | producer | |
Cinematography by | |||
| Pasqualino De Santis | |||
| Emmanuel Machuel | |||
Film Editing by | |||
| Jean-François Naudon | |||
Production Design by | |||
| Pierre Guffroy | |||
Costume Design by | |||
| Monique Dury | |||
Production Management | |||
| Richard Dupuy | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Olivier Péray | .... | first assistant director | |
Sound Department | |||
| Jean-Marc Lentretien | .... | sound mix technician | |
| Jacques Maumont | .... | sound mixer | |
| Jean-Louis Ughetto | .... | sound engineer | |
| Luc Yersin | .... | sound engineer | |
Camera and Electrical Department | |||
| Michel Abramowicz | .... | first assistant camera | |
Music Department | |||
| Johann Sebastian Bach | .... | composer: additional music | |
| Recent Posts (updated daily) | User |
|---|---|
| Coming to DVD from New Yorker Films! | Oblomov_81 |
| Gasoline | frederikinho |
| Murdered Family | ggb1788 |
|
|
|
|
|
| The Best of Youth | Au Revoir Les Enfants | The Basketball Diaries | The Official Story | Sleepers |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
Bresson's last film is one of his best. He leaves no room for anything extra. There are no more dissolves, no more music (just his brilliant soundtrack). He moves through so many many facets of society so quickly, efficiently and daringly. Today's filmmakers should learn a lesson with their 2 hour films which never get to the point.
You will never forget the car chase scene, where he as usual builds so much through the soundtrack. And the dog, roaming from room to room in a pinnacle scene is revolutionary.
Money corrupts, then and now, and his attack on french society was maybe another reason he was never given funding for his films.
Bresson's ability to show humanity, surprise, horror and complexity reminds of his hero Doestovesky and in this case Tolstoy.
The ending, the final scene and shot, pierces your soul.